"Alina Cojocaru" tag
Charlie Siem, Steven McRae, Alina Cojocaru and Marcelino Sambe in Johan Kobborg's Les Lutins rehearsals.© Dave Morgan. (Click image for larger version)

Gallery – Alina Cojocaru Gala – Preparations and Rehearsals

Picture above is from Dave Morgan: Alina Cojocaru Gala – Preparations and Rehearsals – 30 pictures These are pics of the preparations and practise runs in the afternoon before the show. Many thanks…

Book cover - Daria Klimentova: Agony and Ecstasy My Life in Dance.© Metro Books. (Click image for larger version)

Book – Daria Klimentova – Agony and Ecstasy: My Life in Dance

“Vadim was the first partner to make me feel like I was 16, even though I was approaching 40 when we first danced together.”

Alina Cojocaru.© Andrej Uspenski. (Click image for larger version)

Alina Cojocaru Charity Gala – 12 May 2013, Sadler’s Wells

An evening of artists celebrating the past present and the future, with highlights from the classical repertoire along side new or rarely seen pieces including choreography by Marius Petipa, John Neumeier, Tim Rushton, Johan Kobborg and others.

Roberta Marquez in La Bayadere.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – La Bayadere – London

First thing to say is that it’s a peach of a production, coherent, dramatically satisfying… It still feels fresh and vibrant… The three leads did well… Elsewhere it was a mix of good and ragged steps…

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Russian Ballet Icons – Nijinsky Gala – London

Though this year it was Nijinsky’s turn to be reclaimed as a Russian icon, the contents of the gala had little to do with him. Very probably the choice of items – mainly pas de deux – depended on which dancers were available to perform whatever was in their repertoire.

Vaslav Nijinsky as the Golden Slave in ScheherazadeCourtesy of Dancing Times. (Click image for larger version)

Russian Ballet Icons Gala 2013 dedicated to Nijinsky – 10 March, London

On Sunday 10 March the Russian Ballet Icons Gala, this year dedicated to the legendary Vaslav Nijinsky, will take place at the London Coliseum.

Edward Watson in Alexei Ratmansky's 24 Preludes.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Apollo, 24 Preludes, Aeternum – London

This triple bill, with two world premieres, shows how ably choreographers 85 years apart can refresh the language of classical ballet without distorting it beyond recognition.

Dorothee Gilbert in Giselle.© Michel Lidvac. (Click image for larger version)

Paris Opera Ballet – Giselle – Sydney

During the season, and over five nights, I saw each of the five Giselles – Dorothee Gilbert, Myriam Ould-Braham, Ludmila Pagliero, Isabelle Ciaravola and Melanie Hurel, and four Albrechts…

Alina Cojocaru and Jason Reilly in Onegin.© Bill Cooper, by kind permission of the Royal Opera House. (Click image for larger version)

The Royal Ballet – Onegin – London

Cojocaru is as great a dance-actress in the final scene as any I’ve been privileged to see – and that includes Lynn Seymour, Natalia Makarova and Ekaterina Maximova.

Royal Ballet in Raymonda Act III.Dancers, l-r (men first): Brian Maloney, Johannes Stepanek, Valeri Hristov, Alexander Campbell, Dawid Trzensimiech, Kenta Kura, Eric Underwood, Valentino Zuccheti, then ladies - Melissa Hamilton, Helen Crawford, Fumi Kaneko, Yasmine Naghdi, Yuhui Choe, Emma-Jane Maguire, Itziar Mendizabal, Hikaru Kobayashi.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, In the Night, Raymonda Act lll – London

It’s the Royal Ballet’s varied and unique repertoire that has kept me loyal to the company through some very thin times as well as the golden seasons, and this programme is a nice example of what a flick through its back – catalogue can produce.

Herman Cornejo.© Manuel de Los Galanes. (Click image for larger version)

Interview: Herman Cornejo – American Ballet Theatre – Principal

Well, performing for me is really about that experience of giving to the audience. In the studio you work and perfect things, you collaborate with your partner, but for me it’s about what happens on the stage, the ability to give something, to your partner, to the audience.

Amy Watson, as a La BayadereShade, and Nikolaj Hubbe.© Jacklyn Meduga. (Click image for larger version)

Works & Process at the Guggenheim – Royal Danish Ballet’s new La Bayadere – New York

Hubbe – handsome and captivating as ever in tight black jeans and an Errol Flynn mustache – assured the Works and Process audience that the famously elegiac Shades scene has not been tampered with…

Leticia Stock in Ballo della regina. © Dave Morgan. (Click image for larger version)

Royal Ballet – La Sylphide & Ballo della Regina – London

Balanchine famously described a choreographer’s job as being like a chef’s, and his Ballo della Regina perfectly fulfils the role of amuse-bouche in the Royal Ballet’s latest double bill, waking us up and sharpening our appetites for the more serious fare of Bournonville’s lovely La Sylphide. It’s the fourth ballet the company has tried out in this role and I think it’s the most successful.

Alina Cojocaru and Angel Corella in Giselle. © Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

…with Cojocaru the steps are sublimated into the character and the situation. She seems to be experiencing the ballet anew, moment by moment, with the audience. No surprise, then, that her mad scene is hypnotic, and changes from performance to performance…

Alina Cojocaru and Johan Kobborg in La Fille mal Gardee. © John Ross.

Royal Ballet – La fille mal gardee – London

Every review of La Fille mal Gardée should start with an acknowledgement that, however excellent the performance may have been, the greatest credit belongs to Frederick Ashton, who more than 50 years ago put this happy masterpiece together in a few weeks of cheerful collaboration with his dancers.

Johan Kobborg as Walter Sickert, Steven McRae as Jack in Liam Scarlett's Sweet Violets. © Bill Cooper, courtesy of ROH. (Click image for larger version)

Royal Ballet – Polyphonia, Sweet Violets, Carbon Life – London

‘Sweet Violets’, though over-ambitious, is the best stab at a psychologically complex narrative ballet the company has commissioned for years.

Uliana Lopatkina and Marat Shemiunov in Pavlova and Cecchetti. © Marc Haegeman.

Russian Ballet Icons – Anna Pavlova Gala – London

The ballerinas who made the greatest impact were Uliana Lopatkina and Tamara Rojo: regal, gracious, seemingly effortless…

Anna Pavlova and Nicholas Legat in Swan Lake. Published by Herm.Leiser. © and Courtesy of Dancing Times.

Anna Pavlova Gala – London Coliseum – 4 March 2012

Press Release London Coliseum to host tribute to Anna Pavlova Russian Ballet Icons Gala and Dinner 2012 Celebrating a centenary of Anna Pavlova making her home in London, at Ivy House The Russian…

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Royal Ballet – The Dream & Song of the Earth – London

This is turning out to be a very good season for Kenneth MacMillan’s Song of the Earth. We saw a deeply moving interpretation from Scottish Ballet at Sadler’s Wells a couple of months ago, and last night, as the second half of a Royal Ballet double bill, it again looked like a masterpiece.

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