"Antony Tudor" tag
Miguel Altunaga and Simone Damberg Wurtz in Kim Brandstrup's Transfigured Night.© Foteini Christofilopoulou. (Click image for larger version)

Rambert – The 3 Dancers, Transfigured Night – London

Rambert Love, Art & Rock ‘n Roll: The 3 Dancers, Transfigured Night London, Sadler’s Wells 3 November 2015 Gallery of 3 Dancers pictures by Stephen Wright Gallery of Transfigured Night pictures by Foteini…

David Drew in his later years - here as the Duke of Courland in Giselle.© John Ross, courtesy the Royal Opera House. (Click image for larger version)

Obituary: David Drew, Royal Ballet Principal, with the company 56 years

David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.

Martha Clarke.© Martha Clarke, courtesy the Royal Opera House.

Martha Clarke – Director and Choreographer, on Chéri

Martha Clarke talks to Jann Parry about Chéri – at the ROH Linbury Studio Theatre, 29 Sept – 4 Oct 2015…

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT

Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…

Liam Francis and Brenda Lee Grech in Mark Baldwin's Dark Arteries.© Foteini Christofilopoulou. (Click image for larger version)

Rambert – Frames, Four Elements, Dark Arteries – London

Rambert’s repertoire, under Baldwin’s direction, continues to divert and instruct in its combination of classic revivals and bold commissions.

Devon Teuscher in Pillar of Fire.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Les Sylphides, Pillar of Fire, Fancy Free, Theme and Variations – New York

There are times when a dance lover just can’t believe her good fortune and one of those times comes around once a year in New York…

Natalia Osipova and Edward Watson in the Becomings section of Woolf Works.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

Woolf Works is a chimera, an illusory creation made up of disparate elements…

Xiomara Reyes in Rodeo.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, Pillar of Fire, Rodeo – Washington

Nothing can ignite a cowboy’s imagination better than the fluttery ruffles of a voluminous skirt…

Marcelo Gomes, Cory Stearns and Herman Cornejo in Jerome Robbins’ Fancy Free.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Raymonda Divertissements, Jardin aux Lilas, Fancy Free – New York

“It was a hell of a performance.” Marina Harss on Jerome Robbins’ Fancy Free.

San Francisco Ballet in Liam Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Caprice, Hummingbird, Symphonic Dances – Paris

Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Susan Jones.© Sarah Sterner. (Click image for larger version)

Susan Jones – Ballet Mistress, American Ballet Theatre

My father asked my original teacher in Rockville, Ms. Hood, whether it was viable for me to become a dancer, and she said she thought I could, even though I wasn’t blessed with beautiful legs and feet. But I had a lot of other assets…

Luke Ahmet in Glen Tetley’s Pierrot Lunaire for Scottish Ballet’s Dance Odysseys.© Andrew Ross. (Click image for larger version)

Scottish Ballet – Pierrot Lunaire (part of Dance Odysseys) – Edinburgh

In my book nobody has ever truly rivalled Christopher Bruce in the role, either for pathos or style, but Luke Ahmet came close.

Fernando Alonso, The Father Of Cuban Ballet book cover.© University Press of Florida. (Click image for larger version)

Book – Fernando Alonso, The Father of Cuban Ballet by Toba Singer

This book serves as a timely tribute to an incredible man whose vision and dedication to his art has established one of the world’s finest classical ballet systems.

Polina Semionova in Romeo and Juliet.© and provided by HK Leisure & Cultural Services Department(Click image for larger version)

American Ballet Theatre – Hong Kong Arts Festival Season – Hong Kong

The season began with a high-energy mixed bill which showed the company on sparkling form.

Mikhail Baryshnikov.© Annie Leibowitz. (Click image for larger version)

Mikhail Baryshnikov – the Art Collector

What one does not see much of, at least at first glance, is nostalgia for the motherland. “I never had nostalgia about anything,” Baryshnikov says.


Natalia Makarova Honoured at The 35th Annual Kennedy Center Honours

The Honors are America’s highest award for those whose creative triumphs influenced and enhanced American culture. This is a celebration of their outstanding careers and extraordinary talents and appreciation of their unyielding commitment and contribution to the arts.

Polina Semionova and Marcelo Gomes in Alexei Ratmansky's Symphony #9.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – New Ratmansky, Symphony #9 – New York

Tonight’s premiere of Ratmansky’s newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.

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