"Cal Performances" tag
Lucinda Childs Dance Company in Available Light.© JJ Tiziou. (Click image for larger version)

Lucinda Childs Dance Company – Available Light – San Francisco

★★★✰✰   Available Light is merciless, and in the best way…

Lesley Garrison and Durell R. Comedy in Layla and Majnun.© Susana Millman. (Click image for larger version)

Mark Morris Dance Group – Layla and Majnun – San Francisco

★★★✰✰   Where Morris succeeded beautifully was in melding Eastern dance styles into his balletic modern vocabulary in deep torso bends, dervish whirls and arms extended beyond his already expansive port de bras.

Alvin Ailey American Dance Theater performs Robert Battle's Awakening.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Open Door, Awakening, A Case of You, Revelations – San Francisco

★★★✰✰   Alvin Ailey American Dance Theater gave two new works their West Coast premieres on Tuesday at Zellerbach Hall, the opening night of its annual residency at Cal Performances in Berkeley.

Isaac Mizrahi designs for Acis and Galatea.© Isaac Mizrahi. (Click image for larger version)

Mark Morris Dance Group – Acis and Galatea – New York

As he has shown again and again, the choreographer Mark Morris has a way with Baroque music. He clearly adores it…

© Joffrey Ballet

The Joffrey Ballet – Age of Innocence, After the Rain, The Green Table – San Francisco

Closing the program is Kurt Jooss’s anti-war ballet from 1932,The Green Table, one of the greatest pieces of choreography ever created and still relevant after more than 80 years.

Mark Morris Dance Group perform The Hard Nut.© Stephanie Berger. (Click image for larger version)

Mark Morris Dance Group – The Hard Nut – San Francisco

I always enjoy The Hard Nut even though there isn’t a lot of choreography.

In Paris: Mikhail Baryshnikov. © Maria Baranova. (Click image for larger version)

Mikhail Baryshnikov / Dmitry Krymov – In Paris – San Francisco

Baryshnikov, now 64, still moves with style and finesse, but the choreography doesn’t offer any opportunities beyond a pseudo-Spanish cliché.

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