...Kochetkova and Luiz told the tale beautifully...
Archive - January 2015
Gallery by Foteini Christofilopoulou...
Gallery by Sunkyung Reina Jang…
Cassa Pancho MBE, Founder and Artistic Director of Ballet Black and Robert Mackintosh, Co Founder of The Entertainment & Media Group and Creative Director of The St James Theatre have been announced as new patrons of Central School of Ballet,
America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson...
Gallery by Foteini Christofilopoulou...
...Onegin remains a sparkling example of what a narrative ballet is and ought to be.
Too much Chopin? Perhaps.
Gallery by Dave Morgan...
The Critics’ Circle National Dance Awards for 2014 took place today in London at The Place’s Robin Howard Dance Theatre.
Another Onegin cast recorded for posterity - Matthew Golding and Natalia Osipova photographed in rehearsal by Dave Morgan...
The SF Ballet premiere of choreographer-in-residence Yuri Possokhov's pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan...
Gallery by Foteini Christofilopoulou...
In recent seasons New York City Ballet has gotten into the habit of starting things off with a week or two of Balanchine. It’s an excellent idea.
The opening night bill of Thiago Soares and Marianela Nunez captured in reherasal by Foteini Christofilopoulou...
"...a very striking and unusual piece with moments of real theatrical magic."
On the eve of opening the latest Royal Ballet season of 'Onegin' Thiago Soares talks about one of his most inspirational roles, and a few other things too...
...the Ukrainian-born soloist Anastasia Matvienko was a pliant, loose-limbed Cinderella who danced with uninhibited ease and looked perfectly at home in Ratmansky’s goofy interpretation of the character.
Inside There Falls is a multi-media experience, and an immersive and sensory one at that. It is complex in the ideas that it encompasses.
I suspect first-time Giselle-goers will like this bright production just fine. Veteran viewers, on the other hand, might find its mildness harder to swallow