"Christine Shevchenko" tag
Christine Shevchenko and Calvin Royal III in Alexei Ratmansky's Songs of Bukovina.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – The Gift, Songs of Bukovina, Thirteen Diversions – New York

★★★✰✰   In between the speeches and the short films came the dancing. The main attraction was the new Ratmansky work, Songs of Bukovina…

Gemma Bond's Then and Again.© Rod Brayman. (Click image for larger version)

Gemma Bond Dance – Then and Again, The Giving, Impressions – New York

★★★✰✰   It’s intriguing to see pas de deux that are clearly conceived from a woman’s point of view.

Sarah Lane and Alban Lendorf in Souvenir d’un lieu cher.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Tchaikovsky Spectacular bills – New York

★★★✰✰   Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, …the complex history of a quartet of characters.

Misty Copeland and Alban Lendorf in Giselle.© Khalid Al-Busaidi. (Click image for larger version)

American Ballet Theatre – Giselle – New York

American Ballet Theatre Giselle ★★★★✰ New York, Metropolitan Opera House 26,27 May 2017 www.abt.org Giselle Fever Like Swan Lake, Giselle is a centerpiece of the ballet repertoire; American Ballet Theatre performs it almost…

American Ballet Theatre in Swan Lake.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Swan Lake – Washington

★★★★✰   Making her debut in the role of Odette/Odile 28-year-old soloist Devon Teuscher emerged as a shining star in American Ballet Theatre’s Swan Lake at the Kennedy Center Opera House last week.

Daniil Simkin and Blaine Hoven in Alexei Ratmansky's Serenade after Plato’s Symposium.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York

★★★★✰   A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.

Cassandra Trenary in The Sleeping Beauty.© John Grigaitis. (Click image for larger version)

American Ballet Theatre – Sleeping Beauty – Paris

★★★✰✰   I was eager to see American Ballet Theatre’s Sleeping Beauty, mounted by Alexei Ratmansky last year, because of the enthusiastic reviews it has received in the United States. The Paris premiere, however, met with muted acclaim…

Gillian Murphy in Swan Lake.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

★★★✰✰   Murphy is a sensual Odette, something made all the more effective by Stearns’ tenderness.

Jeffrey Cirio in Le Corsaire.© MIRA. (Click image for larger version)

American Ballet Theatre – Le Corsaire – New York

★★★✰✰   Le Corsaire, a ballet loosely based on Lord Byron’s poem about a chivalrous pirate, has more action than the latest Bond film. There are pirates! Abductions! Beautiful women in distress! The list goes on and on…

American Ballet Theatre in Chamber Symphony part of Shostakovich Trilogy. © Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Shostakovich Trilogy – New York

★★★✰✰   Shostakovich Trilogy is a rich work, containing too much to take in at a single sitting. It reveals some of its secrets, but not all.

Maria Kochetkova in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia (Kochetkova, Cornejo) – New York

More from ABT’s run of Ashton’s “Sylvia” – the time Marina Harss reviews Maria Kochetkova and Herman Cornejo…

Isabella Boylston in The Sleeping Beauty.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – Washington

★★★★✰ “Ratmansky’s new staging is a Beauty like you have never seen before: it uncovers the original ballet’s genuine beauty, which faded over the years under the clutter of modern revisions.”

American Ballet Theatre in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle (Abrera debut) – New York

The American Ballet Theatre season continues with Giselle where Marina Harss saw Stella Abrera’s company debut. The response to the performance was understandably enthusiastic.

American Ballet Theatre in Swan Lake.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Swan Lake, Bach Partita, Seven Sonatas, Fancy Free – Brisbane

No-one could fail to be impressed by the versatility of ABT’s dancers and by the diverse repertoire they brought. They did themselves, their company and their country proud.

Polina Semionova and James Whiteside in Bach Partita.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Bach Partita, Gong, The Tempest – New York

Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.

Gillian Murphy in Swan Lake.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

The previous night had been dominated by Gillian Murphy’s performance. She is an absolute powerhouse in this role, a kind of super-stylized, inhuman creature, an art-deco distillation of speed and daring.

Natalia Osipova in Piano Concerto #1.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Ratmansky Shostakovich Trilogy – New York

I have to say that after seeing the Shostakovich Trilogy twice, and picking up many more details …I found it very compelling indeed, especially the opening and closing ballets.

Hee Seo (Giselle) & Cory Stearns (Albrecht) in Giselle.© Sunkyung Jang. (Click image for larger version)

Gallery – American Ballet Theatre in Giselle

30 pictures by Sunkyung Jang

Alina Cojocaru and Angel Corella in Giselle. © Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle – New York

…with Cojocaru the steps are sublimated into the character and the situation. She seems to be experiencing the ballet anew, moment by moment, with the audience. No surprise, then, that her mad scene is hypnotic, and changes from performance to performance…

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