Margaret Willis’s interest in ballet stems from a five-year stay in the former Soviet Union (1976-81) where she studied classical ballet and began writing on dance. Visiting Cuba in 1990, she first saw Carlos Acosta and has continued to follow his stellar career. She was a member of London City Ballet from 1990-3, performing principal character roles, is the author of Russian Ballet on Tour and contributed several articles for the International Dictionary of Ballet. She writes regularly for The Dancing Times, Dance Magazine and international publications. In 1986, she was the researcher for a BBC-TV documentary on the Bolshoi Ballet and in 2010 wrote "Carlos Acosta: The Reluctant Dancer" (Arcadia books).
Under are the articles written for DanceTabs. Reviews on Balletco
Viktoria Tereshkina has a warm personality and this enhances her dancing. She has long thin limbs and offers expansive port de bras, while her legs whip up effortlessly but with control.
Dutch National Ballet’s Tribute to Hans van Manen & Malandain Ballet Biarritz in Magifique – Dance Open Festival in St Petersburg
The 13th Dance Open Festival invited two European and very differently styled neo-classical-cum-modern companies – Malandain Ballet Biarritz and Dutch National Ballet – to perform as part of their celebrations in St. Petersburg.
The corps (in Chopiniana) must be congratulated for the ball-bearing precision in their soft gentle boureeing, gliding gently back to their original positions as the music ended. A real treat to see it done so beautifully.
This is a charming documentary film about eleven year old identical triplets who love to dance. Angel, César and Marcos Castellano live in Havana, and attend the National Ballet School of Cuba…
The Royal Ballet are pushing their cinema relay performances as a way of getting ‘out there’- so what’s it like to see Osipova and Acosta out in the sticks? Margaret Willis gives her view and talks to others on the experience…
As its whistle-stop tour drew to its final week, the Russian State Ballet settled down for three consecutive days at Guildford’s Yvonne Arnaud Theatre.
The fact that the company’s 30-piece orchestra was there accompanying the dancers helped elevate the atmosphere to something special.
Christmas is nearly here and Staatsballett Berlin are celebrating early with a brand new Nutcracker. Margaret Willis visits Berlin for us…
The National Ballet of Panama recently put on Coppelia, staged by Vasily Medvedev over from St Petersburg. Margaret Willis was there for DanceTabs and we have lots of pictures of a colourful production:
This book serves as a timely tribute to an incredible man whose vision and dedication to his art has established one of the world’s finest classical ballet systems.
Laszlo Seregi died on 11th May 2012 at the age of 83 and, one year on, the Hungarian Cultural Centre in Covent Garden hosted a tribute to his memory.
A delightful production, on this occasion, there was the added excitement that the two principals, Maria Shirinkina and Vladimir Shklyarov, husband and wife, were performing the ballet together for the first time.
“Vadim was the first partner to make me feel like I was 16, even though I was approaching 40 when we first danced together.”
A tribute to Nina Ananiashvili – with personal memories – on her 50th birthday.
So how long does he see himself staying on the far side of America? “Well, I am just about to sign another six year contract,” he grinned…
There is no attempt to make this a ‘ballet’ film with all the strange rituals and physical training normally attached to the art. There are short dance sequences: a bit of salsa in a Cuban bar…
There couldn’t have been a better setting for this Bermudian Romeo and Juliet. It was dramatically and effectively staged, using the different heights of the ramparts of Fort Hamilton overlooking the harbour with a natural backdrop of stars and crescent moon.