"Alina Cojocaru" tag
Tamara Rojo, Osiel Gouneo and Cesar Corrales in Le Corsaire.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Le Corsaire – London

Audiences everywhere should be impressed by the consistently high standard of the company’s dancing. ENB is proof that artists from many different countries, backgrounds and training can be formed into a cohesive ensemble.

Sylvie Guillem. © Gilles Tapie. (Click image for larger version)

2015 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

© Critics’ Circle National Dance Awards

2015 National Dance Awards – Announcement of Nominations

The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 16th National Dance Awards,

English National Ballet in Romeo and Juliet.© Bill Cooper. (Click image for larger version)

English National Ballet – Romeo and Juliet – Bristol

I rather warm to the Nureyev Romeo – its the big gory sweep of it, with more focus on the family feuding and a cinematic approach.

David Drew in his later years - here as the Duke of Courland in Giselle.© John Ross, courtesy the Royal Opera House. (Click image for larger version)

Obituary: David Drew, Royal Ballet Principal, with the company 56 years

David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.

Alina Cojocaru and James Forbat in Liam Scarlett's No Man's Land.© Dave Morgan. (Click image for larger version)

English National Ballet – Lest We Forget bill – London

Scarlett has somewhat adapted his No Man’s Land since its first season, down-playing the munitions factory in which the women work…

Tamara Rojo and James Streeter in Akram Khan's Dust.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in Lest We Forget bill

Works by Akram Khan, Russell Maliphant and Liam Scarlett, Gallery by Dave Morgan.

Viktor Ishchuk, Kateryna Khaniukova and Sergei Litvinenko in Don Quixote.© Ksenia Orlova. (Click image for larger version)

A special Don Quixote in Kiev as Kateryna Khaniukova Returns Home

Kateryna (Katja) Khaniukova, who has been dancing with English National Ballet these last 15 months, returned home to the company where she was a much loved principal dancer – Kiev Ballet. Graham Watts reports on the night and ballet in a country at war…

Hee Seo and Kimin Kim in La Bayadère.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – La Bayadère – New York

But no end of fine, or even inspired, performances can breathe life into this tired production

Begona Cao and Alejandro Virelles in William Forsythe's In the Middle, Somewhat Elevated.© Foteini Christofilopoulou. (Click image for larger version)

English National Ballet – Modern Masters: Petite Mort, Spring And Fall, In The Middle, Somewhat Elevated – London

English National Ballet Modern Masters: Petite Mort, Spring And Fall, In The Middle, Somewhat Elevated London, Sadler’s Wells 10 March 2015 Gallery of pictures by Foteini Christofilopoulou www.ballet.org.uk www.sadlerswells.com As the opening salvo…

Russian Ballet Icons Gala front cloth with Olesya Novikova.© Dave Morgan. (Click image for larger version)

Russian Ballet Icons Gala – Dedicated to the History of Russian Ballet – London

The gala opened with the Act III wedding pas de deux from The Sleeping Beauty, performed by Ekaterina Osmolkina and Guiseppe Picone. No fish-dives in this version – the Russians regard them as vulgar, and Osmolkina could never be vulgar.

Alina Cojocaru in Swan Lake.© Foteini Christofilopoulou. (Click image for larger version)

English National Ballet – Swan Lake (Cojocaru / Vasiliev) – London

It is the final act that brings out the best in them. Vasiliev is abject, Cojacaru is truly touching, despairing and resolutely resolved to die.

Ivan Vasiliev in Swan Lake.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – English National Ballet in Swan Lake

Gallery by Foteini Christofilopoulou…

Sylvie Guillem and Russell Maliphant in Push, taken in 2005. From a John Ross Gallery of 6 images.© John Ross.

2014 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Snowflakes, led by Alison McWhinney, in Nutcracker.© Dave Morgan. (Click image for larger version)

English National Ballet – Nutcracker – London

English National Ballet Nutcracker London, Coliseum 11 December 2014 Gallery of pictures by Dave Morgan www.ballet.org.uk You know that Christmas is really on its way when you see your first Nutcracker. And for…

Alina Cojocaru and Alejandro Virelles in Nutcracker.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in the Nutcracker

Alina Cojocaru and Alejandro Virelles were the lead dancers. Gallery by Dave Morgan…

Alina Cojocaru and Alejandro Virelles in Swan Lake.© ASH. (Click image for larger version)

English National Ballet – Swan Lake – Milton Keynes

Eight paragraphs of praise and I haven’t yet mentioned Alina Cojocaru! My advice to anyone yearning to see the special beauty of ballet is simple: take any chance you can to see Cojocaru dance.

© English National Ballet logo

English National Ballet 2014/2015 Season

Full Details of the 2014 / 15 Season…

Xiomara Reyes and Sascha Radetsky in Coppélia.© MIRA. (Click image for larger version)

American Ballet Theatre – Coppélia – New York

The three dancers who took their leave this week – Sascha Radetsky, Yuriko Kajiya and Jared Matthews – are all soloists. Each led a different cast of the company’s 1997 production of Coppélia.

Polina Semionova and David Hallberg in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

Few nineteenth-century story ballets are as satisfying as Giselle, with its simple and poetic plot, compact structure and starkly contrasting moods. This week I watched four Giselles, with four distinctly different casts…

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