"Alicia Markova" tag
Emily Hoff in The Conservatory.© Johan Persson / RBS. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2017 – London

★★★★✰   It was a well-balanced programme, featuring different kinds of discipline for future corps de ballet dancers, and honouring veteran choreographers as well as contemporary ones.

Sir Matthew Bourne with the Critics' Circle Award for Outstanding Services to the Arts.© Elliott Franks. (Click image for larger version)

Matthew Bourne – An Appreciation on his winning the Critics’ Circle Award for Outstanding Services to the Arts

Graham Watts’ citation, made before the presentation – a major appreciation of a huge star of dance and theatre…

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

Ashley Shaw in The Red Shoes.© Dave Morgan. (Click image for larger version)

New Adventures – Matthew Bourne’s The Red Shoes – London

★★★✰✰   If you remember the 1948 film, the plot is easy to follow. If you don’t, and can’t pick up the references to ballets, a printed scenario would be helpful, as would job-descriptions of the characters…

David Drew in his later years - here as the Duke of Courland in Giselle.© John Ross, courtesy the Royal Opera House. (Click image for larger version)

Obituary: David Drew, Royal Ballet Principal, with the company 56 years

David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.

The Making of Markova: Diaghilev’s Baby Ballerina to Groundbreaking Icon, book cover.© Pegasus Books. (Click image for larger version)

Book – The Making of Markova – by Tina Sutton

Sutton was originally asked to write a brief account of Markova’s career for the Gotlieb Centre but soon realised that her subject’s life, personal and public, was so fascinating that she undertook a substantial biography

Tina Sutton.© Tina Sutton. (Click image for larger version)

Tina Sutton, writer and author of ‘The Making of Markova’

Tina Sutton’s book “The Making of Markova: Diaghilev’s Baby Ballerina to Groundbreaking Icon” is about to be released in paperback – Jann Parry talks to Sutton about unearthing one of the greatest ballerinas of the 20th century…

Robert Helpmann offstage. Courtesy and © The Royal Ballet School Collections, White Lodge Museum. (Click image for larger version)

The Many Faces of Robert Helpmann Symposium – London

Eighty years after Robert Helpmann left Australia and joined the Sadler’s Wells Ballet company, a Royal Ballet School symposium celebrated his achievements as a man of the theatre.

Alexa Gutierrez and Juan Carlos Costoya as Swanilda/Coppelia and Dr Coppelius in Coppelia.© Agustin Goncalves, @agusgon. (Click image for larger version)

National Ballet of Panama – Coppelia – Panama

The National Ballet of Panama recently put on Coppelia, staged by Vasily Medvedev over from St Petersburg. Margaret Willis was there for DanceTabs and we have lots of pictures of a colourful production:

Edward Burra: Design for William Chappell as Creole Boy in Rio Grande.From James L. Gordon Collection and ©. (Click image for larger version)

Exhibition of 1930’s British Ballet Design – Saffron Walden

Obscurer corners of early British ballet are connected in the exhibition ‘An Outbreak of Talent’, at the Fry gallery in Saffron Walden, Essex until June 30 2013.

Nancy Reynolds interviewing Edward Villella about Tarantella and Rubies, GBF Video Archives, 2008.© Nancy Reynolds. (Click image for larger version)

Nancy Reynolds – George Balanchine Foundation – Director of Research

An in-depth interview with the lady who helps bring Balanchine back…

Anna Pavlova at the front door of Ivy House. © Lafayette from a Private Collection. (Click image for larger version)

An Intimate Evening with Anna Pavlova – London

The compere of the evening was Anthony Dowell, in fine voice. He spoke the narration, enacted several of the characters and gallantly danced the ‘Fred step’ from Pavlova’s ‘Gavotte’ with Ursula Hageli as Anna.

English National Ballet – Beyond Ballet Russes, Programme 1 – London

Firebird: To Williamson’s credit, the action, though baffling, never palls. He knows how to deploy a diverse cast, using an interesting vocabulary of classical ballet steps and partnering. He’s obviously fired up his dancers to commit themselves to their roles, flaunting their glitzy costumes with panache. But it’s a muddled piece, overpowered by Stravinsky’s myth-making music.

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