"Bronislava Nijinska" tag
Marcelo Gomes and Sara Mearns in The Red Shoes.© Daniel Coston. (Click image for larger version)

New Adventures – Matthew Bourne’s The Red Shoes – New York

★★★★✰   It’s always exciting to discover a new side of an artist. For this, and for an immensely entertaining show, we have to thank Matthew Bourne.

Constance Devernay and Sophie Martin in Le Baiser de la fee (The Fairy's Kiss).© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

MacMillan Celebrations – Le Baiser de la fee (SB), Concerto (BRB), Jeux (RB) – London

  In the first of the mixed bills celebrating Kenneth MacMillan’s ballets, 25 years after his death, “Le Baiser de la fée” intrigued me because the questions it posed about his development as a choreographer…

Gary Harris' costume sketches for The Fairy's Kiss.© Gary Harris. (Click image for larger version)

Bringing back Kenneth MacMillan’s Le Baiser de la fée – The Fairy’s Kiss

Scottish Ballet will be performing Kenneth MacMillan’s “Le Baiser de la fée” as part of the celebrations marking the 25th anniversary of his death. It will be the first revival of the ballet in 30 years – Jann Parry on the return of an important work.

Sarah Lane and Alban Lendorf in Souvenir d’un lieu cher.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Tchaikovsky Spectacular bills – New York

★★★✰✰   Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, …the complex history of a quartet of characters.

Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Yi-Wei Tien and Chen-Chih Liao in Tschüss!! Bunny.© Julie Lemberger. (Click image for larger version)

Japan Society – 17th Contemporary Dance Showcase: Japan + East Asia – New York

★★★✰✰   Hosted by the Japan Society on the east side of midtown Manhattan, this year’s showcase concentrated on the theme of two: the dynamics of duos. Featuring works from Japan, Korea and Taiwan…

Zaloa Fabbrini and Alessio Passaquindici in Roland Petit's L'Arlésienne.© Dominique Jaussein. (Click image for larger version)

Ballet Nice Mediterranee – Grand Pas Classique from Raymonda, Gnawa, L’Arlesienne – Nice

★★★✰✰   The most interesting item of the programme was definitely the revival of Roland Petit’s L’Arlésienne, created in 1974 when he was director of the National Ballet of Marseille.

Alexandre Riabko in Nijinsky.© Jeff Busby. (Click image for larger version)

Australian Ballet – Nijinsky – Melbourne

★★★✰✰   Even after his death, Vaslav Nijinsky suffered from the power and control of others…

Dane Hurst.© Karl Schoemaker. (Click image for larger version)

Dane Hurst – Choreographer, dancer and artistic director talking about Exodus, his latest Dulwich Picture Gallery show

Last year Dane Hurst conjured a magical night of dance at Dulwich Picture Gallery as a response to one of their exhibitions. Well he’s back, this year responding to Winifred Knights “The Deluge” with a night of dance called Exodus. We talk to him…

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York

★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…

David Drew in his later years - here as the Duke of Courland in Giselle.© John Ross, courtesy the Royal Opera House. (Click image for larger version)

Obituary: David Drew, Royal Ballet Principal, with the company 56 years

David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT

Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…

The Rite of Spring: Running out of the "Joyful Jump".© Kenneth Archer. (Click image for larger version)

Sagraçamba: The Rite in Rio

Millicent Hodson and Kenneth Archer first put their reconstruction of “The Rite of Spring” on Rio de Janeiro Ballet in 1995. This year they went back to put it on again – this is what happened…

Devon Teuscher in Pillar of Fire.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Les Sylphides, Pillar of Fire, Fancy Free, Theme and Variations – New York

There are times when a dance lover just can’t believe her good fortune and one of those times comes around once a year in New York…

Edward Watson, Beatriz Stix-Brunell and Alexander Campbell in Kim Brandstrup's Ceremony of Innocence.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Ceremony of Innocence, The Age of Anxiety, Aeternum – London

The programme was so underwhelming that I went twice in succession, to see whether alternative casts could make a difference.

Gonzalo Garcia and NYCB, opening section of Ratmansky's Pictures at an Exhibition.© Paul Kolnik. (Click image for larger version

New York City Ballet – Ratmansky’s Pictures at an Exhibition premiere – New York

At the risk of sounding like a broken record, is there a ballet choreographer working today who is more imaginative, more wholly himself, than Alexei Ratmansky?

Mikhail Fokine.© & courtesy of Isabelle Fokine and Fokine Estate Archive. (Click image for larger version)

The Work of Mikhail Fokine – Q&A with Isabelle Fokine

Born in Paris in 1958, Isabelle Fokine is the daughter of Vitale Fokine and granddaughter of choreographer Mikhail Fokine. She is artistic director of the Fokine Estate Archive, which holds the worldwide copyright to his work.

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

BODYTRAFFIC in Kollide.© Christo Brock. (Click image for larger version)

BODYTRAFFIC – Barak Marshall, Kyle Abraham, Richard Siegal bill – San Francisco

This company is the definition of esprit de corps, period.

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