"Anthony Huxley" tag
Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

Victoria Jaiani and Temur Suluashvili in Glass Pieces.© Cheryl Mann. (Click image for larger version)

Les Etés de la Danse, Paris – Homage to Jerome Robbins, Programme 1 – New York City Ballet, Joffrey Ballet

★★★★✰   The programme, performed by two very different American ballet companies, displayed Robbins’s versatility while revealing the similarities in his approach to music.

New York City Ballet in Dybbuk.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 1 – Bernstein Collaborations bill – New York

★★★✰✰   One of Robbins’ great talents was sniffing out the style of his time, but this inevitably places a date stamp on his work.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

Tiler Peck and Zachary Catazaro in Peter Walker’s Dance Odyssey.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Dance Odyssey, The Red Violin, Russian Seasons – New York

★★★✰✰   Like Walker’s first work for the company “Dance Odyssey” shows a lot of promise. It has warmth and humor, a good grasp of stage geometry and a sensitive musicality.

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

Miriam Miller and Anthony Huxley in Midsummer Night’s Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Midsummer Night’s Dream – New York

★★★★✰   But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.

New York City Ballet in Vienna Waltzes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ballo della Regina, Kammermusik No. 2, Vienna Waltzes – New York

★★★★✰   Vienna Waltzes is a sure-fire hit. It seduces on many fronts: the ridiculously flattering gowns by Karinska (her last for the company), the sumptuous music, the multitudes of dancers…

Teresa Reichlen and Russell Janzen in Diamonds.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – New York

★★★✰✰   What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off…

Abi Stafford in Flower Festival in Genzano.© Paul Kolnik. (Click image for larger version)

New York City Ballet – 21st Century Choreographers & Classic NYCB I bills – New York

★★★★✰   New York is a good place to be in springtime.

New York City Ballet in Justin Peck's The Most Incredible Thing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Most Incredible Thing (premiere), Polaris, The Blue of the Distance, Common Ground, Estancia – New York

★★★✰✰ “Incredible is Peck’s first narrative, and this fact was obvious Tuesday night, particularly in the opening scenes which lacked clarity…”

Sterling Hyltin in Mozartiana.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Walpurgisnacht Ballet, Sonatine, Mozartiana, Symphony in C – New York

★★★★✰ Some nights at the ballet you just get lucky: all the works are beautiful and the program is well balanced, and each of the casts is led by a ballerina who seems just right for the role.

Guggenheim's Works and Process showing of Harlequinade.© Works & Process at the Guggenheim/Jacklyn Meduga. (Click image for larger version)

Works and Process at the Guggenheim – Petipa, Balanchine and Harlequinade

The most recent Works & Process at the Guggenheim looked at Commedia dell’arte ballets from Petipa (“Les millions d’Arlequin”) and Balanchine: “Harlequinade”…

Lauren Lovette and Anthony Huxley in La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Bournonville Divertissements, La Sylphide (Lovette debut) – New York

In her début as the Sylph, Lovette was warm, soft, enticing, more child-like than enigmatic.

Sterling Hyltin and Joaquin de Luz in La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Bournonville Divertissements – New York

At first glance, it’s hard to think of two choreographers more unalike than August Bournonville and Balanchine…

Sterling Hyltin and Taylor Stanley in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Agon, Duo Concertant, Symphony in Three Movements – New York

The New York City Ballet spring season is off to the races with a week devoted to George Balanchine, specifically the “black-and-white” ballets that for many have come to define his style.

Ashley Bouder and NYCB in George Balanchine's Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Agon and Symphony in C – Washington

Oksana Khadarina reviews the Serenade, Agon and Symphony in C bill – prepare for many happy adjectives and lots of history…

New York City Ballet in Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Square Dance, Harlequinade – New York

If Harlequinade is somewhat less than the sum of its parts, Square Dance (1957), which preceded it on the program, never fails to lift the heart.

Sara Mearns in Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

New York City Ballet – George Balanchine’s The Nutcracker – New York

Year after year, I see Balanchine’s Nutcracker, and year after year I marvel at its perfection. This year it turns sixty.

New York City Ballet in George Balanchine's Chaconne.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Chaconne, Interplay, After the Rain, Everywhere We Go – New York

“…it’s hard not to get the impression that New York City Ballet is on a roll.”

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