"Alexei Ratmansky" tag
Abi Stafford in Flower Festival in Genzano.© Paul Kolnik. (Click image for larger version)

New York City Ballet – 21st Century Choreographers & Classic NYCB I bills – New York

★★★★✰   New York is a good place to be in springtime.

Miami City Ballet in Justin Peck's Heatscape.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – Program’s A (Balanchine, Tharp, Ratmansky), B (Peck, Scarlett, Balanchine) – New York

★★★★✰   New York audiences and the Miami City Ballet have taken to each other like sun and salt air, and it’s easy to see why.

Nathalia Arja in Ratmansky's Symphonic Dances.© Sasha Iziliaev. (Click image for larger version)

Miami City Ballet – Opening Night Gala: Serenade, Symphonic Dances – New York

★★★★✰   This is dancing that makes one hungry for more.

dt-vh-bolshoi-ballet-logo-0416_360

Bolshoi Ballet Summer Season in London 2016

Press release – 11 April 2016 Victor Hochhauser presents BOLSHOI BALLET General Director: Vladimir Urin Artistic Director: Makhar Vaziev ROYAL OPERA HOUSE Monday 25 July – Saturday 13 August 2016 The Bolshoi Ballet…

Maya Plisetskaya.© Ensemble Productions. (Click image for larger version)

Ave Maya Gala in Memory of Maya Plisetskaya – London

★★★✰✰ Every gala needs a revelation, and this one was provided by Sergio Bernal, a Spanish dancer who dominated the stage in an imperious farruca solo from Antonio’s flamenco version of The Three Cornered Hat…

Birmingham Royal Ballet in The Dream.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Ashton bill: The Dream, A Month in the Country – Birmingham

★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.

Isabella Boylston in The Sleeping Beauty.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – Washington

★★★★✰ “Ratmansky’s new staging is a Beauty like you have never seen before: it uncovers the original ballet’s genuine beauty, which faded over the years under the clutter of modern revisions.”

Tamara Rojo, Osiel Gouneo and Cesar Corrales in Le Corsaire.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Le Corsaire – London

Audiences everywhere should be impressed by the consistently high standard of the company’s dancing. ENB is proof that artists from many different countries, backgrounds and training can be formed into a cohesive ensemble.

Karen Kain.© Aleksandar Antonijevic, courtesy NBoCanada. (Click image for larger version)

Interview: Karen Kain – Artistic Director, National Ballet of Canada

The much admired Karen Kain has been directing the National Ballet of Canada for 10 years now – Oksana Khadarina catches up with her as the company prepare to visit Washington with Christopher Wheeldon’s “Winter’s Tale”…

Mark Morris's The Hard Nut.© Julieta Cervantes. (Click image for larger version)

Mark Morris Dance Group – The Hard Nut – New York

As with the Balanchine version, the Hard Nut’s success is a foregone conclusion.

Bethany Kingsley-Garner and Christopher Harrison in Cinderella.© Andy Ross, Scottish Ballet. (Click image for larger version)

Scottish Ballet – Cinderella – Edinburgh

Scottish Ballet are touring Christopher Hampson’s “Cinderella” this Christmas – Graham Watts was at the European premiere in Edinburgh for DanceTabs…

James Whiteside in Marcelo Gomes’ AfterEffect.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – AfterEffect, (Company B, The Green Table) – New York

…mostly the ballet (AfterEffect) is an enthusiastic love letter from Gomes to his company, and was received as such by the enthusiastic audience at the Koch…

Diana Vishneva in Alexei Ratmansky's Cinderella.© Valentin Baranovsky. (Click image for larger version)

Mariinksy Ballet – Cinderella – San Francisco

It’s not your granddaughter’s Cinderella. Alexei Ratmansky’s version dispenses with tutus and glass carriages in favor of a deco-cum?post-Soviet point of view.

Georgina Pazcoguin and Meagan Mann in Justin Peck's New Blood, in costumes by Humberto Leon of Opening Ceremony and Kenzo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala, with 4 premieres – New York

Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…

Viktoria Tereshkina in Raymonda.© Natasha Razina. (Click image for larger version)

Mariinsky Ballet – Raymonda – Costa Mesa

The Mariinsky Ballet are currently touring California and Claudia Bauer took the opportunity to see the rarely spied Raymonda. Viktoria Tereshkina and Vladimir Shklyarov were the leads…

Paloma Herrera in a studio photograph for Sleeping Beauty.© Juan Mathé. (Click image for larger version)

Paloma Herrera – former American Ballet Theatre Principal, dancer and teacher

Next year I want to dedicate more time to teaching, and finally bring out my clothing line, under the brand Paloma Herrera…

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT

Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

Marianela Nuñez and James Whiteside in Cinderella.© MIRA. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

Two 2 casts reeviewed – led out by Stella Abrera and a guesting Marianela Nunez. But the star of Cinderella is the ballet itself – Ashton’s tribute to Petipa, to silliness, and to the power of childlike wonder…

Misty Copeland and Alexandre Hammoudi in Romeo and Juliet.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Copeland/Hammoudi) – New York

The million-dollar question for any dancer on the cusp is this: can they carry an evening-length story ballet? The answer, on the evidence of Copeland’s début in Romeo and Juliet, is yes.

DanceTabs © 2016 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.