"Adela Ramirez" tag
Isaac Hernandez and Jurgita Dronina in rehearsals for Manon.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Manon – Milton Keynes Theatre

★★★★✰   English National Ballet can once more reflect triumphally on another significant success.

Tiffany Hedman and Daniel Kraus in Morgann Runacre-Temple's Give My Love to The Sunrise.© Dave Morgan. (Click image for larger version)

English National Ballet – Choreographics 2015 – London

Of the three Choreographics evenings to date I thought this was the best, with all the pieces feeling buffed-up, thought about and nobody making a huge wrong turn.

Adela Ramirez and Juan Rodriguez in James Streeter's A Touch For Eternity.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet’s Choreographics evening 2015

Gallery by Dave Morgan…

Alina Cojocaru and Alejandro Virelles in Swan Lake.© ASH. (Click image for larger version)

English National Ballet – Swan Lake – Milton Keynes

Eight paragraphs of praise and I haven’t yet mentioned Alina Cojocaru! My advice to anyone yearning to see the special beauty of ballet is simple: take any chance you can to see Cojocaru dance.

English National Ballet in Swan Lake.© Dave Morgan. (Click image for larger version)

English National Ballet – Swan Lake – London

Derek Deane created a winner that always seems to sell well and which people, including me, don’t grow tired of. But fill your boots this year – next year “Romeo and Juliet” returns as the ENB/RAH blockbuster

Vadim Muntagirov in The Nutcracker.© Patrick Baldwin. (Click image for larger version)

English National Ballet – The Nutcracker, Klimentova and Muntagirov cast – London

….the performance done, Muntagirov was promoted live on stage by new Director Tamara Rojo to the highest rank in the company – Lead Principal. A pleasant surprise, but in fact no surprise at all – it was only ever a question of time.

English National Ballet – Beyond Ballet Russes, Programme 1 – London

Firebird: To Williamson’s credit, the action, though baffling, never palls. He knows how to deploy a diverse cast, using an interesting vocabulary of classical ballet steps and partnering. He’s obviously fired up his dancers to commit themselves to their roles, flaunting their glitzy costumes with panache. But it’s a muddled piece, overpowered by Stravinsky’s myth-making music.

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