Alan Helms is Professor Emeritus of English at the University of Massachusetts/Boston and the University of Paris. For the past 15 years, he's written on dance for South End News and InNewsweekly (both Boston weeklies), and more recently Balletco. When not watching dance or gardening or spending time with friends, he can be found lying on his couch at home reading Proust.
Under are the articles written for DanceTabs. Reviews on Balletco
Chroma: Perhaps it’s meant as a kind of sherbet to clear the palate between the Balanchine pieces… In short, I found the ballet dazzling but soulless.
And together, Kuranaga and Cirio make a superb couple, performing with such sensitive musicality and balanced unison that it sometimes seems you’re watching a single composite creature.
“I think for me the high point is that I don’t see Boston audiences as having any limitations. When I got here everybody was telling me what I couldn’t do and people warned me to play it safe. But I have found people extremely open and willing to explore and I’m really thrilled about that.”
But in Sharper, aggressively awkward movements are kept to a minimum: the ugly is reduced, and the residue now acts like a tonic of wit. And for the first time in Elo’s work, at least in my experience, we find a lyricism and beauty so profound they sometimes took my breath away.
Symphony in Three Movements: This collaboration of two of the giants of 20th century art (Balanchine, Stravinsky) was clearly a marriage made in heaven, and thanks to Boston Ballet’s newest production, we got to attend the nuptials.