"American Ballet Theatre" tag
Diana Vishneva in Carolyn Carlson's Woman in a Room.© Dave Morgan. (Click image for larger version)

Diana Vishneva – On the Edge: Switch, Woman in a Room – London

According to Carlson’s programme note, the lemons represent segments of challenge and confrontation…

Misty Copeland and Brooklyn Mack in Swan Lake.© Theo Kossenas. (Click image for larger version)

Washington Ballet – Swan Lake – Washington

This handsomely-crafted and well-danced Swan Lake marked an important milestone for the Washington Ballet and proved a huge achievement for its artistic director Septime Webre.

Ommi Pipit-Suksun in Yuri Zhukov's User's Manual.© Francisco Preciado. (Click image for larger version)

Ballet San Jose – This Might Be True, Eighty One, User’s Manual – San Jose

Ballet San Jose is full of surprises…

Frances Chung in Ratmansky's Piano Concerto #1 from Shostakovich Trilogy.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Program 6: Shostakovich Trilogy – San Francisco

It’s a disconcerting feeling when you don’t respond to a piece that nearly everyone else agrees is revelatory. That’s the situation I find myself in with Alexei Ratmansky’s Shostakovich Trilogy.

Roman Zhurbin and Craig Salstein in Cinderella.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Cinderella – Washington

Both nights that I attended were blessed with an exquisite Cinderella. Gillian Murphy gave this production a beating heart with her tenderly expressive and incisive performance…

Xiomara Reyes in Rodeo.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, Pillar of Fire, Rodeo – Washington

Nothing can ignite a cowboy’s imagination better than the fluttery ruffles of a voluminous skirt…

Kirill Burlov and Rob McNeill in Burlov's Absinthe.© Hugo Glendinning. (Click image for larger version)

Print Room at the Coronet – 1898 Festival, works by Hubert Essakow, Kirill Burlov, Tamarin Stott, Mbulelo Ndabeni – London

…a quartet of fifteen-minute pieces tagged ‘work in progress’ and which Anda Winters, the Print Room artistic director, says they look to carry on developing. I hope this comes off; it will be an interesting exercise to track.

Mathilde Froustey In Robbins' Dances at a Gathering.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Dances at a Gathering, Hummingbird – San Francisco

San Francisco Ballet’s Program 4 is a double bill coupling a welcome return of Robbins’ Dances at a Gathering with a Liam Scarlett’s Hummingbird.

New York City Ballet in Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Square Dance, Harlequinade – New York

If Harlequinade is somewhat less than the sum of its parts, Square Dance (1957), which preceded it on the program, never fails to lift the heart.

Ballet Next in Ushuaia.© Stephanie Berger. (Click image for larger version)

Ballet Next – Outswirl, Ushuaia, Something Sampled – New York

It is hard to know where to start with “Baroque’d”, Ballet Next’s latest season, but it’s safe to say Something Sampled, one of the program’s three world premieres, is, for better or worse, what most people will talk about.

Marian Butler and Joseph Gorak (Chinesse) in The Nutcracker.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Nutcracker – New York

The ballet radiates warmth, but also an awareness of death….

Patricia McBride on the red carpet.© Margot Schulman. (Click image for larger version)

Patricia McBride Honoured at The 37th Annual Kennedy Center Honours

McBride joined the New York City Ballet in 1959, and two years later, at the age of 18, she was promoted to the rank of principal, becoming the youngest principal dancer in the troupe’s history.

Jeffrey Van Sciver in Writing Ground.© Margo Moritz. (Click image for larger version)

Alonzo King Lines Ballet – Concerto for Two Violins, Men’s Quintet, Writing Ground – Cannes

A popular visitor to Cannes, the company was welcomed with a packed house for their new Triple Bill…

Ethan Stiefel.© Rosalie O'Connor. (Click image for larger version)

Ethan Stiefel – Freelance director, choreographer…

Following 3 years directing Royal New Zealand Ballet, Ethan Stiefel is now back in New York – which is where Marina Harss caught up with him…

Alicia Alonso at the Gala.© Margaret Willis. (Click image for larger version)

24th International Ballet Festival of Havana, 2014

This time, I made 15 trips to the theatres – there were performances at 5pm and 9pm each day – and saw 82 different full-length ballets or extracts in the eight days I was in Havana.

Gillian Murphy rehearsing La Bayadère.© Kate Longley. (Click image for larger version)

Australian Ballet – La Bayadère (Gillian Murphy, Kevin Jackson) – Sydney

The stars were indeed aligned when American Ballet Theatre’s Gillian Murphy arrived to guest with the Australian Ballet for two performances as the leading lady, Nikiya the temple dancer.

Natalia Osipova and Leonid Sarafanov in Giselle.© Paul Kolnik. (Click image for larger version)

Mikhailovsky Ballet – Giselle – New York

Osipova’s vitality is astonishing: the minute she stepped onstage, it’s as if the whole world became a few shades brighter…

Natalia Osipova and Ivan Vasiliev in Don Quixote.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

The Mikhailovsky Ballet’s American Debut at the Lincoln Center

Having wowed London with three acclaimed seasons over the last six years, at last the Mikhailovsky Ballet make their American debut in NY. Lisa Snyder introduces the company and its repertoire…

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American Ballet Theatre – Raymonda Divertissements and Sinfonietta triple bills – New York

Critics have compared the new Liam Scarlett to Jerome Robbins’ Dances at a Gathering; if so, it’s as if Dances had been set in an unhappy corner of the planet, for a group of lost souls…

Marcelo Gomes, Cory Stearns and Herman Cornejo in Jerome Robbins’ Fancy Free.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Raymonda Divertissements, Jardin aux Lilas, Fancy Free – New York

“It was a hell of a performance.” Marina Harss on Jerome Robbins’ Fancy Free.

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