"Antony Tudor" tag
Marcelo Gomes, Cory Stearns and Herman Cornejo in Jerome Robbins’ Fancy Free.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Raymonda Divertissements, Jardin aux Lilas, Fancy Free – New York

“It was a hell of a performance.” Marina Harss on Jerome Robbins’ Fancy Free.

San Francisco Ballet in Liam Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Caprice, Hummingbird, Symphonic Dances – Paris

Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Susan Jones.© Sarah Sterner. (Click image for larger version)

Susan Jones – Ballet Mistress, American Ballet Theatre

My father asked my original teacher in Rockville, Ms. Hood, whether it was viable for me to become a dancer, and she said she thought I could, even though I wasn’t blessed with beautiful legs and feet. But I had a lot of other assets…

Luke Ahmet in Glen Tetley’s Pierrot Lunaire for Scottish Ballet’s Dance Odysseys.© Andrew Ross. (Click image for larger version)

Scottish Ballet – Pierrot Lunaire (part of Dance Odysseys) – Edinburgh

In my book nobody has ever truly rivalled Christopher Bruce in the role, either for pathos or style, but Luke Ahmet came close.

Fernando Alonso, The Father Of Cuban Ballet book cover.© University Press of Florida. (Click image for larger version)

Book – Fernando Alonso, The Father of Cuban Ballet by Toba Singer

This book serves as a timely tribute to an incredible man whose vision and dedication to his art has established one of the world’s finest classical ballet systems.

Polina Semionova in Romeo and Juliet.© and provided by HK Leisure & Cultural Services Department(Click image for larger version)

American Ballet Theatre – Hong Kong Arts Festival Season – Hong Kong

The season began with a high-energy mixed bill which showed the company on sparkling form.

Mikhail Baryshnikov.© Annie Leibowitz. (Click image for larger version)

Mikhail Baryshnikov – the Art Collector

What one does not see much of, at least at first glance, is nostalgia for the motherland. “I never had nostalgia about anything,” Baryshnikov says.

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Natalia Makarova Honoured at The 35th Annual Kennedy Center Honours

The Honors are America’s highest award for those whose creative triumphs influenced and enhanced American culture. This is a celebration of their outstanding careers and extraordinary talents and appreciation of their unyielding commitment and contribution to the arts.

Polina Semionova and Marcelo Gomes in Alexei Ratmansky's Symphony #9.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – New Ratmansky, Symphony #9 – New York

Tonight’s premiere of Ratmansky’s newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.

Kristi Boone in In the Upper Room.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Drink, Cruel World, Stars/Stripes, Rodeo, Pavane, Upper Room – New York

The highlight of the gala was the seventieth-anniversary performance of Agnes De Mille’s Rodeo, preceded by a short film describing its creation, with archival footage of the hilariously histrionic, diminutive choreographer.

Helgi Tomasson.© Chris Hardy.

Helgi Tomasson – San Francisco Ballet – Artistic Director & Principal Choreographer

Q: Any regrets?
Ans: “No regrets — I would do it all again the same way.”

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San Francisco Ballet – Primer and London Season Preview

Aimée Tsao, watching San Francisco Ballet for over 35 years now, with a general primer on the company and some thoughts on the repertoire they are bring to London in September 2012…

Kevin Jackson and Lana Jones in Dyad 1929 (Infinity mixed bill). © Lisa Tomasetti. (Click image for larger version)

Australian Ballet – Infinity Mixed Bill & Swan Lake – New York

How can a company make good impression with just a few performances of one or two programs? The pieces have to be representative, interesting, and show the company in a the best possible light. It’s not easy, as the recent Lincoln Center performances of Australian Ballet have shown.

Dane Hurst in L'après-midi d'un faune. © Dave Morgan. (Click image for larger version)

Rambert Dance Company – What Wild Ecstasy, SUB, Faun, Art of Touch – London

Rambert… offers a mix of new commissions with rarely-seen work from their archives. Some items had much more impact than others, though not necessarily the ones you might imagine from the programme.

Bob Lockyer at 70. © Elliott Franks at www.elliottfranks.com. (Click image for larger version)

Interview: Bob Lockyer at 70, Mr Dance when the BBC did dance

In a life at the BBC the director, Bob Lockyer, was an outstanding champion of dance for the camera. Now 70, he is still indefatigable in his enthusiasms

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