"Ballets Russes" tag
The Rite of Spring: Running out of the "Joyful Jump".© Kenneth Archer. (Click image for larger version)

Sagraçamba: The Rite in Rio

Millicent Hodson and Kenneth Archer first put their reconstruction of “The Rite of Spring” on Rio de Janeiro Ballet in 1995. This year they went back to put it on again – this is what happened…

Ivan Putrov.© Elliott Franks. (Click image for larger version)

Ivan Putrov – Men in Motion – Lodz Ballet Festival

The most impressive (if not, incredible) thing is that his scratch company exudes the professionalism that one would expect from a tight-knit group that has lived, trained, rehearsed and performed together for seasons.

American Ballet Theatre in Alexei Ratmansky’s The Sleeping Beauty.© Doug Gifford. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – New York

Perhaps the most striking element in Alexei Ratmansky’s new Sleeping Beauty for American Ballet Theatre is its musicality, the way the steps, peppered with accents and breaths, unspool within the music.

Sterling Hyltin and Taylor Stanley in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Agon, Duo Concertant, Symphony in Three Movements – New York

The New York City Ballet spring season is off to the races with a week devoted to George Balanchine, specifically the “black-and-white” ballets that for many have come to define his style.

Mariinsky Ballet in Le Sacre du Printemps.© Natasha Razina. (Click image for larger version

Mariinsky Ballet – Le Sacre du Printemps, Le Spectre de la Rose, The Swan, Paquita Grand Pas – Washington

In all, this was a tremendously entertaining and well-received program; but at the same time it left an unsettling impression that the Russian company is holding on to its eminent past with all its might, relying heavily on well-worn

Oxana Skorik and Timur Askerov in Michel Fokine's Chopiniana.© Julieta Cervantes. (Click image for larger version)

Mariinsky Ballet – Chopiniana, Without, In the Night – New York

Too much Chopin? Perhaps.

Ballet Nice Mediterranee in Pas de Dieux.© Dominique Jaussein. (Click image for larger version)

Ballet Nice Mediterranee – Soir de Fête, Pas de Dieux – Nice

Vu-An writes in the programme that he has chosen the two ballets Soir de Fete and Pas de Dieux to make up an entertaining and enjoyable programme for the festive season. However, he has chosen two very contrasting and rather curious works…

The Making of Markova: Diaghilev’s Baby Ballerina to Groundbreaking Icon, book cover.© Pegasus Books. (Click image for larger version)

Book – The Making of Markova – by Tina Sutton

Sutton was originally asked to write a brief account of Markova’s career for the Gotlieb Centre but soon realised that her subject’s life, personal and public, was so fascinating that she undertook a substantial biography

Tina Sutton.© Tina Sutton. (Click image for larger version)

Tina Sutton, writer and author of ‘The Making of Markova’

Tina Sutton’s book “The Making of Markova: Diaghilev’s Baby Ballerina to Groundbreaking Icon” is about to be released in paperback – Jann Parry talks to Sutton about unearthing one of the greatest ballerinas of the 20th century…

Detail from the book cover of Constant Lambert - Beyond The Rio Grande.© Boydell & Brewer. (Click image for full version of cover)

Book – Constant Lambert, Beyond The Rio Grande – by Stephen Lloyd

Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.

Vicktoria Tereshkina in A Midsummer Night's Dream.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – Apollo, A Midsummer Night’s Dream – London

Viktoria Tereshkina has a warm personality and this enhances her dancing. She has long thin limbs and offers expansive port de bras, while her legs whip up effortlessly but with control.

Mikhail Fokine.© & courtesy of Isabelle Fokine and Fokine Estate Archive. (Click image for larger version)

The Work of Mikhail Fokine – Q&A with Isabelle Fokine

Born in Paris in 1958, Isabelle Fokine is the daughter of Vitale Fokine and granddaughter of choreographer Mikhail Fokine. She is artistic director of the Fokine Estate Archive, which holds the worldwide copyright to his work.

Les Saisons Russes / Natalia Sats Opera & Ballet - Polovtsian Dances.© Elena Lapina. (Click image for larger version)

Les Saisons Russes / Natalia Sats Opera & Ballet – Petrushka, Chopiniana, Polovtsian Dances – London

The triumph of the triple bill was the rip-roaring account of the Polovtsian Dances, with the choir exulting from boxes at the side of the Coliseum stage.

Natalia Savelieva (Queen of Shamakha) in Le Coq d'Or.© Foteini Christofilopoulou. (Click image for larger version)

Les Saisons Russes / Natalia Sats Opera & Ballet – Le Coq d’Or (The Golden Cockerel) – London

…it’s very Russian in its mixture of comedy, satire and luscious spectacle – and first-class performances.

Paul White in the studio preparing Anatomy of an Afternoon.© Paul Hyde. (Click image for larger version)

Paul White – Dancer, Collaborator, Lecturer and Choreographer

5 Questions to Paul White. Last year Australian Paul White danced at the Southbank Centre in Meryl Tankard’s ‘The Oracle’ and won a UK National Dance Award for Outstanding Performance. This week he dances in a new piece at the Southbank – another winner? We catch up with him…

Georgy Isaakyan and Andris Liepa.© Georgy Isaakyan and Andris Liepa. (Click image for larger version)

Andris Liepa and Georgy Isaakyan – Bringing Diaghilev Back: Recreating the Russian Seasons

Graham Watts, visited the Natalia Sats Theatre in Moscow, earlier this year, to talk to both Liepa and Isaakyan about their new production of Le Coq d’Or.

Tom Pecinka in The Soldier’s Tale.© Dana Astmann. (Click image for larger version)

Yale School of Music & Yale School of Drama – The Soldier’s Tale – New York

Stravinsky’s is a bitter tale with folk roots, about a soldier (played by the convincingly guileless, agile Tom Pecinka) returning home from the front who is sidetracked by the devil….

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

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