"Balanchine" tag
Sterling Hyltin and Joaquin De Luz in Odessa.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with Odessa, Ratmansky premiere – New York

★★★✰✰   With only four works, no intermissions and a run time of less than two hours, New York City Ballet’s Spring Gala was short and to the point.

Natalia Osipova and Edward Watson in Mayerling.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling – London

★★★★★   Edward Watson and Steven McRae casts both reviewed. “…the Royal Ballet is doing MacMillan proud, coming up to the 25th anniversary of his death…”

Unity Phelan and Zachary Catazaro in Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – HERE/NOW Festival, Wheeldon Quad bill – New York

★★★✰✰   It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue…

Sarah Van Patten and Luke Ingham in Balanchine's Stravinsky Violin Concerto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Stravinsky Violin Concerto, Prodigal Son, Diamonds – San Francisco

★★★✰✰   The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.

Complexions in Star Dust.© Breeann Birr. (Click image for larger version)

Complexions Contemporary Ballet – Gutter Glitter, So Not A…, Star Dust – New York

★★✰✰✰   Slated as a “rock opera style production” created in the late David Bowie’s honour, Star Dust is a lengthy, razzle dazzle suite of dances set to Bowie’s most popular tunes.

Aaron Loux and Billy Smith in The Hard Nut.© Julieta Cervantes. (Click image for larger version)

Mark Morris Dance Group – The Hard Nut – New York

★★★★✰   Few alternative takes on tradition survive this long and The Hard Nut remains as subversive as it is satisfying.

Matthew Ball and Marianela Nunez in Wayne McGregor's Multiverse.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wayne McGregor bill: Chroma, Multiverse, Carbon Life – London

★★★✰✰   Multiverse: McGregor and his dramaturg may know what they want to convey about life and the universe(s) but despite the dancers’ efforts, the result is baffling.

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Garrett Anderson and Anne Zivolich-Adams in Joe & Ida by Penny Saunders.© Andrew Weeks. (Click image for larger version)

SFDanceworks – Concerto Six Twenty-Two, Lickety Split, Joe & Ida, Portrait, Z – San Francisco

★★★✰✰   With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.

Gelsey Kirkland Ballet – Harlequinade, The Wedding Procession, Walpurgis Night – New York

★★★✰✰   This is no second-rate student group. The Gelsey Kirkland Academy is doing something right.

New York City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Hallelujah Junction, Duo Concertant, Western Symphony – New York

★★★★✰   Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.

Michaela DePrince in Balanchine's Tarantella.© VAM/ Siggul. (Click image for larger version)

Youth America Grand Prix – Gala 2016 – New York

★★✰✰✰   Like all galas, this was quite a mixed bag. Over 200 students trooped on and offstage in a veritable tornado of activity before the veteran YAGP dancers stepped out for the showstopping stuff…

Nathalia Arja in Ratmansky's Symphonic Dances.© Sasha Iziliaev. (Click image for larger version)

Miami City Ballet – Opening Night Gala: Serenade, Symphonic Dances – New York

★★★★✰   This is dancing that makes one hungry for more.

Cira Robinson and Mthuthuzeli November in Arthur Pita's Cristaux.© Dave Morgan. (Click image for larger version)

Ballet Black – Cristaux, To Begin, Begin, Storyville – London

★★★★✰   I’ve long admired Ballet Black’s efforts to make ballet a more accessible art form to both dancers and audiences who’ve historically been excluded from it.

Pacific Northwest Ballet in David Dawson's A Million Kisses to my Skin.© Angela Sterling. (Click image for larger version)

Pacific Northwest Ballet – A Million Kisses to my Skin, The Vertiginous Thrill of Exactitude, Emergence – New York

★★★✰✰ Overall, the impression was of a company in top form, at ease in a variety of styles. The dancers have an easy-going, open demeanor that makes even the knottiest works look more appealing.

Lawrence Rines.© Vikki Sloviter Portrait Photography. (Click image for larger version)

Lawrence Rines – Boston Ballet, Corps de Ballet

“I feel as though now that I’m older, working smart is the best thing as a dancer and artist. It’s not about NOT trying as hard as when I was younger, but really thinking about things.”

José Manuel Carreño.© Chris Hardy. (Click image for larger version)

José Manuel Carreño – Artistic director of Silicon Valley Ballet

José Manuel Carreño on being a great Cuban dancer, now director of Silicon Valley Ballet, and the strong relations developing between the USA and Cuba and what that means for ballet.

Gillian Murphy and Sterling Baca in After You by Mark Morris.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Monotones I & II, Brahms-Haydn Variations – New York

ABT galas are more laid-back than City Ballet’s; they’re less “produced,” with fewer speeches or slick video presentations. For the most part, the company just gets on with the show, with minimum fuss.

Dores André.© Chris Hardy. (Click image for larger version)

Dores André – Principal, San Francisco Ballet

If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.

Aparupa Chatterjee in Brajaku Chora.© Darial Sneed. (Click image for larger version)

Erasing Borders Festival of Indian Dance, Part 2 indoors – New York

As on the previous evening, various schools of Indian dance were on view, revealing fascinating echoes and differences between them.

DanceTabs © 2017 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.