Author: Sara Veale

Sara Veale is a London-based writer and editor who has studied both dance and literature. She is chief dance critic for Auditorium Magazine, an editor for Review 31 and her work also appears in Fjord Review, Exeunt and elsewhere. Follow her on Twitter @SaraEVeale

Under are the articles written for DanceTabs.
Cecilia Lisa Eliceche in Unison.© Foteini Christofilopoulou. (Click image for larger version)

Cecilia Lisa Eliceche – Unison – London

★★★✰✰   Alongside her work as a dancer and choreographer, Eliceche is a political activist and a student of critical theory, both of which influence her approach to dance.

NDCWales in Alexander Ekman's Tuplet.© Rhys Cozens. (Click image for larger version)

National Dance Company Wales – They Seek To Find The Happiness They Seem, Tuplet, Folk – London

★★★★✰   On show were three contemporary pieces: a rep work by rehearsal director Lee Johnson, a selection of Alexander Ekman’s Tuplet (originally choreographed for Cedar Lake Dance Company), and the premiere of new artistic director Caroline Finn’s first piece for NDCWales.

Cira Robinson and Mthuthuzeli November in Arthur Pita's Cristaux.© Dave Morgan. (Click image for larger version)

Ballet Black – Cristaux, To Begin, Begin, Storyville – London

★★★★✰   I’ve long admired Ballet Black’s efforts to make ballet a more accessible art form to both dancers and audiences who’ve historically been excluded from it.

The Palest Light publicity image.© Jesus Ubera . (Click image for larger version)

Pepa Ubera – Wild Card invites The Palest Light – London

★★★✰✰ If the thought of getting out of your chair during a performance alarms you, Pepa Ubera’s The Palest Light is not the show for you.

Marc Stevenson in Quests.© Foteini Christofilopoulou. (Click image for larger version)

Tara D’Arquian – Quests – London

★★★✰✰ The action is arranged around a meta-narrative: the emotional breakdown of the trilogy’s fictitious stage director (Marc Stevenson) as he tries to write its first piece while dealing with the aftermath of his wife’s murder.

The 7 Fingers in an extract from Triptyque.© Foteini Christofilopoulou. (Click image for larger version)

Sadler’s Wells Sampled, the dance taster festival – London

★★★★✰ 2016 marks the tenth annual “Sadler’s Wells Sampled,” a January taster of the London dance house’s upcoming season.

Nancy Nerantzi and Liam Riddick in Martin Lawrance’s Burning.© Chris Nash. (Click image for larger version)

Richard Alston Dance Company – Espresso Vivace, Mazur, Burning, Brisk Singing – London

Richard Alston Dance Company Espresso Vivace, Mazur, Burning, Brisk Singing London, Richmond Theatre 19 November 2015 www.richardalstondance.com Petite though it is, Richmond Theatre doesn’t proffer much of a sense of intimacy: its ornate…

Birmingham Royal Ballet in Balanchine's Theme and Variations.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Themes & Variations, Enigma Variations, The King Dances – London

The 28-strong cast rose to the challenge of Themes and Variations, with its tricky footwork and complicated formations…

Bradley Waller and Andrea Carrucciu in Young Men.© Stephen Wright. (Click image for larger version)

BalletBoyz – Young Men – London

The episodic format works nicely: there’s ample scope to explore each scene’s premise, which in turn lends the piece the weight and substance its desolate theme requires…

Latitude Festival© Marc Sethi. (Click image for larger version)

Dance at the Latitude Festival 2015 – Faraway Forest: A Weekend at Latitude

Dance at the Latitude Festival 2015 – Sara Veale with a full report…

Interview – Jane Hackett, Director of National Youth Dance Company

Sara Veale catches up with Jane Hackett, director of National Youth Dance Company, ahead of NYDC’s performance at Latitude Festival on 19 July.

© Latitude Festival

Dance at Latitude Festival 2015 – Who’s Who

July has just arrived and with it comes Latitude, the annual music and arts festival at Henham Park in Southwold – you might know it as ‘the one with the techni-coloured sheep’…

Encore Dance Company in James Streeter's Untouchable Void.© Brian O'Carroll. (Click image for larger version)

Encore Dance Company – Tour 2015: De Part Ed, Intermezzo, Don Quixote pdd, Testament, Untouchable Void – London

High spirits saturated this programme from Encore Dance, the graduate company of Tring Park School for the Performing Arts.

Jinhao Zhang in The Dying Swan.© Dave Morgan. (Click image for larger version)

English National Ballet – Emerging Dancer Competition 2015

Like ENB at large, the eight finalists for 2015 are a noticeably international bunch, representing Germany, America, Ukraine, Brazil, China and the UK between them.

Luke Rigg, Chris Knight and Jack Humphrey in milk night.© Luke Evans. (Click image for larger version)

2Faced Dance Company – Dreaming in Code: milk night, Lucid Grounds – London

The unifying theme in this double bill is muddled realities, with 2Faced’s five resident dancers, all men, tackling two surreal and drastically different works…

Moscow City Ballet in Giselle.© Moscow City Ballet. (Click image for larger version)

Moscow City Ballet – Giselle – London

I suspect first-time Giselle-goers will like this bright production just fine. Veteran viewers, on the other hand, might find its mildness harder to swallow

London Contemporary Dance School Collaborations, flyer image.© Alicia Clarke. (Click image for larger version)

London Contemporary Dance School – Music Collaborations with Guildhall School of Music & Drama

…along with a decent whack of technical precision, the dancers and musicians peppered their performances with dashes of creative flair and energy galore.

Dane Hurst.© Chris Nash. (Click image for larger version)

Dane Hurst – Dancer and Choreographer, on Rambert’s New Choreography bill

“Turn every disadvantage into an advantage.” This is the advice Dane Hurst has for aspiring dancers looking for encouragement…

James Cousins Company in Without Stars.© David Foulkes. (Click image for larger version)

James Cousins Company – Without Stars, There We Have Been – London

This two-part bill, my first introduction to James Cousins’ work, could hardly have left me with a more positive impression of the young choreographer,

Kirsty Arnold (LCDS alumna) in Joanna Young's Army of Me.© Iain Payne. (Click image for larger version)

London Contemporary Dance School – MA and Alumni Projects Upturn bill – London

…there’s a strong whiff of ‘experimental student’ here, but there’s also a good bit of talent on display.

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