Features
Darcey Bussell and Roberto Bolle in Sylvia on Opus Arte video from Amazon.© Opus Arte. (Click image for larger version)

Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival

To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…

Julian Warner and Oliver Zahn in Situation With Doppelganger: Essay Performance.© Nicole Wytyczak. (Click image for larger version)

Hauptaktion at London’s Collisions Festival 2018 – Examing cultural appropriation and Minstrel shows

Thoughtful report about thoughtful work that probes and presents how the dance of yesterday and today borrows and distorts the culture of others. Makes you think!

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Ariel Fung of the House of Krip.© Fotocad. (Click image for larger version)

Voguing at the Southbank’s Ulimited festival – “Vogue: The Unlimited House of Krip”

Part lecture and panel discussion, part documentary screening and part performance “Vogue: The Unlimited House of Krip” was a good introduction to voguing culture, presented as part of the Southbank’s Unlimited festival and built around the deaf and disabled dancers that form the House of Krip.

Daniel McCormick, Emerging Dancer Competition winner, performing Le Corsaire.© Laurent Liotardo. (Click image for larger version)

2018 English National Ballet Emerging Dancer Competition – performance and results

For the first time, English National Ballet’s competition for its junior members was held in the capacious London Coliseum, where the company has been performing The Sleeping Beauty…

"An Evening with Namron" stage backdrop.© Graham Watts. (Click image for larger version)

An Evening with Namron – From Asphalt to Maple Wood

For around 80 minutes, Namron entertained his audience, largely comprising past and present luminaries of London contemporary dance, with stories and reminiscences, often breaking into movement, before finishing with a brief question & answer session…

Dancers from Evgeny Panfilov Ballet Theatre with Vladimir Vasiliev at the end of the contemporary second half of the gala.© Nikita Chuntomov. (Click image for larger version)

Ekaterina Maximova Arabesque Ballet Competition Gala in Honour of Marius Petipa and Lev Tolstoy – Perm

The occasion was the 15th anniversary of the Ekaterina Maximova Arabesque Ballet Competition named, since 2012, after the late and much-loved Bolshoi ballerina, and organised by her husband, Vladimir Vasiliev…

Seeta Patel - Not Today’s Yesterday.© Stephen Berkeley White. (Click image for larger version)

Seeta Patel Blog: Narrative work spoon feeds the audience and is just bad work that shouldn’t be programmed…

A venue programmer tells Seeta that “Narrative work spoon feeds the audience and is just bad work that shouldn’t be programmed.” Unsurprisingly it prompts a bunch of thoughts. And do add yours as a response…

Ahmaud Culver, Jasmine Hearn and Anna Witenberg in live performance as part of the Nick Mauss: Transmissions exhibition.© Paula Court. (Click image for larger version)

Interconnections: Thoughts on “Nick Mauss: Transmissions” at the Whitney in New York

Whiteny PR about the exhibition: “Artist Nick Mauss (b. 1980) presents Transmissions, a multidisciplinary work exploring the relationship between modernist ballet and the avant-garde visual arts in New York from the 1930s through ’50s.”

Living Room Circus's The Penguin & I.© Miriam Strong. (Click image for larger version)

New Writers on New Dance at Place Resolution 2018 (part 2)

Part 2 features reviews by Emma Boxall, Coral Montejano Cantoral, Emma Iskowitz and Francesca Marotto…

National Ballet of Canada in Rudolf Nureyev's The Sleeping Beauty.© Aleksandar Antonijevic. (Click image for larger version)

Preview – The National Ballet of Canada & Rudolf Nureyev’s Sleeping Beauty – a special combination then and now.

This is a Beauty like no other – the most spectacular classical production in the National Ballet’s repertory and a true jewel of a ballet.

Monica Mason and Lorraine Gregory consulting the notation.© Dave Morgan. (Click image for larger version)

Feature – Ashton Foundation Masterclass with Monica Mason coaching the Spanish Dance from Swan Lake and the Fairy of Joy from Sleeping Beauty

February’s masterclass, the fifth in the series, featured choreography from the start and end of Frederick Ashton’s tenure as artistic director of the Royal Ballet, 1963-1969.

Duckworth & Persson's Well Lit.© Duckworth & Persson. (Click image for larger version)

New Writers on New Dance at Place Resolution 2018 (part 1)

Part 1 features reviews by Stephanie Brown, Chloe Fordham, Daisy Moorcroft and Natalie Russett…

Francesca Hayward in Giselle.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet/ROH Learning and Participation – Giselle, schools’ matinee – London

★★★★✰   This was indeed a Giselle to treasure as a first encounter with ballet.

Sergei DiaghilevThe defining image for the "In Diaghilev’s Circle: The Phenomenon of Les Saisons Russes in the Context of European Culture" conference. ©/courtesy International Festival of Arts "Diaghilev. P.S."

Dipping in to the 8th International Festival of Arts ‘Diaghilev. P.S.’ in St. Petersburg

The aim of the annual festival is to celebrate Russian influence in international culture, thanks to Diaghilev’s productions in the first two decades of the 20th century… St Petersburg also wants to boost its reputation as ‘a great forum of the arts’, introducing contemporary creations from different nations to Russian audiences.

Benjamin Ella and Isabella Gasparini in Crystal Pite’s Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Memorable Performances of 2017 – London

Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…

Le Rossignol masterclass: Anna Rose O’Sullivan and William Bracewell with Anthony Dowell.© Rachel Thomas. (Click image for larger version)

Feature – Frederick Ashton’s choreography for Le Rossignol – a masterclass with Sir Anthony Dowell

The Metropolitan Opera in New York staged “Le Rossignol” in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth… the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit…

Mikko Lampinen, Eero Vesterinen, Oskari Nyyssola and David Scarantinos in Morphed.© Darya Popova, courtesy Tero Saarinen Company. (Click image for larger version)

Catching up with Morphed – Tero Saarinen Soul Shifting in New York

Some dance can be really thought provoking and that seems to have been the case with Tero Saarinen’s “Morphed” – at least for Millicent Hodson and Kenneth Archer who recently caught up with the work at the Joyce in New York.

Christopher Williams Il Giardino d’Amore.© Ian Douglas. (Click image for larger version)

Memorable Performances of 2017 – New York

Six Performances That Stayed with Me in 2017 – Marina Harss with her personal selection of New York dance memories this last year.

Carmen de Lavallade immediately after receiving her Honors medallion.© John P. Filo/CBS. (Click image for larger version)

Carmen de Lavallade Honoured at The 40th Annual Kennedy Center Honours

Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.

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