"Bolshoi Ballet" tag
Viktoria Tereshkina and Kimin Kim in La Bayadere.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – La Bayadere – London

★★★★✰   From the moment Kimin Kim enters with a flourish as Solor in Act I of La Bayadère, we know we’re in for a treat.

Diana Vishneva in Carmen Suite.© Natasha Razina. (Click image for larger version)

Mariinsky Ballet – Carmen Suite, Infra, Grand Pas from Paquita – London

★★★✰✰   When Maya Plisetskaya commissioned a Carmen-based ballet from Alberto Alonso, co-founder of the National Ballet of Cuba, she wanted to shake up Soviet ballet conventions…

Ekaterina Krysanova and Vladislav Lantratov in The Taming of the Shrew.© Stephanie Berger. (Click image for larger version)

Bolshoi Ballet – The Taming of the Shrew – New York

★★★✰✰   It wouldn’t be a complete exaggeration to say that the Bolshoi’s U.S. premiere of Jean-Christophe Maillot’s The Taming of the Shrew set the Koch Theater on fire Wednesday night…

Viktoria Tereshkina in Don Quixote.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – Don Quixote – London

★★★★✰   Tereshkina and Kim match well physically and temperamentally. She has a lovely high-flying arabesque line and a wide range of slow and fast turns, small and expansive movements.

Paris Opera Ballet in Emeralds.© Agathe Poupeney. (Click image for larger version)Jewels, choreography by George Balanchine, ©The George Balanchine Trust.

Paris Opera Ballet, New York City Ballet, Bolshoi Ballet – Jewels – New York, Lincoln Center Festival

★★★★✰   It’s not often that one gets to see three such companies side by side, or to experience a work as familiar as Jewels with new eyes…

Nina Kaptsova and Ruslan Skvortsov in Onegin.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – Onegin – Moscow

★★★✰✰   Nina Kaptsova and Ruslan Skvortsov reviewed – There were few dry eyes in the auditorium as the opulent gold and red curtains of the Bolshoi Theatre closed on the petite distraught figure of Pushkin’s heroine, Tatiana.

Tyler Angle and the corps in Namouna, a Grand Divertissement.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Russian Seasons and Namouna, a Grand Divertissement – New York

★★★★✰   I still remember my feelings during the premiere of Alexei Ratmansky’s Russian Seasons at NYCB in 2006. There was a shock of recognition: this was the thing I had been looking for…

Daniil Simkin and Alexei Agoudine in Ratmansky's Whipped Cream.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Whipped Cream – Costa Mesa

★★★✰✰   Be careful what you wish for. The Boy in Alexei Ratmansky’s Whipped Cream wishes for unlimited sweets; overfulfillment sends him to the hospital with sugar hallucinations.

Ivan Vassiliev and Kristina Kretova in Sceherazade.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala – In the steps of the Ballets Russes – London

★★★★✰   The long gala (three and a half hours with one interval) was well organised, with no speeches and no protracted curtain calls.

Sergei Polunin and Natalia Osipova in Narcissus and Echo.© Alastair Muir. (Click image for larger version)

Project Polunin – Icarus, The night before the Flight; Tea or Coffee; Narcissus and Echo – London

★★✰✰✰   I begin this notice with a codicil. Let this preamble show my unbounded admiration for the spirit and rationale of Project Polunin.

Anastasia Matvienko in The Little Humpbacked Horse.© Natasha Razina. (Click image for larger version)

Mariinsky Ballet – The Little Humpbacked Horse – Washington

★★★★✰   Who knew the Mariinsky dancers are a group of profoundly entertaining comedians?

© Critics’ Circle National Dance Awards

2016 National Dance Awards – Winners Announced

The Critics’ Circle National Dance Awards for 2016 were presented today at a ceremony in London, hosted by Kenrick ‘H2O’ Sandy MBE and Michael ‘Mikey J’ Asante, the creative team behind the highly successful dance company, Boy Blue Entertainment.

Alexander Kuiimov in La Fille mal gardée.© Russian State Ballet of Siberia. (Click image for larger version)

Russian State Ballet of Siberia – La Fille mal gardée – Basingstoke

★★★✰✰   The Siberian company performs its Fille mal gardée with good heart and neat feet.

Olga Smirnova and Semyon Chudin in La Belle.© Alice Blangero. (Click image for larger version)

Les Ballets de Monte Carlo – La Belle – Monte-Carlo

★★★★✰   Maillot has succeeded in giving perhaps the most authentic retelling of Perrault’s story in dance with his tale of love overcoming the darkest evil…

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

Aleksandra Mijalkova (Cleopatra), Vasil Chichiashvili (Cesar) and Boban Kovachevski (Mark Antony) in Cleopatra.© Macedonian Opera and Ballet. (Click image for larger version)

Macedonian Ballet – Cleopatra in rehearsal – Skopje

How do you review a world premiere that you have spent seven hours flying to, and then find that it has been postponed until you are back home after another eight hours of travel?

© Critics’ Circle National Dance Awards

2016 National Dance Awards – Announcement of Nominations

The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 17th National Dance Awards,

Francesco Ventriglia.© Stephen A’Court. (Click image for larger version)

Francesco Ventriglia – Artistic Director of the Royal New Zealand Ballet

Nearly 2 years into his directorship at RNZB, Michelle Potter talks to Francesco Ventriglia about his life before joining the company and broad hopes for the company.

Alexei Loparevich and Yulia Stepanova in Le Corsaire.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Bolshoi Ballet in Le Corsaire

Gallery by Foteini Christofilopoulou…

Igor Tsvirko and Ekaterina Krysanova in Flames of Paris.© Dave Morgan. (Click image for larger version)

Bolshoi Ballet – The Flames of Paris – London

★★★★✰   The great pleasure of Alexei Ratmansky’s version of Vasily Vainonen’s 1932 ballet is the cornucopia of steps to which both choreographers had access: danse d’école, folk and character dances, as well as expressive acting.

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