"American Ballet Theatre" tag
Alessandra Ferri in Romeo and Juliet.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet with Alessandra Ferri – New York

★★★★✰   One can only imagine the satisfaction of dancing such a role at the age of 53, to a full house, among friends. The ovations were rapturous and went on for a long time.

Gillian Murphy in Swan Lake.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

★★★✰✰   Murphy is a sensual Odette, something made all the more effective by Stearns’ tenderness.

Skylar Brandt and Duncan Lyle in The Golden Cockerel publicity image.© Fabrizio Ferri. (Click image for larger version)

American Ballet Theatre – The Golden Cockerel – New York

★★★★✰   American Ballet Theatre’s spring season has turned into a kind of voyage into the mind of Alexei Ratmansky, its choreographer-in-residence since 2009.

Jeffrey Cirio in Le Corsaire.© MIRA. (Click image for larger version)

American Ballet Theatre – Le Corsaire – New York

★★★✰✰   Le Corsaire, a ballet loosely based on Lord Byron’s poem about a chivalrous pirate, has more action than the latest Bond film. There are pirates! Abductions! Beautiful women in distress! The list goes on and on…

Misty Copeland and Herman Cornejo in La Fille mal gardée.© MIRA. (Click image for larger version)

American Ballet Theatre – La Fille Mal Gardée – New York

★★★★★   La Fille Mal Gardée is a ballet that glows from within, lighthearted, tender and bursting with happy ideas.

American Ballet Theatre in Chamber Symphony part of Shostakovich Trilogy. © Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Shostakovich Trilogy – New York

★★★✰✰   Shostakovich Trilogy is a rich work, containing too much to take in at a single sitting. It reveals some of its secrets, but not all.

American Ballet Theatre in Ratmansky's Serenade after Plato’s Symposium.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

★★★★✰   It isn’t often that a gala program proves satisfying, but this one was the exception.

Maria Kochetkova in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia (Kochetkova, Cornejo) – New York

More from ABT’s run of Ashton’s “Sylvia” – the time Marina Harss reviews Maria Kochetkova and Herman Cornejo…

American Ballet Theatre in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia – New York

★★★★✰   Part of the secret to Sylvia is of course Léo Delibes’s score; like the story, it has its silly moments, but when it soars, it is utterly seductive…

Michaela DePrince in Balanchine's Tarantella.© VAM/ Siggul. (Click image for larger version)

Youth America Grand Prix – Gala 2016 – New York

★★✰✰✰   Like all galas, this was quite a mixed bag. Over 200 students trooped on and offstage in a veritable tornado of activity before the veteran YAGP dancers stepped out for the showstopping stuff…

Brooklyn Mack and Venus Villa in Hamlet.© Theo Kossenas. (Click image for larger version)

Washington Ballet – Hamlet – Washington

★★✰✰✰   There is, however, one undeniably compelling personage in this somewhat flat production of Hamlet – the quiet and fragile Ophelia, as portrayed by Venus Villa…

Jerome Tisserand and Lesley Rausch in Stravinsky Violin Concerto.© Lindsay Thomas. (Click image for larger version)

Pacific Northwest Ballet – Square Dance, Prodigal Son, Stravinsky Violin Concerto – New York

★★★★✰ Clarity of execution is a hallmark of this Seattle-based company, which has been led since 2005 by the former New York City Ballet star, Peter Boal.

Unspecified work in Gemma Bond's Harvest bill.© Kathryn Wirsing. (Click image for larger version)

Gemma Bond – Harvest: Being, Manner, Depuis le Jour, Then and Again – New York

★★★✰✰ ” Bond’s strength, for now, lies in a kind of old-fashioned insistence on beauty and her ability to coax sensitive, generous performances out of her dancers.”

Isabella Boylston in The Sleeping Beauty.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – Washington

★★★★✰ “Ratmansky’s new staging is a Beauty like you have never seen before: it uncovers the original ballet’s genuine beauty, which faded over the years under the clutter of modern revisions.”

Sofiane Sylve in Scarlett's Fearful Symmetries.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Fearful Symmetries (premiere), Rubies, Drink to Me Only with Thine Eyes – San Francisco

★★★✰✰ “But despite his high concept, Scarlett seemed to lose the thread halfway through, resorting to lascivious theatrics to complete the work…”

Sara Mearns and Tyler Angle in Peter Martins' Barber Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Music Director’s Choice: Barber Violin Concerto, Fancy Free, Who Cares?, Candide (Overture) – New York

★★★✰✰ Lauren Gallagher at New York City Ballet’s Winter Season Opening where they introduced their new music director, Andrew Litton, in some style by naming the bill “Music Director’s Choice”…

Brooklyn Mack.© Washington Ballet. (Click image for larger version)

A chat with Brooklyn Mack, Washington Ballet & English National Ballet Guest Artist

Brooklyn Mack dances with Washington Ballet but has recently been wowing British audiences with English National Ballet in their wonderful “Le Corsaire”. Margaret Willis, much impressed, caught up with him for a chat…

Daniil Simkin in Alexander Ekman's Simkin and the Stage.© Yi-Chun Wu. (Click image for larger version)

Daniil Simkin – INTENSIO – New York

Just before intermission Simkin included two film-and-performance works by Alexander Ekman. Simkin and the City, which went viral with the Internet-savvy dance crowd a couple of years ago, always gets a good chuckle.

Julie Loria andTakafumi Watanabe in The Beast and Beauty.© David Herrero. (Click image for larger version)

Cannes Dance Festival – Ballet du Capitole de Toulouse: The Beast and Beauty, Lyon Opera Ballet: Kylian bill – Cannes

For the festival Brigitte Lefèvre chose an eclectic mixture of popular and audacious programmes from twelve different companies – mainly regional French companies… some smaller independent groups and international companies from Korea, Argentina and Spain.

José Manuel Carreño.© Chris Hardy. (Click image for larger version)

José Manuel Carreño – Artistic director of Silicon Valley Ballet

José Manuel Carreño on being a great Cuban dancer, now director of Silicon Valley Ballet, and the strong relations developing between the USA and Cuba and what that means for ballet.

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