"American Ballet Theatre" tag
Polina Semionova in La Bayadère.© Yan Revazov. (Click image for larger version)

Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin

★★★★✰   In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…

Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

ABT in Jessica Lang's Garden Blue.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Fall Gala + Symphonie Concertante & Garden Blue 3bills – New York

★★★✰✰   The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.

Natalia Osipova in in the studio preparing for Pure Dance.© Alastair Muir. (Click image for larger version)

Natalia Osipova – Pure Dance – London

★★★✰✰   No trade description problems, here. This was exactly what it said on the tin: Natalia Osipova performing pure dance, enhanced only by recorded music and lighting designs varying from the merest of subtle tints to an explosion of floodlights…

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Isabella Boylston and Jeffrey Cirio in La Bayadère.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – La Bayadère – Los Angeles

★★✰✰✰   …watching La Bayadère can feel like observing an artifact stuck in another era, and indicates the need for a conversation about what a contemporary, forward-thinking repertoire should look like.

Isabella Boylston in Whipped Cream.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Whipped Cream – New York

★★★★✰   The audience laughs, the company looks great, the orchestra… sounds full and vibrant, and you leave the theatre with a rare feeling of joy. Lightness of spirit and complexity of execution in one delightful package.

Pacific Northwest Ballet in Opus19/The Dreamer.© Angela Sterling. (Click image for larger version)

Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet

★★★★✰   It’s been a very enjoyable homage to Robbins’s versatility…

Devon Teuscher in Swan Lake.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

★★★★✰   Devon Teuscher has done her time, and the results are breathtaking…

Zurich Ballet in Swan Lake.© Carlos Quezada. (Click image for larger version)

Zurich Ballet – Swan Lake – Zurich

★★★✰✰   But, at least to my eye, the production’s triumph is its final lakeside act. There, the formations of swans, as originally choreographed by Lev Ivanov, become intricate, delicate, lyrical, and intensely moving.

Alina Cojocaru in The Sleeping Beauty.© Foteini Christofilopoulou. (Click image for larger version)

English National Ballet – The Sleeping Beauty – London

★★★★✰   It’s a better Sleeping Beauty than the Royal Ballet’s, but it benefits enormously from a stellar performance at its heart, a reminder of how civilised ballet can be.

Isabella Boylston and James Whiteside in Harlequinade.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Harlequinade (premiere) – New York

★★★★✰   Harlequinade is pure entertainment, a work of art whose entire raison d’être rests on its charm and stylishness. If you require that your art contain deeper meanings, read no further…

Hee Seo in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

★★★★✰   Roberto Bolle, who played his usual striking Albrecht, responded to Seo with nuance and subtlety. The same goes for how Seo revealed Giselle’s madness…

Misty Copeland, Alessandra Ferri and Herman Cornejo in Afterite.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – 3 Bills: Giselle, Gala, Firebird/Afterite – New York

★★★★✰   After a week of Giselle, during which Natalia Osipova and David Hallberg had their much-awaited re-match, the company began its season in earnest on May 21, with a spring gala that included two new works and excerpts from a third…

New York City Ballet in Warren Carlyle’s Something to Dance About.© Erin Baiano. (Click image for larger version)

New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York

★★★★✰   The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.

T.M. Rives and Alexander Ekman.© T.M. Rives & courtesy San Francisco Dance Film Festival. (Click image for larger version)

Interview – Alexander Ekman & T.M. Rives on dance and film

“I think you’ve just got to dare to go there. It’s hard, it’s scary, but creation is always kind of scary in one way or the other. So I think you’ve just gotta have guts and go for it anyway.” Alexander Ekman.

New York City Ballet in Dybbuk.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 1 – Bernstein Collaborations bill – New York

★★★✰✰   One of Robbins’ great talents was sniffing out the style of his time, but this inevitably places a date stamp on his work.

Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

Publicity image for English National Ballet / Akram Khan's Giselle.© Jason Bell. (Click image for larger version)

English National Ballet – Akram Khan’s Giselle – on cinema release

★★★★★   A total of 150 cinemas will show the ballet, which was filmed at the Liverpool Empire, in October 2017

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