"Apollo" tag
Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Carlos Acosta and Marianela Nuñez in Apollo.© Johan Persson. (Click image for larger version)

Carlos Acosta – The Classical Farewell – London

★★★★✰   “Thank you, Carlos,” boomed one audience member as Acosta ended his performance by changing out of his dance gear, sitting meditatively on stage…

Sterling Hyltin and Amar Ramasar in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, The Four Temperaments, Duo Concertant, Symphony in Three Movements – Paris

★★★★✰   The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.

Miami City Ballet in Justin Peck's Heatscape.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – Program’s A (Balanchine, Tharp, Ratmansky), B (Peck, Scarlett, Balanchine) – New York

★★★★✰   New York audiences and the Miami City Ballet have taken to each other like sun and salt air, and it’s easy to see why.

Gillian Murphy and Sterling Baca in After You by Mark Morris.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Monotones I & II, Brahms-Haydn Variations – New York

ABT galas are more laid-back than City Ballet’s; they’re less “produced,” with fewer speeches or slick video presentations. For the most part, the company just gets on with the show, with minimum fuss.

Thomas Edwards, Constance Devernay and Victor Zarallo in Javier de Frutos’ Elsa Canasta.© Andy Ross. (Click image for larger version)

Scottish Ballet – Maze, Motion of Displacement, Elsa Canasta – Glasgow

Scottish Ballet’s autumn bill is an uplifting affair with everything on it new to the company…

Leo Dixon and Georgina Connolly in Valentino Zucchetti's Orbital Motion.© Foteini Christofilopoulou. (Click image for larger version)

New English Ballet Theatre and Guests – Dancing for Nepal – London

The overall standard of dancing of both NEBT and guests was very good – if the choreography was rather more mixed.

Russell Janzen and Sterling Hyltin in Duo Concertant.© Paul Kolnik. (Click image for larger version)

New York City Ballet – some Balanchine Black and White Festival debuts – New York

There were three débuts at New York City Ballet last night: Zachary Catazaro in Apollo, Russell Janzen in Duo Concertant, and Lauren King in the role I think of as the “jumping girl” in Symphony in Three Movements.

Sterling Hyltin and Taylor Stanley in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Agon, Duo Concertant, Symphony in Three Movements – New York

The New York City Ballet spring season is off to the races with a week devoted to George Balanchine, specifically the “black-and-white” ballets that for many have come to define his style.

Robert Kleinendorst and Michael Trusnovec in Sunset.© Paul B. Goode. (Click image for larger version)

Paul Taylor – Sunset, Death and the Damsel, Brandenburgs, Company B, Passacaglia and Fugue, Piazzolla Caldera – New York

The Paul Taylor Dance Company, rechristened Paul Taylor’s American Modern Dance, is in the midst of its yearly three-week New York run at the Koch Theater. This is a pivotal time for the company…

© Critics’ Circle National Dance Awards

2014 National Dance Awards – Winners Announced

The Critics’ Circle National Dance Awards for 2014 took place today in London at The Place’s Robin Howard Dance Theatre.

Tiler Peck in Theme and Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Tchaikovsky & Balanchine, Stravinsky & Balanchine bills – New York

One cannot help but be amazed by the number of exceptional women in the company, and by how differently they approach the steps, the music and the temperament of each ballet.

Hannah Grennell in Unearthed.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Deloitte Ignite 2014, Royal Ballet and others – Sampling the Myth bill – London

The best of the videos and best piece of the night was Kim Brandstrup’s Leda and the Swan using the much-loved Zenaida Yanowsky and Tommy Franzen

Vicktoria Tereshkina in A Midsummer Night's Dream.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – Apollo, A Midsummer Night’s Dream – London

Viktoria Tereshkina has a warm personality and this enhances her dancing. She has long thin limbs and offers expansive port de bras, while her legs whip up effortlessly but with control.

Mariinsky Ballet – London season including Casting

Casting Released for Romeo and Juliet, Swan Lake, Apollo, A Midsummer Night’s Dream, The Firebird, Marguerite and Armand, DSCH, Cinderella (and remember all casting can change…)

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

John Craxton, 1997.Photograph by Matthew Thomas, © estate of John Craxton.

John Craxton Exhibition – Cambridge

John Craxton, the celebrated designer of Frederick Ashton’s Daphnis and Chloe, is the subject of an exhibition at the Fitzwilliam Museum in Cambridge…

Ashley Bouder as Choleric with Robert Fairchild and Adrian Danchig-Waring in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Black & White Balanchine bill – New York

What most struck me on this particular evening was the transparency, and clarity of intention, that marked each work.

DanceTabs © 2017 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.