"Bolshoi Ballet" tag
Eifman Ballet in Rodin.© Gene Schiavone and courtesy of Eifman Ballet. (Click image for larger version)

Eifman Ballet – Rodin – San Francisco

The choreography looks like a steroid-fueled hybrid of Graham-based agony and the precision and fluidity of classical ballet. …nothing succeeds like excess…

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International Ballet Festival 2013 – Dance Open – St Petersburg

The 12th International Ballet Festival – Dance Open – was held over 4 days in St Petersburg. Margaret Willis (our Ms Expressivity) was there to report on much ballet and not a little award giving…

Nadia Nerina as The Bluebird in The Sleeping Beauty (1951) and Isabel Rawsthorne.© Roger Wood (NN), courtesy the Royal Opera House. (Click image for larger version)

Nadia Nerina and Isabel Rawsthorne exhibitions at the Royal Opera House

Rawsthorne was painted by André Derain and Pablo Picasso, and later by Francis Bacon. She was the inspiration for Alberto Giacometti’s etiolated sculptures of walking figures…

Natalia Osipova and Ivan Vasiliev in the Peter Schaufuss '21st century' version of Ashton's Romeo and Juliet.© Dave Morgan. (Click image for larger version)

Natalia Osipova to join The Royal Ballet

Full press release, plus useful resource links, pictures and a video to remind us all why she is so good…

Nina Ananiashvili with her final shrug in Tampopo, from 2012 gala.© Lado Vachnadze. (Click image for larger version)

Happy Birthday Nina Ananiashvili

A tribute to Nina Ananiashvili – with personal memories – on her 50th birthday.

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Russian Ballet Icons – Nijinsky Gala – London

Though this year it was Nijinsky’s turn to be reclaimed as a Russian icon, the contents of the gala had little to do with him. Very probably the choice of items – mainly pas de deux – depended on which dancers were available to perform whatever was in their repertoire.

Valeria Martynyuk in Don Quixote.© Natasha Razina. (Click image for larger version)

Mariinsky Ballet – Gala – Baden-Baden

The Mariinsky Ballet’s annual Baden-Baden tour is something of a balletomane’s winter retreat and, with mild weather to boot over Christmas, provided yet another opportunity this season to catch up with the St. Petersburg company.

Austlian Ballet in David McAllister's Overture.© Jeff Busby. (Click image for larger version)

Australian Ballet – 50th Anniversary Gala – Melbourne

It was a program that harkened back to the big international Galas of previous years, as well as a nice reference to the company’s first years, when artists including Sonia Arova, Erik Bruhn, Margot Fonteyn and Rudolf Nureyev guest-starred.

Mariinsky Ballet in Swan Lake.© Gene Schiavone. (Click image for larger version)

Mariinsky Ballet – Swan Lake – San Francisco

That said, the company is still on top form. The corps de ballet is flawlessly unified technically, stylistically and musically down to their eyelashes.

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Mariinsky Ballet – Cinderella – Washington

Ratmansky’s vision of Cinderella is bracingly fresh, and the ballet’s harsh, urban setting and grotesque choreography seem suitably attuned to Prokofiev’s darkly sardonic score. His concept, however, does not succeed completely.

Trocks in Walpurgisnacht.© Les Ballets Trockadero de Monte Carlo. (Click image for larger version)

Les Ballets Trockadero de Monte Carlo (Trocks) – Mixed bill (very) – Paris

The Cuban schooling of Hopuy is impressive and his variation was expertly danced, including the trademark Cuban flicking over of the take-off leg in a jeté en tournant…

Polina Semionova and Marcelo Gomes in Alexei Ratmansky's Symphony #9.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – New Ratmansky, Symphony #9 – New York

Tonight’s premiere of Ratmansky’s newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.

Maria Kochetkova.© David Allen. (Click image for larger version)

Maria Kochetkova – San Francisco Ballet – Principal

Who are your favorite choreographers? 1. “Christopher Wheeldon. He picked me for the first ballet I had created on me .. and I have worked with him on every single work he has done since I joined SFB.”

Yuri Possokhov.© David Allen. (Click image for larger version)

Yuri Possokhov – San Francisco Ballet – Choreographer in Residence

The best thing about being at SFB is that I got to work with so many choreographers. It inspired me so much.

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San Francisco Ballet – Primer and London Season Preview

Aimée Tsao, watching San Francisco Ballet for over 35 years now, with a general primer on the company and some thoughts on the repertoire they are bring to London in September 2012…

Members of the Bolshoi Ballet perform Oath of the Ushers.© Moanalani Jeffrey. (Click image for larger version)

Bolshoi Dancers – Napa Valley Festival del Sole – San Francisco

I don’t regret spending two afternoons in the warm sun before the unbelievably early performances ( 6 and 6:30 curtain times), but overall, the dancing, no matter how artistic or technically accomplished, is seriously hindered by the productions and/or venues.

Paris Opera Ballet in Giselle.© Sebastien Mathé. (Click image for larger version)

Paris Opera Ballet – Giselle – Washington

With its exquisite staging, and most importantly with its understanding and respect of the Romantic ballet style, and whole-hearted dedication of the dancers to their roles, the Paris Opera Ballet demonstrated just how Giselle should be produced and performed.

Nina Kaptsova and Alexey Loparevich in Coppelia. © Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – Coppelia – Washington

The Bolshoi’s new Coppelia was heavenly fun. Vikharev’s production brought to the fore the Russian ballet tradition of expressive pantomime and spirited ensemble dances.

San Francisco Ballet in Tomasson/Possokhov's Don Quixote. © Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Don Quixote – San Francisco

Kochetkova and Domitro, together and separately, dance extraordinarily well. They don’t have the elusive chemistry that she has with Boada, but they still are very much in tune with each other, both musically and artistically, and make a very satisfying partnership.

Diana Vishneva and Andrei Merkuriev in Subject to Change. © Natasha Razina. (Click image for larger version)

Mariinsky Festival – Diana Vishneva bill – St Petersburg

A highlight of the Mariinsky Festival this year was a performance dedicated to the Mariinsky prima ballerina, Diana Vishneva…

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