"Daniel Ulbricht" tag

New York City Ballet – Stars & Stripes, Fearful Symmetries, The Times Are Racing – Saratoga Springs

★★★✰✰   Stars and Stripes premiered in 1958, and the Russian emigree demonstrates his affection for the quintessential writer of om-pah music in his adopted country by subverting the common association that marching is all about knee action.

Sterling Hyltin and Joaquin de Luz in Ratmansky's Odessa.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Square Dance, Tarantella, Odessa, Rodeo: Four Dance Episodes – Washington

★★★★★   Alexei Ratmansky’s Odessa left me breathless. The dancing (I saw both casts) was phenomenal on all levels: assured, expressive, and thoroughly dramatic.

Tyler Angle and the corps in Namouna, a Grand Divertissement.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Russian Seasons and Namouna, a Grand Divertissement – New York

★★★★✰   I still remember my feelings during the premiere of Alexei Ratmansky’s Russian Seasons at NYCB in 2006. There was a shock of recognition: this was the thing I had been looking for…

Sara Mearns and Jared Angle in Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sonnambula, Prodigal Son, Firebird, Allegro Brillante, Swan Lake, Four Temperaments – New York

★★★★✰   Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.

Michaela DePrince in Balanchine's Tarantella.© VAM/ Siggul. (Click image for larger version)

Youth America Grand Prix – Gala 2016 – New York

★★✰✰✰   Like all galas, this was quite a mixed bag. Over 200 students trooped on and offstage in a veritable tornado of activity before the veteran YAGP dancers stepped out for the showstopping stuff…

New York City Ballet in Peter Martins’ staging of August Bournonville’s La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Bournonville Divertissements – Washington

★★★✰✰ In his staging of La Sylphide, Martins not only removes the intermission, thus shortening the performance time, he also accelerates the pace of the events. It feels as if the story rushes at you with…

New York City Ballet in Justin Peck's The Most Incredible Thing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Most Incredible Thing (premiere), Polaris, The Blue of the Distance, Common Ground, Estancia – New York

★★★✰✰ “Incredible is Peck’s first narrative, and this fact was obvious Tuesday night, particularly in the opening scenes which lacked clarity…”

Joaquin De Luz in George Balanchine’s Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Harlequinade, N.Y. Export: Opus Jazz – New York

One expects Harlequinade to be a fairly routine and dramatically flat affair. But Tiler Peck and Joaquin De Luz – as Colombine and Harlequin – take it to another level.

Sara Mearns in Peter Martins' Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Swan Lake – New York

Martins’ Swan Lake tries to be too many things to too many people.

Teresa Reichlen in A Midsummer Night's Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – A Midsummer Night’s Dream – New York

George Balanchine’s Midsummer Night’s Dream is really two ballets, layered one upon the other.

Sterling Hyltin and Joaquin de Luz in La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Bournonville Divertissements – New York

At first glance, it’s hard to think of two choreographers more unalike than August Bournonville and Balanchine…

Sterling Hyltin and Taylor Stanley in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Agon, Duo Concertant, Symphony in Three Movements – New York

The New York City Ballet spring season is off to the races with a week devoted to George Balanchine, specifically the “black-and-white” ballets that for many have come to define his style.

New York City Ballet in Jerome Robbins' Interplay.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Hear The Dance: America bill – New York

The most obvious, and pleasurable aspect of New York City Ballet’s mixed bill Hear the Dance: America is its juxtaposition of two very different works by Jerome Robbins.

New York City Ballet in Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Square Dance, Harlequinade – New York

If Harlequinade is somewhat less than the sum of its parts, Square Dance (1957), which preceded it on the program, never fails to lift the heart.

Sterling Hyltin and Robert Fairchild in Peter Martins' Romeo + Juliet.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Romeo + Juliet – New York

The balcony pas de deux, what all the paramours have come to see, is decent. There are the sweeping, leg splitting lifts, drippy back drapes (so much so that Hyltin at times looks dead), and romantic clutches in abundance.

NYCB in Justin Peck’s ‘Rode,o: Four Dance Episodes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Pictures at an Exhibition, ‘Rōdē,ō: Four Dance Episodes, Mercurial Maoeucres – New York

‘Rōdē,ō: Four Dance Episodes premiere: It turns out that this combination of male vigor, Copland, and Peck is a felicitous one.

Ballet San Jose flyer for the 2013 Benefit Gala.© Ballet San Jose. (Click image for larger version)

Ballet San Jose – 2013 Benefit Gala – San Jose

This was an evening not to be missed. Newly appointed Artistic Director, José Manuel Carreño, made sure that the quality of the eighteen guest artists for Ballet San Jose’s Gala Performance would tantalise even the most skeptical dance fan.

Rocking Tyler Angle to sleep in Namouna.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spectral Evidence, Soirée Musicale, Namouna – New York

One feels as Débussy did when he wrote, at the end of the nineteenth century, that “amid too many silly ballets, Lalo’s Namouna is something of a masterpiece.”

© Dance Open

International Ballet Festival 2013 – Dance Open – St Petersburg

The 12th International Ballet Festival – Dance Open – was held over 4 days in St Petersburg. Margaret Willis (our Ms Expressivity) was there to report on much ballet and not a little award giving…

NYCB in George Balanchine's Tschaikovsky Suite No. 3.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Swan Lake, Allegro Brillante, Tsch Suite No. 3 – Washington

The revitalizing impact of Balanchine’s choreography on Tchaikovsky’s music was particularly evident in the all-Tchaikovsky, all-Balanchine program presented by New York City Ballet at the Kennedy Center Opera House during the last week of March.

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