Author: Jann Parry

A long-established dance writer, Jann Parry was dance critic for The Observer from 1983 to 2004 and wrote the award-winning biography of choreographer Kenneth MacMillan: 'Different Drummer', Faber and Faber, 2009. She has written for publications including The Spectator, The Listener, About the House (Royal Opera House magazine), Dance Now, Dance Magazine (USA), Stage Bill (USA) and Dancing Times. As a writer/producer she worked for the BBC World Service from 1970 to 1989, covering current affairs and the arts. As well as producing radio programmes she has contributed to television and radio documentaries about dance and dancers.

Under are the articles written for DanceTabs. Reviews on Balletco
Darcey Bussell and Roberto Bolle in Sylvia on Opus Arte video from Amazon.© Opus Arte. (Click image for larger version)

Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival

To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…

The Royal Ballet in The Nutcracker.© Tristram Kenton, © 2015 Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

★★★★✰   Wright’s ending is the best ever, preserving the assurance of the Grand pas de deux that the future must surely be blissful.

Sébastien Ramirez and Honji Wang in Dystopian Dream.© Johan Persson. (Click image for larger version)

Nitin Sawhney / Sébastien Ramirez & Honji Wang — Dystopian Dream – London

★★✰✰✰   According to a programme note by the Wang Ramirez duo, they have turned Sawhney’s album into ‘a fully choreographed show. What will be shown on stage is the result of our interpretation of what has been discussed, researched, felt and exchanged during our meetings.’

Yasmine Naghdi and Matthew Ball in The Unknown Soldier.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Unknown Soldier (premiere), Infra, Symphony in C – London

★★★✰✰   If The Unknown Soldier is dispiritingly low-key, Wayne McGregor’s Infra remains assertively bold…

Mark Morris Dance Group / Silkroad Ensemble: Layla and Majnun.© Foteini Christofilopoulou. (Click image for larger version)

Mark Morris Dance Group / Silkroad Ensemble – Layla and Majnun – London

★★★✰✰   Mark Morris’s Layla and Majnun is a music concert with dancing, lamenting a love that cannot be. It’s an age-old story, spread across continents and centuries.

Mayara Magri makes her debut as Gamzatti in La Bayadere on 14th November 2018.© and courtesy The Royal Ballet. (Click image for larger version)

Interview: Mayara Magri, First Soloist, The Royal Ballet

Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…

Natalia Osipova and Vadim Muntagirov in La Bayadère.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – La Bayadère – London

★★★★✰   In the past, the Royal Ballet’s version, last performed five years ago, has sometimes seemed insubstantial. Not so this time, with a luxury cast in full dramatic mode: Vadim Muntagirov, Marianela Nuñez, Natalia Osipova and Gary Avis…

Delia Mathews and artists of Birmingham Royal Ballet in Ignite.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Fire and Fury: The King Dances, Ignite – London

★★★✰✰   David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as ‘two ballets fuelled by power and politics’.

Federico Bonelli and Laura Morera in Mayerling.© Alice Pennefather, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling (Bonelli, Morera) – London

★★★★✰   The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.

Natalia Osipova and Ryoichi Hirano in Mayerling.© Helen Maybanks, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling (Hirano, Osipova) – London

★★★★✰   Osipova is lethally orgasmic… Never has MacMilllan’s choreography for the death duet seemed so astounding as in her account of it.

Rauf Yasitin Epilogue.© Foteini Christofilopoulou. (Click image for larger version)

William Forsythe – A Quiet Evening of Dance – London

★★★★✰   Forsythe is surprising himself and his audience with new discoveries of what bodies and ballets can do.

Paul Lazar in 17c.© Manuel Harlan. (Click image for larger version)

Big Dance Theater – 17c – London

★★★✰✰   Big Dance Theater company, based in New York, set about turning Samuel Pepys priapic confessions into a dance theatre piece, mashing up past and present….

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Joshua Thake.© Zoran Jelenic. (Click image for larger version)

Les Ballets Trockadero de Monte Carlo (Trocks) – Programme A, Swan Lake bill – London

★★★★★   The Trocks’ version of Swan Lake (or Lac, as it used to be known) restores some Soviet era removals. Benno, the hero’s best friend and supporter, is back, as are mime sequences, mostly mystifying the participants…

Sidi Larbi Cherkaoui and Shantala Shivalingappa in Play.© Koen Broos. (Click image for larger version)

Sidi Larbi Cherkaoui and Shantala Shivalingappa – Play – London

★★✰✰✰   Cherkaoui looks older than his years, so much so that his relationship in Play with Shivalingappa risks being unsettling. As dancers, they are no longer equals, as they must have been in 2008.

Irina Kolesnikova and Denis Rodkin in Swan Lake.© Dave Morgan. (Click image for larger version)

St. Petersburg Ballet Theatre – Swan Lake – London

★★✰✰✰   Although the first night audience was moved to a standing ovation, Swan Lake can and should be so much more than this stylised ritual…

Jean Abreu and Rita Carpinteiro in Solo for Two (at the Southbank Centre).© Foteini Christofilopoulou. (Click image for larger version)

Jean Abreu Dance – An Other Solo for Two – London

★★★✰✰   Abreu is a remarkable performer, with a technique developed from forms of Brazilian dance and martial arts that enables him to sink into the floor and rise with resilience.

Students of the Upper School in Aurora’s Wedding.© Tristram Kenton / Royal Ballet School. (Click image for larger version)

Royal Ballet School – Summer Performance, ROH Main Stage – London

★★★✰✰   A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.

Third year students Breanna Foad and Rentaro Nakaaki, who join English National Ballet next season.© Jesus Vallinas. (Click image for larger version)

English National Ballet School – Summer Performance – London

★★★✰✰   This summer’s showcase of English National Ballet School’s students was the first under its new director, Carlos Valcarcel… The Wimbledon programme consisted of two creations by him, two by students, and excerpts from The Sleeping Beauty as a conclusion.

Pacific Northwest Ballet in Opus19/The Dreamer.© Angela Sterling. (Click image for larger version)

Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet

★★★★✰   It’s been a very enjoyable homage to Robbins’s versatility…

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