"Alice Renavand" tag
Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Ludmila Pagliero and Karl Paquette in Don Quixote.© Julien Benhamou. (Click image for larger version)

Paris Opera Ballet – Don Quixote – Paris

It’s not every day Petipa’s carefree Don Quixote comes with a health and safety warning. …Injuries played havoc with the casting throughout November and December…

Agnès Letestu and Hervé Moreau in Woundwork 1.© Anne Deniau / Opéra national de Paris. (Click image for larger version)

Paris Opera Ballet – William Forsythe / Trisha Brown bill, Don Quixote – Paris

The middle piece, O Zlozony/O Compsite, is a beautiful work by Trisha Brown, made for the company in 2004. Bizarely it always reminds me of Ashton’s Monotones…

Marie-Agnes Gillot and Stephane Bullion in Orpheus and Eurydice.© Stephanie Berger. (Click image for larger version)

Paris Opera Ballet – Orpheus and Eurydice – New York

Bausch is a mystery. To some, she represents the summit of poetry and expression, worthy of a cult-like following. Clearly, these dancers derive great emotional sustenance from performing her work. And it suits them. But, with the exception of Gillot’s solo and a few moments here and there, it left me cold.

Aurelie Dupont and Josua Hoffalt in Manon. © Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Manon – Paris

As Manon, Dupont started out as sweet and innocent. Overall, her Manon seemed almost empty, like a vessel for people to put eroticism into or to act upon.

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