"Beatriz Stix-Brunell" tag
Edward Watson in The Winter’s Tale.© Darren Thomas. (Click image for larger version)

Royal Ballet – The Winter’s Tale – Brisbane

Royal Ballet The Winter’s Tale ★★★★✰ Brisbane, Queensland Performing Arts Centre Gallery of pictures (Apr 2014, London) by Dave Morgan 5 July 2017 www.roh.org.uk www.qpac.com.au From his choreography for the dance movie, Centre…

Alessandra Ferri and Federico Bonelli in the Tuesday section of Woolf Works.© Darren Thomas. (Click image for larger version)

Royal Ballet – Woolf Works – Brisbane

★★★★✰   For the Royal Ballet, there could not have been a better start to their Australian tour than Ferri’s performance as Clarissa Dalloway in the first act of Wayne McGregor’s Woolf Works.

Zenaida Yanowsky in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London

★★★★✰   Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.

Beatriz Stix-Brunell and Valeri Hristov in Emeralds.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

★★★★✰   The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.

Alessandra Ferri and Francesca Hayward in the I Now, I Then section of Woolf Works.© Tristam Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

★★★✰✰   The ballet’s narrative interest depends on the dancer, and both performers are magnificent – different in tone and physicality, though not markedly so.

Natalia Osipova in Anastasia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Anastasia – London

★★★✰✰   The last act redeems the evening. We learn more about the characters in the final 40 minutes than in the two preceding acts.

Francesca Hayward in The Invitation.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet: Promotions and joiners for the 2016/17 season

Four Royal Ballet dancers promoted to Principal from the start of the 2016/17 Season – Alexander Campbell, Francesca Hayward, Ryoichi Hirano and Akane Takada

Gary Avis and Francesca Hayward in The Invitation.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear (premiere), The Invitation, Within the Golden Hour – London

★★★★✰   The range of roles shows the Royal Ballet dancers, up-and-coming soloist, established principals and character artists, at their very best.

Gary Avis and Friends Flyer - 2016

The Royal Ballet’s Gary Avis & Friends – Dance for Suffolk

Led by Gary Avis and a Royal Ballet all-star cast, the company will perform an especially created programme of Royal Ballet classics, hosted by BBC Strictly Come Dancing’s Anton du Beke.

"Exit, pursued by a bear" - Christopher Wheeldon's The Winter's Tale.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Winter’s Tale

Gallery by Dave Morgan…

Federico Bonelli and Natalia Osipova in Strapless.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wheeldon bill: Strapless, After the Rain, Within the Golden Hour – London

★★★✰✰ Wheeldon’s talents are on display, as well as the Royal Ballet’s dancers. A pity, then, that Strapless has been exposed without previews to sort out its weaknesses.

Francesca Hayward and James Hay in Rhapsody.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Rhapsody, The Two Pigeons – London

★★★★★ “What a joy to have Rhapsody back in its original setting…”

Natalia Osipova and Edward Watson in the Becomings section of Woolf Works.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

Woolf Works is a chimera, an illusory creation made up of disparate elements…

Helen Crawford, Hikaru Kobayashi, Lauren Cuthbertson, Beatriz Stix-Brunell and Claire Calvert in Serenade.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Serenade, Sweet Violets, DGV: Danse à grande vitesse

Gallery by Dave Morgan…

Bohemia in Christopher Wheeldon's The Winter's Tale.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Winter’s Tale – London

Wheeldon has honed his craft in making a story ballet, much better constructed than his Alice in Wonderland. His core characters account for themselves in revealing solos and his pas de deux are no longer over-ingenious.

Edward Watson in Arthur Pita’s Volver, Volver.© Dave Morgan. (Click image for larger version)

Royal Ballet and other Dancers – Gala for Ghana – London

Royal Ballet and other Dancers Gala for Ghana London, Britten Theatre, Royal College of Music, 2 February 2012 Original programme details www.ashanti-development.org Sunday’s gala evening of music and dance raised money for the…

Sarah Lamb and Steven McRae in David Dawson's The Human Seasons.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Chroma, The Human Seasons, The Rite of Spring – London

The Royal Ballet’s autumn season triple bill offered very different ways of presenting bodies in space: anatomical studies in an architectural limbo (Chroma); flying figures in constant flux (The Human Seasons); a tribal community following ritual patterns (The Rite of Spring).

Marianela Nunez and Carlos Acosta in Don Quixote.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Royal Ballet – Don Quixote (Acosta production) – London

It’s especially challenging for the Royal Ballet, whose repertoire and style are built on the subtle understatement of Frederick Ashton and the deep psychological explorations of Kenneth MacMillan: hot-blooded Latin exuberance is not really their thing…

Lia Cirio and Lasha Khozashvili in Christopher Wheeldon's Polyphonia.© Dave Morgan. (Click image for larger version)

Boston Ballet – Polyphonia, Bella Figura, The Second Detail – London

I hope the company return to London, and if they do, I hope they bring some other Forsythe work.

Beatriz Stix-Brunell and Rupert Pennefather in Alice's Adventures in Wonderland.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Alice’s Adventures in Wonderland

36 pictures by Dave Morgan…

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