"Balanchine" tag
Polina Semionova in La Bayadère.© Yan Revazov. (Click image for larger version)

Staatsballett Berlin – La Bayadère (premiere of Ratmansky reconstruction) – Berlin

★★★★✰   In the last several years, the choreographer Alexei Ratmansky has developed a sideline to his main choreographic efforts: the reviving of ballets by Marius Petipa in a way that represents the original choreography with as much fidelity as possible…

Miami City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

City Center Balanchine Festival – Miami City Ballet, Mariinsky Ballet, Royal Ballet, New York City Ballet

★★★✰✰   It’s fascinating to see how Balanchinean charm and wit are interpreted by dancers for whom the Balanchine repertoire is more of a foreign language.

New York City Ballet in Symphony in C.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels & All Balanchine 4bill – New York

★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.

Robert Carter in The Dying Swan.© Emma Kauldhar. (Click image for larger version)

Les Ballets Trockadero de Monte Carlo (Trocks) – Les Sylphides bill – London

★★★★✰   The curtain calls for Robert Carter’s “Dying Swan” are nearly as long as the ballet itself and just as funny.

Victoria Hulland, Ricardo Graziano and Ricardo Rhodes in Ashton's Monotones II.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York

★★✰✰✰   After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.

Mark Morris Dance Group in The Trout.© Stephanie Berger. (Click image for larger version)

Mark Morris Dance Group – Love Song Waltzes, I Don’t Want to Love, The Trout – New York

★★★✰✰   How striking Morris’ dancers are, how diversified in form and unique in expression and cohesive as a troupe — ever present and responsive to each other.

Third year students Breanna Foad and Rentaro Nakaaki, who join English National Ballet next season.© Jesus Vallinas. (Click image for larger version)

English National Ballet School – Summer Performance – London

★★★✰✰   This summer’s showcase of English National Ballet School’s students was the first under its new director, Carlos Valcarcel… The Wimbledon programme consisted of two creations by him, two by students, and excerpts from The Sleeping Beauty as a conclusion.

Pacific Northwest Ballet in Opus19/The Dreamer.© Angela Sterling. (Click image for larger version)

Les Etés de la Danse, Paris – Jerome Robbins Homage, Programme 2 – Miami City Ballet, Pacific Northwest Ballet, Perm Opera Ballet

★★★★✰   It’s been a very enjoyable homage to Robbins’s versatility…

Aidan Gibson and Casey Ouzounis in Neue Suite (Berio 1-2-3).© Foteini Christofilopoulou. (Click image for larger version)

Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London

★★★✰✰   Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.

Isabella Boylston and James Whiteside in Harlequinade.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Harlequinade (premiere) – New York

★★★★✰   Harlequinade is pure entertainment, a work of art whose entire raison d’être rests on its charm and stylishness. If you require that your art contain deeper meanings, read no further…

Tiler Peck in Coppélia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Coppélia – New York

★★★★✰   Tiler Peck, with her quick feet and sassy musicality, is perfectly suited to the role of Swanhilda. Her choreography has copious amounts of pointework, quick steps, requires adroitness in petit allegro and excellent mime technique – all of which Peck has in abundance.

New York City Ballet in Warren Carlyle’s Something to Dance About.© Erin Baiano. (Click image for larger version)

New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York

★★★★✰   The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.

New York City Ballet in Dybbuk.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Robbins No. 1 – Bernstein Collaborations bill – New York

★★★✰✰   One of Robbins’ great talents was sniffing out the style of his time, but this inevitably places a date stamp on his work.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

Wende and Dutch National Ballet in Last Resistance.© Hans Gerritsen. (Click image for larger version)

Dutch National Ballet – Dutch Doubles: Impermanence, Two and Only, Déjà vu, Last Resistance – Amsterdam

★★★★✰   Dutch National Ballet’s Dutch Doubles quad bill features 3 new works by Annabelle Lopez Ochoa, Ernst Meisner and Wubkje Kuindersma plus a classic piece, new to the company, from the legend that is Hans van Manen.

Laura Halzack and Michael Trusnovec in Mercuric Tidings.© Paul B. Goode. (Click image for larger version)

Paul Taylor American Modern Dance – David H. Koch season – New York

★★★★✰   Even in stillness, Taylor dancers hold immense power in their bodies, the energy potential within them more nuclear than solar.

San Francisco Ballet in Robbins' The Cage.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Robbins: Ballet & Broadway quad bill – San Francisco

★★★★✰   There’s nothing like watching a woman crush a man’s neck with her thighs to make you go hmm, maybe that whole #MeToo thing has legs.

Calvin Richardson and Joseph Sissons in Wayne McGregor's Yugen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London

★★★✰✰   Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.

Tiler Peck and Zachary Catazaro in Peter Walker’s Dance Odyssey.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Dance Odyssey, The Red Violin, Russian Seasons – New York

★★★✰✰   Like Walker’s first work for the company “Dance Odyssey” shows a lot of promise. It has warmth and humor, a good grasp of stage geometry and a sensitive musicality.

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