Author: Graham Watts

Dance Writer/Critic. Member of the Critics' Circle, Chairman of the Dance Section and National Dance Awards Committee. Writes for leading dance magazines & websites - in UK, Europe, USA, Japan & cyberspace. Graham is based in London.

Under are the articles written for DanceTabs. Reviews on Balletco
Slava Samodurov, surrounded by his company after their Five Tangos premiere.© Sergei Gutnik. (Click image for larger version)

Slava Samodurov: bringing Yekaterinburg Ballet in from the cold

Graham Watts braved 21 hours of flights and missed connections just to spend a night at the Yekaterinburg Opera House followed by a meeting with its new(ish) Director of Ballet, Slava Samodurov, a former Principal at The Royal Ballet…

Sarah Richards in Some Like it Hip-Hop.© Dave Morgan. (Click image for larger version)

ZooNation – Some Like It Hip Hop – London

The title of Kate Prince’s latest extravaganza is way too modest. On the basis of the universal adulation pouring from this audience, not just at the end but throughout the show, it would appear that EVERYONE likes it hip hop.

RUBBERBANDance Group in Gravity of Center.© Jocelyn Michel. (Click image for larger version)

RUBBERBANDance Group – Gravity of Center – London

It is rare to find a dance company that articulates a new movement methodology but that is exactly what the Montreal-based RUBBERBANDance Group have developed over the past ten years.

Detail from poster. © London Children's Ballet. (Click image for larger version)

London Children’s Ballet – The Secret Garden – London

This is the 19th LCB production and a remarkable total of 7,500 children have auditioned over this time, with just 669 making it into the company…

Hofesh Shechter Company in Uprising.© Andrew Lang, 2007. (Click image for larger version)

Hofesh Shechter Company — Uprising & The Art of Not Looking Back – London

Each revisiting seems to offer up more than the sum of its parts, giving these former works a new and exciting lease of life

Fabulous Beast Dance Theatre in The Rite of Spring.© Foteini Christofilopoulou. (Click image for larger version)

Fabulous Beast – Rite of Spring, Petrushka – London

The vernal equinox having passed, here was my first sighting of The Rite of Spring in this the Centenary year of Stravinsky’s great masterpiece…

Sabina Yapparova, Polina Semionova, Marat Shemiunov in Multiplicity. Forms of Silence and Emptiness. © Dave Morgan. (Click image for larger version)

Mikhailovsky Ballet – Multiplicity. Forms of Silence and Emptiness – London, Coliseum

His choreography is busy, occasionally predictable, but more often inventive, strong on musicality and both remarkably fluid and emotionally charged; stretching the dancers both literally and in terms of their artistic diversity.

Rocio Molina.© Felix Vazquez. (Click image for larger version)

Rocio Molina – Danzaora – London

Sadler’s Wells has found the dance equivalent of the Yukon in making this young Spaniard one of its International New Wave Artists.

Tavaziva Dance in Greed.© Irven Lewis. (Click image for larger version)

Tavaziva Dance – Greed – London

Despite the title, Bawren Tavaziva’s latest work is not so much about Greed as it is about the full house of deadly sins (bestial lust and envy being especially to the fore).

Scottish Dance Theatre's Winter Again.© Maria Falconer. (Click image for larger version)

Scottish Dance Theatre – Second Coming, Winter Again – London

There is a mysterious exoticism in Scottish Dance Theatre’s delivery of work by two innovative choreographers (one hails from LA, the other from Norway) whose work is largely unknown in the UK.

Henri Oguike's The Four Seasons in rehersal.© Joe Plommer. (Click image for larger version)

Henri Oguike & Orchestra of the Age of Enlightenment – Four Seasons – London

If music be the food of love, then it is surely the air and water of dance.

Robert Carter at work.© Sascha Vaughan. (Click image for larger version)

Why it’s HOT to TROCK – 5 Les Ballets Trockadero de Monte Carlo ballerinas reveal all

On the eve of a UK tour 5 Les Ballets Trockadero de Monte Carlo ballerinas reveal all…

DVD cover.© Dancetime Publications. (Click image for larger version)

DVD – Sensuality & Nationalism in Romantic Ballet

This is not by any means a DVD for casual viewing, but for the serious student of ballet it provides a concise and fascinating understanding of the key components of Romantic Ballet, hugely enhanced by the opportunity to see a group of restaged dances from that era that have not been seen before…

ZooNation publicity image for their 10th Anniversary Show.© ZooNation. (Click image for larger version)

ZooNation – 10th Anniversary Show – London

Hip hop is rapidly becoming the dominant dance discipline of the 21st century. Something that emerged as raw and explosive from US street culture is now established, codified and taught all around the world.

Compagnie MPTA/Mathurin Bolze in Du Goudron et des Plumes.© Christophe Raynaud de Lage. (Click image for larger version)

Compagnie MPTA/ Mathurin Bolze – Du Goudron et des Plumes – London

This remarkable experience is a cocktail of circus skills, dance, mime, comedy and illusion all wrapped up in an absorbing package of ebullient physical theatre.

The Snowman.© Alastair Muir. (Click image for larger version)

Birmingham Repertory Theatre/Robert North – The Snowman – London

…Robert North’s Christmas treat shows no sign of aging. This matinée was packed with children, having a few older people in tow, and everyone was having fun.

Paco Pena Flamenco Dance Company in Quimeras.© Cesar Alocer. (Click image for larger version)

Paco Pena Flamenco Dance Company – Quimeras – London

One might view the whole show as a battle of flamenco and African styles: the one, refined, disciplined and exact; the other wild and free; but both sharing a total dependence on rhythm.

Kai-Wen Chuang (supported by Luke Burrough) in FREEDOM.© Dave Morgan. (Click image for larger version)

Jasmin Vardimon Company – FREEDOM – London

Freedom came when the performers were allowed to dance. And that just wasn’t often enough.

Rosas in Cesena.© Anne Van Aarschot. (Click image for larger version)

Anne Teresa De Keersmaeker | Rosas – Cesena – London

Anne Teresa De Keersmaeker’s diptych – hinged by the night – is a paean to medievalism which emphasises the crucial aspects of those times.

Rosas in publicty image for En Atendant and Cesena.© Anne_Van_Aarschot. (Click image for larger version)

Anne Teresa De Keersmaeker | Rosas – En Atendant – London

I can’t help but feel cheated at missing this day into dusk on a summer’s evening in Avignon and waking up to its counterpart the next morning.

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