"Aszure Barton" tag
Aidan Gibson and Casey Ouzounis in Neue Suite (Berio 1-2-3).© Foteini Christofilopoulou. (Click image for larger version)

Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London

★★★✰✰   Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.

English National Ballet in Forsythe's Playlist (Track 1, 2).© Dave Morgan. (Click image for larger version)

English National Ballet – Voices of America bill – works by Forsythe, Robbins & Barton – London

★★★★✰   Altogether, a cunningly judged programme that shows off the company at its most engaging…

Crystal Costa in Barton's Fantastic Beings.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in Voices of America bill – works by Forsythe, Robbins & Barton

Works by William Forsythe, Jerome Robbins and Aszure Barton. Gallery by Dave Morgan…

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Linda Celeste Sims in Alvin Ailey's Cry.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Programme C – London

★★★★✰   I saw Programme C at Sadler’s Wells and like practically everybody else, have to rave about the dancers.

Jamar Roberts in Rennie Harris' Exodus.© Foteini Christofilopoulou. (Click image for larger version)

Alvin Ailey American Dance Theater – Programmes A and B – London

★★★★✰   Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.

Tamara Rojo and Jeanette Kakareka in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

English National Ballet – She Said: Broken Wings, M-Dao, Fantastic Beings – London

★★★✰✰   Rojo has succeeded in securing one really stimulating work in Broken Wings.

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Gallery – English National Ballet in She Said triple bill

English National Ballet in works by Aszure Barton, Annabelle Lopez Ochoa and Yabin Wang. Gallery by Dave Morgan…

ENB Logo

English National Ballet 2015/16 Season

Full press release of English National Ballet’s 2015/16 Season.

Linda Celeste Sims and Jamar Roberts in Aszure Barton's LIFT.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theatre – Chroma, D-Man in the Waters (Part I), LIFT – New York

I have yet to see a less than full-throttle performance, even when a choreographer’s style does not quite fit the company’s technique…

Nancy Reynolds interviewing Edward Villella about Tarantella and Rubies, GBF Video Archives, 2008.© Nancy Reynolds. (Click image for larger version)

Nancy Reynolds – George Balanchine Foundation – Director of Research

An in-depth interview with the lady who helps bring Balanchine back…

Hubbard Street Dancers Meredith Dincolo and Quinn B. Wharton in Casi-Casa by Mats Ek.© Todd Rosenberg. (Click image for larger version)

Hubbard Street Dance Chicago – Casi-Casa, Blanco, PACOPEPEPLUTO, Untouched – Chicago

Ek’s movement teeters on the outer limits of emotion, barely contained and threatening to explode at the drop of a match, and there are numerous metaphoric lit matches in this piece – Casi-Casa.

Morgane Le Tiec & Brett Taylor in Night Box. © Benjamin Von Wong. (Click image for larger version)

Les Ballets Jazz de Montreal (BJM) – Les Chambres des Jacques, Night Box – Erie

BJM didn’t disappoint, delivering a solidly entertaining and impeccably-danced program packed with both the bizarre and the familiar. …the Erie audience gave the company a well-deserved standing ovation.

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