Author: Graham Watts

Dance Writer/Critic. Member of the Critics' Circle, Chairman of the Dance Section and National Dance Awards Committee. Writes for leading dance magazines & websites - in UK, Europe, USA, Japan & cyberspace. Graham is based in London.

Under are the articles written for DanceTabs. Reviews on Balletco
Tango After Dark publicity image.© German Cornejo. (Click image for larger version)

Germán Cornejo – Tango After Dark – London

★★★★★   I cannot imagine that partnered dance gets any better than this.

La Chana and Gema Moneo in Goddess of Compás.© Foteini Christofilopoulou. (Click image for larger version)

Gala Flamenca La Chana – Goddess of Compás – London

★★★★✰   Rarely have I witnessed a prolonged standing ovation midway through a show but it happened here to acknowledge the legendary gypsy bailaora from Barcelona, known as La Chana.

Sadler's Wells publicity image for Carmen Linares, Arcángel & Marina Heredia's Tempo of Light.© Sadler's Wells. (Click image for larger version)

Carmen Linares, Arcángel & Marina Heredia – Tempo of Light – London

★★★★★   This was flamenco puro in its most fabulous form, dominated – as it should be – by the voice, led by three of the most celebrated of today’s star flamenco singers. It doesn’t get much better.

Marie Gyselbrecht in Mother (Moeder).© Foteini Christofilopoulou. (Click image for larger version)

Peeping Tom – Mother (Moeder) – London

★★★★✰   Mother was an absorbing 70 minutes of performance art. Mothers were never exactly to the fore and yet – in many respects – they were always apparent…

Ekaterina Petina and Matej Urban in The Taming of the Shrew.© Alice Blangero. (Click image for larger version)

Les Ballets de Monte – The Taming of the Shrew – Monte Carlo

★★★★✰   Maillot’s work is generally replete with a sense of irony and eroticism and Shakespeare gave him enormous scope for both!

Tamara Rojo and Ivan Vasiliev in Le Jeune Homme et la Mort.© Foteini Christofilopoulou. (Click image for larger version)

English National Ballet – Le Jeune Homme et la Mort, La Sylphide – London

★★★★✰   One great privilege of Rojo being both director and dancer must be the opportunity to choose her own partners and this year’s returning guest is Ivan Vasiliev…

Kimin Kim and Sofia Matyushenskaya in Don Quixote.© M Logvinov. (Click image for larger version)

Yacobson Ballet – Don Quixote – St. Petersburg

★★★★✰   Kobborg has deconstructed the work; mixing up the narrative’s building blocks before reassembling them in a masterpiece of balance that remains recognisably traditional but is also refreshingly new.

Ashley Shaw in Matthew Bourne’s Cinderella.© Foteini Christofilopoulou. (Click image for larger version)

New Adventures – Matthew Bourne’s Cinderella – London

★★★✰✰   While the production is supremely stylish and the characters well-observed with expressive and romantic choreography, the narrative is padded out in order to fill the music, particularly where traditional elements of “Cinderella” have been excised.

Barnaby Rook Bishop, Thomas Edwards and Simon Schilgen in The Nutcracker.© Andy Ross. (Click image for larger version)

Scottish Ballet – The Nutcracker – Edinburgh

★★★★✰   A charming, uplifting ballet that truly sets the scene for Christmas. A large part of the heart-warming effect was Darrell’s decision to populate the stage with children…

Carys Staton, Rachel Poirier and Alexander Leonhartsberger in Swan Lake/Loch na hEala.© Foteini Christofilopoulou. (Click image for larger version)

Teac Damsa / Michael Keegan-Dolan – Swan Lake/Loch na hEala – London

★★★✰✰   This is Swan Lake in name only. There is no Tchaikovsky… there are no tutus… there is no-one called Odette, Odile, Siegfried or Rothbart, although there are several characters called McLoughlin…

Liam Francis and Hannah Rudd in Ben Duke's Goat.© Foteini Christofilopoulou. (Click image for larger version)

Rambert – A Linh Curva, Symbiosis, Goat – London

★★★★✰   There is a cocksure, swaggering confidence about this company and these dancers, in this programme.

Cesar Morales.© Andres Cabezas. (Click image for larger version)

Cesar Morales – Principal Dancer, Birmingham Royal Ballet

So how did a good Chilean boy end up dancing ballet in Europe…

Jurgita Dronina and Isaac Hernandez in La Sylphide.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Song of the Earth, La Sylphide – Manchester

★★★★✰   The ENB production of La Sylphide has been staged by three luminaries of Danish ballet, Frank Andersen, Eva Kloborg and Anne Marie Vessel Schlüter, and is, therefore, one supposes, as authentic to the August Bournonville ideals, as possible…

Avatara Ayuso.© Daniel Minguez. (Click image for larger version)

5 Questions for Avatâra Ayuso, Dancer, Choreographer and Director

Graham Watts catches up with the well connected Avatâra Ayuso who has just been appointed Associate Artist at Shobana Jeyasingh Dance…

Rocio Molina in Fallen from Heaven (Caida del Cielo).© Foteini Christofilopoulou. (Click image for larger version)

Rocio Molina – Fallen from Heaven (Caída del Cielo) – London

★★★★★   The words “90 minutes, no interval” generally fill me with dread.

Cirque Eloize in Saloon.© Jim Mneymneh | www.PhotosDeCirque.com | Courtoisie du Cirque Éloize. (Click image for larger version)

Cirque Eloize – Saloon – London

★★★★✰   There has to be something in Canada’s water, especially in the beautiful city of Québec…

Anastasia Soboleva and Victor Lebedev in Cinderella.© Stas Levshin. (Click image for larger version)

Mikhailovsky Ballet – Cinderella – St. Petersburg

★★★★★   It seems appropriate that I’ve travelled to Russia to find a Cinderella interpreter of movement and spectacle to match up to the genius of Prokofiev’s music.

Nicholas Minns and Mark Boldin in They Live Next Door.© Judita Kuniskyte. (Click image for larger version)

Ieva Kuniskis – They Live Next Door – London

★★★★✰   Lithuania punches well above its weight as a propagator of modern dance and it is a pleasure and a privilege to have one of its leading cultural exports based here in the UK.

Beniamin Citkowski surrounded by “The Brides of Dracula” in Eros Thanatos.© Krzysztof Mystkowski. (Click image for larger version)

Bialy Teatr Tanca Izadory Weiss – Eros Thanatos – Warsaw

★★★★✰   Biały Teatr Tańca (it means White Dance Theatre), is a new vehicle for the work of the uber-talented choreographer, Izadora Weiss, a protégé of the great Jiri Kylian…

Tamara Rojo and James Streeter in Akram Khan's Giselle.© Dave Morgan. (Click image for larger version)

English National Ballet – Akram Khan’s Giselle – London

★★★★★   A production that seems destined to become a masterpiece of early 21st Century contemporary ballet.

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