"Alexei Ratmansky" tag
Diana Vishneva and the 4 seasons in Cinderella.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – Cinderella – London

Vishneva as Cinderella has an endearing ability to share her happiness with the audience and casts a warm glow over the entire production.

Diana Vishneva in Cinderella.© Dave Morgan. (Click image for larger version)

Gallery – Mariinsky Ballet in Cinderella

Gallery by Dave Morgan…

Mariinsky Ballet in Concerto DSCH.© Foteini Christofilopoulou. (Click image for larger version)

Mariinsky Ballet – The Firebird, Marguerite and Armand, Concerto DSCH – London

“This is how ecstasy is danced.” Kimin Kim in Concerto DSCH.

Diana Vishneva (Marguerite) and Konstantin Zverev (Armand) in Marguerite and Armand.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Mariinsky Ballet in Marguerite and Armand, Concerto DSCH

Gallery by Foteini Christofilopoulou…

Mikhail Fokine.© & courtesy of Isabelle Fokine and Fokine Estate Archive. (Click image for larger version)

The Work of Mikhail Fokine – Q&A with Isabelle Fokine

Born in Paris in 1958, Isabelle Fokine is the daughter of Vitale Fokine and granddaughter of choreographer Mikhail Fokine. She is artistic director of the Fokine Estate Archive, which holds the worldwide copyright to his work.

Wendy Whelan in Joshua Beamish's Waltz Epoca.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – London

It would be invidious to compare Wendy Whelan’s brave attempt to reinvent herself as a contemporary dancer with Sylvie Guillem’s far more mature achievement.

Svetlana Zakharova in Swan Lake.© Stephanie Berger. (Click image for larger version)

Bolshoi Ballet – Swan Lake – New York

It is even more disappointing that the troupe should open its run with a Swan Lake so lackluster… It’s not the dancers’ fault. At every level, the Bolshoi dancers move with thrilling force and fullness.

Gillian Murphy in The Dream.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – The Dream, The Tempest – New York

Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that…

Tara-Brigitte Bhavani & Romany Pajdak in Ludovic Ondiviela's Untitled, Draft Works 2014.© Tristram Kenton / ROH, 2014. (Click image for larger version)

Royal Ballet – Draft Works 2014 – London

At the outset I have to say I thought this year was one of the better years and we should all feel encouraged at the creativity on show.

Lil Buck and Lauren Lovette in Le Bousquets.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Opening Night of Spring Season – New York

Opening night of New York City Ballet’s spring season wasn’t a gala, but there was a festive buzz in the theatre nonetheless. The ballets were all by living choreographers; the oldest dated from 1988, half were of more recent vintage.

Ashley Laracey in the studio (with Troy Schumacher).© Ani Collier, provided by Troy Schumacher. (Click image for larger version)

Two Young NYCB Choreographers on the Move: Justin Peck and Troy Schumacher

Two young NYCB choreographers have been out talking and showing what they do: Justin Peck at the Guggenheim and Troy Schumacher at the 92nd Street Y. Marina Harss on why they are so worth tracking…

Jenifer Ringer and Gonzalo Garcia in Dances at a Gathering.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jenifer Ringer’s farewell, Dances at a Gathering, Union Jack – New York

Some dancers leave us wanting more. That’s how Jenifer Ringer’s retirement from New York City Ballet feels; we’ve seen so little of her in recent seasons, and she’s dancing so well.

Natalia Osipova and Carlos Acosta in Giselle.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – Giselle, live cinema broadcast with Osipova, Acosta – London

The Royal Ballet are pushing their cinema relay performances as a way of getting ‘out there’- so what’s it like to see Osipova and Acosta out in the sticks? Margaret Willis gives her view and talks to others on the experience…

Dusty Button in William Forsythe’s The Second Detail.© Dave Morgan. (Click image for larger version)

2013 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

The Snowflakes in George Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

The Nutcracker – from New York City Ballet, American Ballet Theatre and Gelsey Kirkland Ballet – New York

So far this season I’ve seen three “traditional” Nutcrackers: Ratmansky’s version for American Ballet Theatre, Gelsey Kirkland’s, and the familiar and much-loved 1954 staging by George Balanchine for New York City Ballet. All three have their charms…

Alessandra Ferri and Herman Cornejo in Martha Clarke's Cheri.© 2013 Joan Marcus. (Click image for larger version)

Martha Clarke Takes on Colette’s Chéri + Herman Cornejo interview

Novels are treacherous terrain for choreographers. So much of what draws us into a book and imprints itself in our imagination …is almost impossible to convey in the language of the body.

Christopher Bordenave in Idan Sharabi's Spider on a Mirror.© Sandy Lee. (Click image for larger version)

Zhukov Dance Theatre – Enlight, Spider on a Mirror – San Francisco

At times the choreography doesn’t seem to fit this space… Nonetheless, the dancers do a remarkable job with what they are given.

Veronika Part and Cory Stearns in The Moor's Pavane.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, The Moor’s Pavane, A Month in the Country, Piano Concerto #1 – New York

On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success…

Polina Semionova and James Whiteside in Bach Partita.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Bach Partita, Gong, The Tempest – New York

Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.

American Ballet Theatre in Les Sylphides.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Les Sylphides, Clear, Theme and Variations – New York

It’s good to see the company perform Sylphides again after a hiatus of eight years. The style hasn’t eroded. …The dancers believe in it.

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