Author: Siobhan Murphy

Siobhan Murphy is a freelance writer, reviewer and editor, based in London. Between 2005 and 2014 she was London Metro's arts editor. She also contributes to LondonDance and tweets sporadically at @blacktigerlily.

Under are the articles written for DanceTabs.
Sutra, by Sidi Larbi Cherkaoui, Antony Gormley with monks from the Shaolin Temple.© Foteini Christofilopoulou. (Click image for larger version)

Sidi Larbi Cherkaoui, Antony Gormley, Szymon Brzoska with monks from the Shaolin Temple – Sutra – London

★★★★★   It still has the power to surprise and delight – and let the imagination fly.

Motionhouse in Charge.© Dan Tucker. (Click image for larger version)

Motionhouse – Charge – London

★★✰✰✰   The theme of Charge was energy – how electricity shapes our world and powers our bodies and minds; it was created with the input of scientists at the University of Oxford.

Nicolas Vendange, Megan Armishaw and Mickaella Dantas in Face In.© Hugo Glendinning. (Click image for larger version)

Candoco Dance Company – Face In, Let’s Talk About Dis – London

★★★✰✰   …the latest double bill from this company of disabled and non-disabled dancers was playfully discombobulating and mischievously rambunctious.

Ballet British Columbia in Solo Echo.© Wendy D. (Click image for larger version)

Ballet British Columbia – 16+ a room, Solo Echo, Bill – London

★★★✰✰   Crystal Pite’s Solo Echo, originally made for Nederlands Dans Theater, was the undoubted highlight of the evening. Built around two Brahms sonatas…

Compañía Rafaela Carrasco in Born a Shadow.© Beatriz Monclar. (Click image for larger version)

Compañía Rafaela Carrasco – Born a Shadow – London

★★★★✰   Born a Shadow: Compañía Rafaela Carrasco’s inspired show had a powerful narrative drive.

Ballet Flamenco Jesús Carmona.© Beatrix Mexi Molnar. (Click image for larger version)

Ballet Flamenco Jesús Carmona – Ímpetus – London

★★★✰✰   Ímpetus promised a mix of modern ballet with traditional flamenco, a show shaped by new interpretations of classic Spanish music…

Jakop Ahlbom Company in Lebensraum.© Stephan van Hesteren. (Click image for larger version)

Jakop Ahlbom Company – Lebensraum – London

★★★★✰   There are some extremely demanding physical comedy routines incorporated into Lebensraum. Even some of the throwaways are wince-inducing…

LIVEVIBE at The Place 2017.© Foteini Christofilopoulou. (Click image for larger version)

LIVEVIBE at The Place – Samples & Interpolations – London

★★★✰✰   What to take away from this evening? It seemed odd to present sampling as something that needed explaining – but maybe that’s me showing my age.

Rena Butler in Pavement.© Steven Schreiber. (Click image for larger version)

Kyle Abraham / Abraham.In.Motion – Pavement – London

★★★✰✰   Pavement, from 2012, takes as its touchstone the 1991 film Boyz n the Hood, John Singleton’s hard-hitting coming-of-age drama…

Clod Ensemble's Under Glass.© Manuel Vason. (Click image for larger version)

Clod Ensemble – Under Glass – London

★★★✰✰   The director Suzie Willson plays well with our fascination with people-watching…

China National Peking Opera Company in A River All Red.© Sinolink Productions. (Click image for larger version)

China National Peking Opera Company – A River All Red, The Phoenix Returns Home – London

★★★✰✰   Peking opera’s blend of highly stylised acting, singing, music and movement is always a feast for the senses. The costumes are reason enough to watch in themselves…

Eun-me Ahn's Let Me Change Your Name.© Eunji Park. (Click image for larger version)

Eun-me Ahn – Let Me Change Your Name – London

★★✰✰✰   It started sedately enough, with the three men and three women emerging in stretchy black dresses…

Elsa Monguillot de Mirman and Jacqueline Bâby in Maguy Marin's Trois Grandes Fugues.© Foteini Christofilopoulou. (Click image for larger version)

Lyon Opera Ballet – Trois Grandes Fugues – London

★★★★✰   How many ways can you hear the same piece of music? This inspired programme by Lyon Opera Ballet suggested, with elegant simplicity, that there are as many ways to hear something as there are people to hear it.

BalletBoyz in Javier De Frutos' The Title Is in the Text.© Panayiotis Sinnos. (Click image for larger version)

BalletBoyz – Fourteen Days bill – London

★★★★✰   Michael Nunn and Billy Trevitt’s all-male company are on sparkling form right now.

Carlos Acosta and Marta Ortega in Sidi Larbi Cherkaoui's Mermaid.© Johan Persson. (Click image for larger version)

Acosta Danza – Debut bill – London

★★★✰✰   Belles-Lettres – a piece by NYCB’s Justin Peck, reworked for Acosta Danza – is a sweepingly pretty pieces for nine dancers, all floaty, gorgeous frocks and increasingly impassioned duets…

Akane Takada in The Vertiginous Thrill of Exactitude.© Robbie Jack. (Click image for larger version)

Royal Ballet – Opening the New bill – Hull

★★★★✰   The Royal Ballet’s away-day to Hull, this year’s UK Capital of Culture, was dramatic in its scale: 17 pieces presented over three hours…

Hofesh Shechter Company in Grand Finale.© Rahi Rezvani. (Click image for larger version)

Hofesh Shechter Company – Grand Finale – London

★★✰✰✰   The end of the world is here – let’s party. This, roughly, is the premise of Grand Finale, Hofesh Shechter’s latest wild and whirling work, in which he grapples with our apocalyptic times…

English National Ballet – Romeo & Juliet – London

★★★★✰   Hoffalt brings an elegantly mature intelligence to the part… Laurretta Summerscales will leave a hole in the company when she takes her sabbatical next season…

Showpony, part of Trajal Harrell's Hoochie Koochie.© Tristan Fewings. (Click image for larger version)

Trajal Harrell – Hoochie Koochie – London

★★★★✰   Walking into the American dancer/choreographer Trajal Harrell’s first ever performance exhibition is like falling down the rabbit hole into another dimension.

Alexander Whitley Dance Company in 8 Minutes.© Foteini Christofilopoulou. (Click image for larger version)

Alexander Whitley Dance Company – 8 Minutes – London

★★★✰✰   This is a project with serious intent – but it doesn’t always have the wherewithal to meet its grand ambition.

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