"Alejandro Cerrudo" tag
Wendy Whelan, Brian Brooks and Brooklyn Rider in Some of a Thousand Words.© Nir Arieli. (Click image for larger version)

Wendy Whelan, Brian Brooks and Brooklyn Rider – Some of a Thousand Words – San Francisco

★★★✰✰   I very much like Brooks’ work, particularly his approach to rebound, points of contact in partnering and his nuanced use of accumulation…

Garrett Anderson and Anne Zivolich-Adams in Joe & Ida by Penny Saunders.© Andrew Weeks. (Click image for larger version)

SFDanceworks – Concerto Six Twenty-Two, Lickety Split, Joe & Ida, Portrait, Z – San Francisco

★★★✰✰   With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.

Wendy Whelan and Brian Brooks in the studio.© Erin Baiano. (Click image for larger version)

Wendy Whelan – Restless Creature bill – New York

The whole evening has the feeling of an extended experiment. We see Whelan ridding herself of ballerina habits and trying on new clothes.

Wendy Whelan and Brian Brooks in First Fall by Brian Brooks.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – San Francisco

Ultimately, it mattered less what Whelan and her collaborators were doing, and more that they were doing.

Wendy Whelan in Joshua Beamish's Waltz Epoca.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – London

It would be invidious to compare Wendy Whelan’s brave attempt to reinvent herself as a contemporary dancer with Sylvie Guillem’s far more mature achievement.

Kellie Epperheimer of Hubbard Street Dance Chicago performs in Azimuth.© Margo Moritz. (Click image for larger version)

Hubbard Street Dance – Little mortal jump, Azimuth, Too Beaucoup – San Francisco

The dancers are really top-notch, razor-edge precise and boundlessly energetic, but limited to an eclectic vocabulary reflecting a Nederlands Dans Theater aesthetic…

Hubbard Street Dancers Meredith Dincolo and Quinn B. Wharton in Casi-Casa by Mats Ek.© Todd Rosenberg. (Click image for larger version)

Hubbard Street Dance Chicago – Casi-Casa, Blanco, PACOPEPEPLUTO, Untouched – Chicago

Ek’s movement teeters on the outer limits of emotion, barely contained and threatening to explode at the drop of a match, and there are numerous metaphoric lit matches in this piece – Casi-Casa.

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