"Concerto Barocco" tag
Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

New York City Ballet in Peter Walker's Ten in Seven.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala 2016 – New York

★★★✰✰   The pattern is set: the company commissions works from three or four choreographers, often quite young, and pairs them with prominent designers. The works are short, and are introduced by filmlets…

Miami City Ballet in Justin Peck's Heatscape.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – Program’s A (Balanchine, Tharp, Ratmansky), B (Peck, Scarlett, Balanchine) – New York

★★★★✰   New York audiences and the Miami City Ballet have taken to each other like sun and salt air, and it’s easy to see why.

Robb Beresford, Babatunji and Michael Montgomery in Biophony.© Quinn B. Wharton. (Click image for larger version)

Alonzo King LINES Ballet – Biophony, Concerto for Two Violins – San Francisco

…for the world premiere of Biophony, King collaborated with the entire natural world….

Justin Peck and Sterling Hyltin in The Cage.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Bach and Hear the Dance: Russia bills – New York

More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois…

Jeffrey Van Sciver in Writing Ground.© Margo Moritz. (Click image for larger version)

Alonzo King Lines Ballet – Concerto for Two Violins, Men’s Quintet, Writing Ground – Cannes

A popular visitor to Cannes, the company was welcomed with a packed house for their new Triple Bill…

Rosas in Rosas danst Rosas.© Herman Sorgeloos. (Click image for larger version)

Rosas / Anne Teresa De Keersmaeker – Rosas danst Rosas – New York

Watching Rosas danst Rosas this weekend it was easy to understand why it still stands as a prime example of De Keersmaeker’s choreographic approach.

Perm Ballet in The Second Detail.© Anton Zavialov. (Click image for larger version)

Perm Ballet – Serenade, Concerto Barocco, The Second Detail – Paris

The Perm Ballet has become a regular fixture in France over the past six years… the company embarks every winter on a countrywide tour akin to a Ballets Russes expedition. This year, they visited 19 different venues…

Amar Ramasar and Maria Kowroski in the first aria of Stravinsky Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Four Temperaments, Stravinsky Violin Concerto – New York

Watching these three ballets, made over a span of thirty-two years, one can see how Balanchine’s style evolved toward the hyper-stylization of Violin Concerto…

Justin Peck and Teresa Reichlen in George Balanchine's Concerto Barocco.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Kammermusik No. 2, Who Cares? – New York

There is perhaps no better way to start off a season at New York City Ballet than with a performance of Balanchine’s Concerto Barocco.

Jeffrey Van Sciver, David Harvey, Robb Beresford, Meredith Webster and Michael Montgomery in Writing Ground.© Margo Moritz. (Click image for larger version)

Alonzo King LINES Ballet – Concerto for Two Violins, Writing Ground – San Francisco

Quite by accident I ended up seeing LINES Ballet’s fall season twice. A good thing I did, too.

Polina Semionova and James Whiteside in Bach Partita.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Bach Partita, Gong, The Tempest – New York

Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.

American Ballet Theatre in Les Sylphides.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Les Sylphides, Clear, Theme and Variations – New York

It’s good to see the company perform Sylphides again after a hiatus of eight years. The style hasn’t eroded. …The dancers believe in it.

Seth Orza, Carla Körbes, Maria Chapman, Lesley Rausch (front-back) in Apollo.© Lindsay Thomas. (Click image for larger version)

Pacific Northwest Ballet – Concerto Barocco, Apollo, Agon – New York

In New York one can begin to feel proprietary about Balanchine, to form the illusion that his choreography is a local specialty, the province of a select group of dancers, all of them employees of New York City Ballet. But this is mere local pride.

Les Ballets Trockadero de Monte Carlo in Swan Lake.© Sascha Vaughan. (Click image for larger version)

Les Ballets Trockadero de Monte Carlo (Trocks) – Program A, Laurencia Mixed bill – New York

…it’s that ambiguity in their performances — the tension between seriousness and satire — that makes the company such a joy to watch.

Justin Peck.© Paul Kolnik. (Click image for larger version)

Interview: Justin Peck – New York City Ballet – Dancer and Choreographer

“It’s very lonely out there… I mean, it would be nice to have some sort of mentorship with regard to what it takes to be a choreographer.”

Ashley Bouder in Firebird.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Kammermusik No. 2, Firebird, Symphony in C – Saratoga Springs

After the dreary bombast of Alexei Ratmansky’s recent Firebird for American Ballet Theatre, the Balanchine/Robbins version, with its blessedly shorter score (Stravinsky’s Firebird Suite), heavenly Chagall designs and the great Ashley Bouder in one of her first great roles, was a welcome palliative.

TeZukA artwork. © Tezuka Productions. (Click image for larger version)

Hong Kong Arts Festival – Lyon Opera Ballet, Les Ballets De Monte Carlo and Sidi Larbi Cherkaoui

Local audiences also saw the return of the Lyon Opera Ballet. Their mixed programme consisted of two ballets by Benjamin Millepied, a ballet by Maguy Marin, and best of all, Balanchine’s masterpiece, Concerto Barocco, staged by Nanette Glushak.

Maguy Marin's Grosse Fugue. © Michel Cavalca.

Lyon Opera Ballet – Hong Kong Arts Festival quad bill – Hong Kong

Grosse Fugue by Maguy Marin… Performed with energy by the dancers and received with rapturous applause by some of the audience, this is either genius at work or less fun than watching paint dry, depending on your point of view.

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