"City Center" tag
David Hallberg in Mark Morris’s Twelve of ‘em.© Stephanie Berger. (Click image for larger version)

Fall for Dance – New works by Michelle Dorrance, Kyle Abraham, Sara Mearns and Honji Wang, Mark Morris – New York

★★★✰✰   I caught all four new works: an expanded version of Michelle Dorrance’s Myelination, Kyle Abraham’s Drive, the Sara Mearns and Honji Want collaboration No. 1, and Mark Morris’s solo Twelve of ‘em for David Hallberg.

Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Alvin Ailey American Dance Theater in Hope Boykin's r-Evolution, Dream.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Four Corners, Untitled America, r-Evolution, Dream, Revelations – New York

★★★★✰   There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Joaquin De Luz, Friedemann Vogel, Denis Matvienko and Marcelo Gomes in Tristesse.© Michael Khoury. (Click image for larger version)

Ardani 25 Dance Gala – Clay, Tristesse, Le Divertissement du Roi – New York

★★✰✰✰   So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb…

Xin Ying in Martha Graham’s Chronicle.© Brigid Pierce. (Click image for larger version)

Martha Graham Dance Company – Gala + Cave of the Heart, Inner Resources, Rust and Chronicle bills – New York

★★★✰✰   The gala was a well-put-together, briskly-paced affair, a sampler of Graham excerpts dating back to her very first recital, in 1926.

Ashley Murphy and Dylan Santos in Nacho Duato's Coming Together.© Rachel Neville. (Click image for larger version)

Dance Theatre of Harlem – Divertimento, When Love, Change, Coming Together – New York

★★✰✰✰   It included several new works, two of them by women, part of a worthy new initiative, “Women Who Move Us.”

Paul Taylor's American Modern Dance in Taylor's Dilly Dilly.© Paul B. Goode. (Click image for larger version)

Paul Taylor’s American Modern Dance – David H. Koch season – New York

★★★✰✰   The past few years have seen the beginning of a transformation of the Paul Taylor Dance Company – or, rather, as it’s now known, of Paul Taylor’s American Modern Dance. The company is looking to the future…

Rocio Molina in Danzaora & Vinatica.© Luiz C Ribeiro. (Click image for larger version)

Compania Rocio Molina – Danzaora & Vinática – New York

★★★★★ Molina and her musicians capture flamenco’s traditional spirit and show its future…

Joaquín Grilo.© Javier Auris, Symphony Space. (Click image for larger version)

Joaquín Grilo – Dedicated to Paco de Lucía – New York

★★★✰✰ Flamenco is a difficult category to put your finger on these days; there are about as many approaches as there are dancers. But Joaquín Grilo is fairly old-school…

Pacific Northwest Ballet in David Dawson's A Million Kisses to my Skin.© Angela Sterling. (Click image for larger version)

Pacific Northwest Ballet – A Million Kisses to my Skin, The Vertiginous Thrill of Exactitude, Emergence – New York

★★★✰✰ Overall, the impression was of a company in top form, at ease in a variety of styles. The dancers have an easy-going, open demeanor that makes even the knottiest works look more appealing.

Jacqueline Green in Kyle Abraham's Untitled America: First Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Memoria, Piazzolla Caldera, Grace, Polish Pieces, Untitled America: First Movement, Awakening, Revelations – New York

Warmth, exuberance, power, finesse – all these qualities infuse everything they do.

Linda Celeste Sims and Glenn Allen Sims in Alvin Ailey's Revelations.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Toccata, After the Rain pdd, Awakening, Revelations – New York

Every fall, just after Thanksgiving, Alvin Ailey American Dance Theater sets up shop at City Center, as sure a sign of the season as Christmas carols at the grocery store.

Members of Kidd Pivot and students from NYU Tisch School of the Arts Department of Dance in Crystal Pite's Polaris.© Kevin Yatarola for Lincoln Center. (Click image for larger version)

Thomas Adès: Concentric Paths — Movements in Music – Works by Armitage, McGregor, Pite, Whitley – New York

While this is a generalization, it’s safe to say the most hotly anticipated work of the night was Pite’s Polaris, set to Adès’ work of the same name.

Sylvie Guillem in Akram Khan’s technê.© Bill Cooper. (Click image for larger version)

Sylvie Guillem – Life in Progress – New York

More than one dancer has been dubbed a “punk ballerina” but no one deserves it more than Sylvie Guillem, who has ruffled feathers at the world’s best companies, and at 50 years old is still on top.

Stephen Petronio Company in Locomotor.© Julieta Cervantes. (Click image for larger version)

Fall For Dance Festival at City Center – Programs 3 and 4 – New York

Fall For Dance is a genuine feast, a display of unparalleled variety and plenty. When well-balanced, nothing is sweeter… but occasionally the flavors clash, and the abundance overwhelms.

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Deborah Lohse and Mark Gindick in Doug Elkins' Hapless Bizarre.© Jamie Kraus for Jacobs Pillow 2014. (Click image for larger version)

Fall For Dance Festival at City Center – Programs 1 and 2 – New York

For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance…

Natalia Osipova and Ivan Vasiliev in Facada.© Souheil Michael Khoury. (Click image for larger version)

Natalia Osipova and Ivan Vasiliev – Solo for Two: Zeitgeist, Mozart & Salieri, Facada – New York

Dancers should be allowed to have fun, especially when they’ve worked as hard as Ivan Vasiliev and Natalia Osipova…

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