Author: Bruce Marriott

Bruce Marriott is editor of DanceTabs

Under are the articles written for DanceTabs. Reviews on Balletco
Mark Bruce.© Mark Bruce Company. (Click image for larger version)

5 Questions to Mark Bruce about his latest dance-theatre work – Macbeth

As his new Macbeth starts its UK tour with Jonathan Goddard in the lead, we have a very quick chat with award winning choreographer Mark Bruce…

Duwane Taylor's It's Time to Speak.© Irven Lewis. (Click image for larger version)

Watts Dance, Grov Productions and Duwane Taylor – Place Resolution 2018

★★★✰✰   Duwane Taylor’s “It’s Time to Speak”… is powerful theatre that left a lump in many of our throats at the end.

Arancha Baselga and Brandon Lawrence in The Nutcracker.© Annabel Moeller. (Click image for larger version)

Birmingham Royal Ballet – The Nutcracker – London

★★★✰✰   Peter Wright’s glorious ballet might not shine quite so magically in its Bintley/Albert Hall version but the dancers certainly do…

Corey Annand and Valentina Golfieri in The Little Match Girl.© Phil Conrad. (Click image for larger version)

Arthur Pita – The Little Match Girl – London

★★★★★   Of all the shows I’ve seen this year this probably had the least dance content and yet as a package it really delivers on the wonder and thoughtful difference that theatre can make to all our lives. Charmed I was…

Ljiljana Velimirov, Tom Waddington & Sergei Polunin in Satori.© Tristram Kenton. (Click image for larger version)

Project Polunin – Satori, First Solo, Scriabiniana – London

★★✰✰✰   In truth Polunin’s latest show at the London Coliseum, although it has its moments, isn’t such a great advertisement for him as a dancer or as a creative mixer of the ballet pot.

Sergei Polunin and Natalia Osipova in rehearsals for Satori.© Srđan Srđenović. (Click image for larger version)

Sergei Polunin – Dancer, Choreographer & Actor – on his new London show and life…

On the eve of his new London show, which includes two premieres and a rarely seen piece of early Russian contemporary ballet, we catch up with Polunin about the shows and life in general. He’s clearly a man who wants to leave his mark…

J'aime Crandall in Raymonda.© Henrik Stenberg. (Click image for larger version)

Royal Danish Ballet – Raymonda – Copenhagen

★★★✰✰   All up, I think this production demonstrated the strengths and weaknesses of “Raymonda” as a ballet. It certainly is a fabulous looking (and listening) calling card which might tour well…

Svetlana Zakharova and Bolshoi friends in Strokes Through the Tail.© Jack Davant. (Click image for larger version)

Svetlana Zakharova – Amore: Francesca da Rimini, Rain before it Falls, Strokes Through the Tail – London

★★★✰✰   Happy for Zakharova who ultimately curated an interesting night, very happy to see her retinue of Bolshoi dancers and happy to see Donlon provide such final good cheer.

George Williamson.© Arnaud Stephenson. (Click image for larger version)

5 Questions to George Williamson – freelance choreographer and recipient of the first BRB Ballet Now commission

Ballet Now is an initiative between Birmingham Royal Ballet and Sadler’s Wells to develop the (classical) choreographers, composers and designers of the future. It’s a 5-year programme with 2 commissions each year, made possible by the Oak Foundation, matched BRB funding and driven by a Creative Consortium.

Constance Devernay and Andrew Peasgood in Kenneth MacMillan's The Fairy's Kiss.© Andy Ross. (Click image for larger version)

Scottish Ballet – The Fairy’s Kiss, The Rite of Spring – Glasgow

★★★★✰   Absolutely fascinating… Scottish Ballet should feel very proud of celebrating MacMillan in such a thoughtful way…

Marijn Rademaker and Igone de Jongh in Sarcasmen.© Hans Gerritsen. (Click image for larger version)

Dutch National Ballet – Hans van Manen, Ode to the Master bill – Amsterdam

★★★★✰   An outstanding bill in showing Hans van Manen’s work for three companies and its rich contemporary diversity – it all looks so fresh and of today.

Emma Maguire.© and courtesy The Royal Ballet. (Click image for larger version)

5 Questions to Emma Maguire, RB Soloist, about the Ann Maguire Gala and Charity

We talk to Emma Maguire about the Gala that honours the life of her mum, Ann Maguire, and this year takes place at the Leeds Grand Theatre on 3 September. The proceeds go to support the Ann Maguire Arts Education Fund – inspiring young people through the arts…

Erna Ómarsdóttir.© Saga Sigurðardóttir. (Click image for larger version)

5 Questions to Erna Ómarsdóttir, Iceland Dance Company director, about the company and their latest touring bill – Sacrifice

Iceland Dance Company are about to present the UK premiere of Sacrifice at London’s Royal Festival Hall – so an excellent time to catch up with Erna Ómarsdóttir, their choreographing director…

Maureya Lebowitz as Swanilda in Coppélia.© Roy Smiljanic. (Click image for larger version)

Birmingham Royal Ballet – Coppelia and Three Short Story Ballets – Bristol and Birmingham

★★★✰✰   I went to Bristol to catch Coppelia and the specific lead casting of Celine Gittens and Tyrone Singleton – who have now totally transitioned from being rising stars to fully risen Principals.

Dutch National Ballet in the Piano Concerto #1 section of Shostakovich Trilogy.© Hans Gerritsen. (Click image for larger version)

Dutch National Ballet – Shostakovich Trilogy (European premiere) – Amsterdam

★★★★✰   This little trip made it abundantly clear we need to see more Ratmansky in the UK and Europe…

Jessica Harding and Courtney Reading in Morgann Runacre-Temple's Handsfree.© Fiona Whyte. (Click image for larger version)

Images Ballet Company – Distant Beauties, Concerto for Joyce and Dennis, Handsfree, Scenes of Death and Disaster – London

★★★★✰   This year’s Images Ballet Company is 8 strong, small in the graduate school scheme of things, and yet their show was one of the most exciting I’ve seen in years with a wonderful and eclectic choice of repertoire, danced with passion and verve.

Liam Lindsay and Amy McEntee in Christopher Bruce's Mya.© Bill Cooper. (Click image for larger version)

Ballet Central – 2017 Tour – London

★★★✰✰   At the end of the evening was what you might call the blockbuster piece of the tour – 30 minutes of Matthew Bourne in the form of Act II of his “Highland Fling”. Bourne’s take on “La Sylphide” is a wonderful piece of work, full of wit, style and pathos…

Kizzy Matiakis (Merteuil), Jon Axel Fransson (Valmont) and Andreas Kaas (Danceny) in Dangerous Liaisons.© Costin Radu. (Click image for larger version)

Royal Danish Ballet – Dangerous Liaisons (premiere) – Copenhagen

★★★★✰   …I was again struck by just how effortlessly a story can be communicated and emotions laid bare by ballet – it was a triumph.

Eleanor Sikorski and Flora Wellesley Wesley.© Camilla Greenwell and Flora Wellesley Wesley. (Click image for larger version)

5 Questions to Eleanor Sikorski and Flora Wellesley Wesley of Nora

We talk to two of the three artistic directors of Nora about what makes them tick and touring their latest bill – “Nora invites Aggiss, Burrows, Fargion and Tanguy”.

Interviewed - Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes - 4 of the 6 Emerging Dancer 2017 finalists.© Laurent Liotardo. (Click image for larger version)

English National Ballet’s Emerging Dancer 2017 Competition – 5 Questions to 4 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 25 May and ahead of the that we talk to 4 of the 6 finalists – Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes…

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