Gallery – Alina Cojocaru Gala – Preparations and Rehearsals
Picture above is from Dave Morgan: Alina Cojocaru Gala – Preparations and Rehearsals – 30 pictures These are pics of the preparations and practise runs in the afternoon before the show. Many thanks…
Book – Daria Klimentova – Agony and Ecstasy: My Life in Dance
“Vadim was the first partner to make me feel like I was 16, even though I was approaching 40 when we first danced together.”
Alina Cojocaru Charity Gala – 12 May 2013, Sadler’s Wells
An evening of artists celebrating the past present and the future, with highlights from the classical repertoire along side new or rarely seen pieces including choreography by Marius Petipa, John Neumeier, Tim Rushton, Johan Kobborg and others.
Royal Ballet – La Bayadere – London
First thing to say is that it’s a peach of a production, coherent, dramatically satisfying… It still feels fresh and vibrant… The three leads did well… Elsewhere it was a mix of good and ragged steps…
The Royal Ballet – Onegin – London
Cojocaru is as great a dance-actress in the final scene as any I’ve been privileged to see – and that includes Lynn Seymour, Natalia Makarova and Ekaterina Maximova.
Works & Process at the Guggenheim – Royal Danish Ballet’s new La Bayadere – New York
Hubbe – handsome and captivating as ever in tight black jeans and an Errol Flynn mustache – assured the Works and Process audience that the famously elegiac Shades scene has not been tampered with…
Royal Ballet – La Sylphide & Ballo della Regina – London
Balanchine famously described a choreographer’s job as being like a chef’s, and his Ballo della Regina perfectly fulfils the role of amuse-bouche in the Royal Ballet’s latest double bill, waking us up and sharpening our appetites for the more serious fare of Bournonville’s lovely La Sylphide. It’s the fourth ballet the company has tried out in this role and I think it’s the most successful.
Royal Ballet – La fille mal gardee – London
Every review of La Fille mal Gardée should start with an acknowledgement that, however excellent the performance may have been, the greatest credit belongs to Frederick Ashton, who more than 50 years ago put this happy masterpiece together in a few weeks of cheerful collaboration with his dancers.
Royal Ballet – Polyphonia, Sweet Violets, Carbon Life – London
‘Sweet Violets’, though over-ambitious, is the best stab at a psychologically complex narrative ballet the company has commissioned for years.








