"Barry Kay" tag
J'aime Crandall in Raymonda.© Henrik Stenberg. (Click image for larger version)

Royal Danish Ballet – Raymonda – Copenhagen

★★★✰✰   All up, I think this production demonstrated the strengths and weaknesses of “Raymonda” as a ballet. It certainly is a fabulous looking (and listening) calling card which might tour well…

Gary Harris.© Royal Opera House. (Click image for larger version)

Interview – Gary Harris on life and setting Kenneth MacMillan’s Anastasia for the Royal Ballet

Gary Harris has had one of the most varied ballet careers you can get… dancer, teacher, ballet master, artistic director, designer and notator. Now he’s working with the Royal Ballet to bring back Kenneth MacMillan’s Anastasia – Jann Parry went for a chat.

Rudolf Nureyev, La Bayadère, Kingdom of the Shades Act, Palais Garnier, 1974.© André Chino. (Click image for larger version)

The Nureyev Collection – Centre national du costume de scène et de la scénographie – Moulins

The triumph of the Nureyev collection at CNCS Moulins is to make the many facets of his profligately talented, maddening personality so vividly alive still.

Shevelle Dynott and Nancy Osbaldeston in Petrushka.© Dave Morgan (Click image for larger version)

English National Ballet – Tribute to Rudolf Nureyev – London

The Tribute bill is a well-chosen one… The season has been so short that the dancers haven’t had time to grow into their roles. They look as though they’re remembering instructions rather than relishing the ballets.

Royal Ballet in Raymonda Act III.Dancers, l-r (men first): Brian Maloney, Johannes Stepanek, Valeri Hristov, Alexander Campbell, Dawid Trzensimiech, Kenta Kura, Eric Underwood, Valentino Zuccheti, then ladies - Melissa Hamilton, Helen Crawford, Fumi Kaneko, Yasmine Naghdi, Yuhui Choe, Emma-Jane Maguire, Itziar Mendizabal, Hikaru Kobayashi.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, In the Night, Raymonda Act lll – London

It’s the Royal Ballet’s varied and unique repertoire that has kept me loyal to the company through some very thin times as well as the golden seasons, and this programme is a nice example of what a flick through its back – catalogue can produce.

Frances Chung and Pascal Molat in Page's Guide To Strange Places. © Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Programs 5 and 6 (Liang/Page premieres) – San Francisco

Calling this ballet a guide (Guide To Strange Places) is not really precise because it’s more like a portal that lets you in and then leaves you on your own to figure out where you are. Whether you have absolutely no sense of direction or can find your way anywhere blindfolded could determine how you explore this terrain

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