"Ballets Russes" tag
Mikhail Fokine.© & courtesy of Isabelle Fokine and Fokine Estate Archive. (Click image for larger version)

The Work of Mikhail Fokine – Q&A with Isabelle Fokine

Born in Paris in 1958, Isabelle Fokine is the daughter of Vitale Fokine and granddaughter of choreographer Mikhail Fokine. She is artistic director of the Fokine Estate Archive, which holds the worldwide copyright to his work.

Les Saisons Russes / Natalia Sats Opera & Ballet - Polovtsian Dances.© Elena Lapina. (Click image for larger version)

Les Saisons Russes / Natalia Sats Opera & Ballet – Petrushka, Chopiniana, Polovtsian Dances – London

The triumph of the triple bill was the rip-roaring account of the Polovtsian Dances, with the choir exulting from boxes at the side of the Coliseum stage.

Natalia Savelieva (Queen of Shamakha) in Le Coq d'Or.© Foteini Christofilopoulou. (Click image for larger version)

Les Saisons Russes / Natalia Sats Opera & Ballet – Le Coq d’Or (The Golden Cockerel) – London

…it’s very Russian in its mixture of comedy, satire and luscious spectacle – and first-class performances.

Paul White in the studio preparing Anatomy of an Afternoon.© Paul Hyde. (Click image for larger version)

Paul White – Dancer, Collaborator, Lecturer and Choreographer

5 Questions to Paul White. Last year Australian Paul White danced at the Southbank Centre in Meryl Tankard’s ‘The Oracle’ and won a UK National Dance Award for Outstanding Performance. This week he dances in a new piece at the Southbank – another winner? We catch up with him…

Georgy Isaakyan and Andris Liepa.© Georgy Isaakyan and Andris Liepa. (Click image for larger version)

Andris Liepa and Georgy Isaakyan – Bringing Diaghilev Back: Recreating the Russian Seasons

Graham Watts, visited the Natalia Sats Theatre in Moscow, earlier this year, to talk to both Liepa and Isaakyan about their new production of Le Coq d’Or.

Tom Pecinka in The Soldier’s Tale.© Dana Astmann. (Click image for larger version)

Yale School of Music & Yale School of Drama – The Soldier’s Tale – New York

Stravinsky’s is a bitter tale with folk roots, about a soldier (played by the convincingly guileless, agile Tom Pecinka) returning home from the front who is sidetracked by the devil….

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

Ormsby Wilkins.© John Lauener/National Ballet of Canada. (Click image for larger version)

Ormsby Wilkins – Britten’s Sylphs and other Musical Questions for ABT’s Music Director

ABT’s run of Les Sylphides this season are different – after research, the company, under their musical director Ormsby Wilkins, have rediscovered a 1941 orchestration by Benjamin Britten. Marina Harss reveals all in conversation with Wilkins…

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Les Saisons Russes of XXI Century – Firebird, Scheherazade – London

An apologetic Liepa promised to return for a week next time and bring the new Cleopatra with him, but this was an unsatisfying evening in its current form.

Alexandra Timofeyeva and Ilya Kuznetsov in The Firebird.© Valeria Komissarova. (Click image for larger version)

Les Saisons Russes of XXI Century – Le Spectre de la rose, Firebird, Scheherazade – London

But altogether, this was an evening of historical curios that lacked consistent vibrancy.

Valentine Gross pastel of the original trio in “the fountain” grouping, 1913. First published in Comoedia Illustré, the souvenir programme of Diaghilev’s Ballets Russes. From Millicent Hodson, Nijinsky's Bloomsbury Ballet, Jeux (Pendragon, New York, 2008), p. 8. (Click image for larger version)

Games People Play: ‘Jeux’ Young at 100

Nijinsky’s ‘Jeux’, like ‘Rite’, is in its centenary year – lesser known it may be but Archer & Hodson give fascinating detail on its creation and the thought that went into putting on, at UNCSA, their reconstructed version earlier this year.

Edward Burra: Design for William Chappell as Creole Boy in Rio Grande.From James L. Gordon Collection and ©. (Click image for larger version)

Exhibition of 1930′s British Ballet Design – Saffron Walden

Obscurer corners of early British ballet are connected in the exhibition ‘An Outbreak of Talent’, at the Fry gallery in Saffron Walden, Essex until June 30 2013.

Nadia Nerina as The Bluebird in The Sleeping Beauty (1951) and Isabel Rawsthorne.© Roger Wood (NN), courtesy the Royal Opera House. (Click image for larger version)

Nadia Nerina and Isabel Rawsthorne exhibitions at the Royal Opera House

Rawsthorne was painted by André Derain and Pablo Picasso, and later by Francis Bacon. She was the inspiration for Alberto Giacometti’s etiolated sculptures of walking figures…

Jennifer Stahl, Garen Scribner and James Sofranko in Possokhov's The Rite of Spring.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Guide to Strange Places, Beaux, Rite of Spring – San Francisco

Possokhov’s Rite of Spring is a mixture of mostly good choices with a few that seem rather odd to me.

Hélène Bouchet, Alexandre Riabko and Carsten Jung in Neumeier's Nijinsky.© Erik Tomasson. (Click image for larger version)

Hamburg Ballet – Nijinsky – San Francisco

It’s Valentine’s Day and I wish I could write a “love letter” review to the Hamburg Ballet. I am not being sentimental – this company is full of incredible dancers, from principals to corps de ballet…

Mikhail Baryshnikov.© Annie Leibowitz. (Click image for larger version)

Mikhail Baryshnikov – the Art Collector

What one does not see much of, at least at first glance, is nostalgia for the motherland. “I never had nostalgia about anything,” Baryshnikov says.

Rachel Rawlins and Colin Peasley farewell curtain calls.© Jess Bialek. (Click image for larger version)

Australian Ballet – Rachel Rawlins and Colin Peasley bid farewell

Rawlins, 39, shared the numerous curtain calls with Colin Peasley, who must surely have broken some records for the longest full-time dancing career with one ballet company in history. His first appearance with the Australian Ballet was in Swan Lake in November 1962…

Elisabeth Holowchuk, Michael Cook and company in Slaughter On Tenth Avenue.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Autumn 2012 Program B – Washington

The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater – a program that also included Divertimento No. 15 and Slaughter on Tenth Avenue.

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