"Bolshoi Ballet" tag
Melissa Hamilton.© Andrej Uspenski. (Click image for larger version)

Interview: Melissa Hamilton, First Soloist, The Royal Ballet

“I knew that I had to seize my only chance to have a ballet career. Masha Mukhamedov agreed to teach me privately six days a week for ten months…”

Maria Alexandrova and Vladislav Lantratov in Nureyev.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala 2018 – London

★★★✰✰   This year’s Russian Ballet gala was ostensibly in honour of the 200th anniversary of Marius Petipa’s birth. Any choreography attributed to him was mostly a long way ‘after Petipa’, but it’s always fun to see excellent Russian dancers deliver pas de deux from Don Quixote, Swan Lake and Le Corsaire.

EunWon Lee and Gian Carlo Perez in Romeo and Juliet.© Gene Schiavone. (Click image for larger version)

Washington Ballet – Romeo and Juliet – Washington

★★★✰✰   A strikingly beautiful ballerina, with a lissome body and expressive features, EunWon Lee is an ideal Juliet…

Ekaterina Petina and Matej Urban in The Taming of the Shrew.© Alice Blangero. (Click image for larger version)

Les Ballets de Monte – The Taming of the Shrew – Monte Carlo

★★★★✰   Maillot’s work is generally replete with a sense of irony and eroticism and Shakespeare gave him enormous scope for both!

Sergei DiaghilevThe defining image for the "In Diaghilev’s Circle: The Phenomenon of Les Saisons Russes in the Context of European Culture" conference. ©/courtesy International Festival of Arts "Diaghilev. P.S."

Dipping in to the 8th International Festival of Arts ‘Diaghilev. P.S.’ in St. Petersburg

The aim of the annual festival is to celebrate Russian influence in international culture, thanks to Diaghilev’s productions in the first two decades of the 20th century… St Petersburg also wants to boost its reputation as ‘a great forum of the arts’, introducing contemporary creations from different nations to Russian audiences.

Kimin Kim and Sofia Matyushenskaya in Don Quixote.© M Logvinov. (Click image for larger version)

Yacobson Ballet – Don Quixote – St. Petersburg

★★★★✰   Kobborg has deconstructed the work; mixing up the narrative’s building blocks before reassembling them in a masterpiece of balance that remains recognisably traditional but is also refreshingly new.

Christopher Williams Il Giardino d’Amore.© Ian Douglas. (Click image for larger version)

Memorable Performances of 2017 – New York

Six Performances That Stayed with Me in 2017 – Marina Harss with her personal selection of New York dance memories this last year.

Ljiljana Velimirov, Tom Waddington & Sergei Polunin in Satori.© Tristram Kenton. (Click image for larger version)

Project Polunin – Satori, First Solo, Scriabiniana – London

★★✰✰✰   In truth Polunin’s latest show at the London Coliseum, although it has its moments, isn’t such a great advertisement for him as a dancer or as a creative mixer of the ballet pot.

Sergei Polunin and Natalia Osipova in rehearsals for Satori.© Srđan Srđenović. (Click image for larger version)

Sergei Polunin – Dancer, Choreographer & Actor – on his new London show and life…

On the eve of his new London show, which includes two premieres and a rarely seen piece of early Russian contemporary ballet, we catch up with Polunin about the shows and life in general. He’s clearly a man who wants to leave his mark…

Marianela Nunez and Vadim Muntagirov in Sylvia.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Sylvia – London

★★★★✰   Sylvia makes a welcome return to the repertoire, reacquainting dancers and audiences with Ashton’s sensibility and complex choreography. It’s a joy but not a masterpiece, as he well knew…

Svetlana Zakharova and Bolshoi friends in Strokes Through the Tail.© Jack Davant. (Click image for larger version)

Svetlana Zakharova – Amore: Francesca da Rimini, Rain before it Falls, Strokes Through the Tail – London

★★★✰✰   Happy for Zakharova who ultimately curated an interesting night, very happy to see her retinue of Bolshoi dancers and happy to see Donlon provide such final good cheer.

Svetlana Zakharova in Francesca da Rimini.© Dave Morgan. (Click image for larger version)

Gallery – Svetlana Zakharova (and Stars of Bolshoi) in Francesca da Rimini

Gallery by Dave Morgan…

Gillian Murphy in Her Notes.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Her Notes, Symphonic Variations, Other Dances, Serenade After Plato’s Symposium – New York

★★★✰✰   The program opened and closed with the most recent works: Jessica Lang’s Her Notes and Alexei Ratmansky’s Serenade after Plato’s Symposium. Both premiered at ABT in 2016, and both are works whose inspiration largely comes from their scores.

Patrick de Bana.© and courtesy MuzArts. (Click image for larger version)

Patrick de Bana, Choreographer, on creativity and working with Svetlana Zakharova

“It’s like a game of tennis – I hit the ball and she returns it.”. Margaret Willis catches up with choreographer Patrick de Bana to talk about his choroegraphic life and latest project – contributing to Svetlana Zakharova’s show Amore – which tours to the UK in November.

Viktoria Tereshkina and Kimin Kim in La Bayadere.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – La Bayadere – London

★★★★✰   From the moment Kimin Kim enters with a flourish as Solor in Act I of La Bayadère, we know we’re in for a treat.

Diana Vishneva in Carmen Suite.© Natasha Razina. (Click image for larger version)

Mariinsky Ballet – Carmen Suite, Infra, Grand Pas from Paquita – London

★★★✰✰   When Maya Plisetskaya commissioned a Carmen-based ballet from Alberto Alonso, co-founder of the National Ballet of Cuba, she wanted to shake up Soviet ballet conventions…

Ekaterina Krysanova and Vladislav Lantratov in The Taming of the Shrew.© Stephanie Berger. (Click image for larger version)

Bolshoi Ballet – The Taming of the Shrew – New York

★★★✰✰   It wouldn’t be a complete exaggeration to say that the Bolshoi’s U.S. premiere of Jean-Christophe Maillot’s The Taming of the Shrew set the Koch Theater on fire Wednesday night…

Viktoria Tereshkina in Don Quixote.© Dave Morgan. (Click image for larger version)

Mariinsky Ballet – Don Quixote – London

★★★★✰   Tereshkina and Kim match well physically and temperamentally. She has a lovely high-flying arabesque line and a wide range of slow and fast turns, small and expansive movements.

Paris Opera Ballet in Emeralds.© Agathe Poupeney. (Click image for larger version)Jewels, choreography by George Balanchine, ©The George Balanchine Trust.

Paris Opera Ballet, New York City Ballet, Bolshoi Ballet – Jewels – New York, Lincoln Center Festival

★★★★✰   It’s not often that one gets to see three such companies side by side, or to experience a work as familiar as Jewels with new eyes…

Nina Kaptsova and Ruslan Skvortsov in Onegin.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – Onegin – Moscow

★★★✰✰   Nina Kaptsova and Ruslan Skvortsov reviewed – There were few dry eyes in the auditorium as the opulent gold and red curtains of the Bolshoi Theatre closed on the petite distraught figure of Pushkin’s heroine, Tatiana.

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