"Ana Sophia Scheller" tag
San Francisco Ballet School students in Balanchine’s Serenade.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet and School – Student Showcase, Promotions and Company Joiners

San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well…

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

Amar Ramasar and NYCB in Justin Peck’s The Most Incredible Thing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Works By Balanchine, Martins, Peck and Wheeldon – Washington

★★★✰✰ The first of two mixed programs that New York City Ballet presented at the Kennedy Center Opera House in March offered a wide variety of works…

New York City Ballet in the Scottish Reel section of La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Tchaikovsky Piano Concerto No. 2 – New York

★★★✰✰ The Bournonville footwork and even the mime are there, but there’s little sense of joy or pathos of any kind.

Sara Mearns and Tyler Angle in Peter Martins' Barber Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Music Director’s Choice: Barber Violin Concerto, Fancy Free, Who Cares?, Candide (Overture) – New York

★★★✰✰ Lauren Gallagher at New York City Ballet’s Winter Season Opening where they introduced their new music director, Andrew Litton, in some style by naming the bill “Music Director’s Choice”…

Ballet San Jose flyer for the 2013 Benefit Gala.© Ballet San Jose. (Click image for larger version)

Ballet San Jose – 2013 Benefit Gala – San Jose

This was an evening not to be missed. Newly appointed Artistic Director, José Manuel Carreño, made sure that the quality of the eighteen guest artists for Ballet San Jose’s Gala Performance would tantalise even the most skeptical dance fan.

Sara Mearns and Company in George Balanchine's Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Mozartiana, Tchaikovsky Piano Concerto No. 2 – New York

I’m not yet fully convinced of the wisdom of New York City Ballet’s thematic seasons, organized around the music of a single composer….

Chase Finlay in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

What is there to say about Orpheus, except that it seems to slip deeper into the recesses of time? I’ve read that at the première, the critic and poet Edwin Denby was so moved by it that he sat dumbfounded during intermission, unable to stand. It is difficult to imagine such a reaction today.

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