"Amber Scott" tag
Colin Peasley, Leanne Stojmenov and Andrew Killian in The Merry Widow.© Daniel Boud. (Click image for larger version)

Australian Ballet – The Merry Widow – Sydney

★★★★✰   The Merry Widow is Robert Helpmann’s great gift to the Australian Ballet. It premiered in November 1975 and has been staged more than 400 times since.

Brett Chynoweth and artists of The Australian Ballet in Firebird.© Daniel Boud. (Click image for larger version)

Australian Ballet – Murphy (Graeme Murphy tribute bill of 6 works) – Sydney

★★★✰✰   Within this potpourri of Graeme Murphy’s works, the highlight was “Grand”, a charming and poignant tribute he created in 2005 for his mother, a pianist, who died the previous year.

Ingrid Gow, Ben Davis and Eloise Fryer in Cinderella.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Australian Ballet in Cinderella

Gallery by Foteini Christofilopoulou…

Amber Scott in Graeme Murphy's Swan Lake.© Dave Morgan. (Click image for larger version)

Gallery – Australian Ballet in Swan Lake

Gallery by Dave Morgan…

Kevin Jackson, Vivienne Wong and Rudy Hawkes in Alice Topp’s Little Atlas.© Daniel Boud. (Click image for larger version)

Australian Ballet – Symphony in C, divertissements and new works bill – Sydney

★★★✰✰   The first thing to say about Symphony in C is that the Australian Ballet’s corps and soloists had been rehearsed and coached with technical perfection in mind and there was little to fault with their execution of the steps.

Dimity Azoury and Chengwu Guo in Forsythe’s In the Middle, Somewhat Elevated.© Daniel Boud. (Click image for larger version)

Australian Ballet – Forgotten Land, In the Middle, Somewhat Elevated and DGV: Danse a grande vitesse – Sydney

★★★★✰   In music, mood and dynamics the Australian Ballet’s new triple bill, Vitesse, represents three elements, water, fire and air.

Matt Donnelly, Lana Jones and Lisa Bolte in David McAllister's The Sleeping Beauty.© Kate Longley. (Click image for larger version)

Australian Ballet – The Sleeping Beauty – Melbourne

With a feast of baroque extravagance that would please the Sun King himself David McAllister’s new Sleeping Beauty for the Australian Ballet is destined for a long life in the company’s repertoire.

Ako Kondo, Cristiano Martino, Robyn Hendricks and Amber Scott in Symphonic Variations.© Daniel Boud. (Click image for larger version)

Australian Ballet – Ashton bill: The Dream, Monotones II, Symphonic Variations – Sydney

After the long famine, Ashton’s ballets made a welcome return this week with the company’s triple bill under the umbrella title, The Dream.

David Hallberg at Sydney Opera House.© Wendell Levi Teodoro. (Click image for larger version)

David Hallberg with Australian Ballet – Cinderella – Sydney

…Hallberg’s entrance drew gasps and shouts of ‘bravo’ from the audience. His magnificently stretched jetés soared through the air…

Amber Scott and Adam Bull in Swan Lake.© Jeff Busby. (Click image for larger version)

Australian Ballet – Graeme Murphy’s Swan Lake – Melbourne

I’ll take this Swan Lake over a traditional version, any day of the week.

Austlian Ballet in David McAllister's Overture.© Jeff Busby. (Click image for larger version)

Australian Ballet – 50th Anniversary Gala – Melbourne

It was a program that harkened back to the big international Galas of previous years, as well as a nice reference to the company’s first years, when artists including Sonia Arova, Erik Bruhn, Margot Fonteyn and Rudolf Nureyev guest-starred.

Amber Scott as Odette in Swan Lake.© Jeff Busby. (Click image for larger version)

Australian Ballet – Swan Lake – Melbourne

As the 50th anniversary season draws to a close, it is clear that things have come full circle. The company began with a Swan Lake in 1962; it celebrates this major milestone with another.

Amber Scott as Tatiana & Adam Bull as Onegin in Onegin. © Lynette Wills. (Click image for larger version)

Australian Ballet – Onegin – Melbourne

Onegin has been part of the Australian Ballet repertoire since 1976, first introduced at the behest of Anne Woolliams, who worked with Cranko at the Stuttgart Ballet. Woolliams replaced Sir Robert Helpmann as artistic director of the Australian Ballet in 1976, a move that angered Helpmann…

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