"David Bintley" tag
Delia Mathews and artists of Birmingham Royal Ballet in Ignite.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Fire and Fury: The King Dances, Ignite – London

★★★✰✰   David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as ‘two ballets fuelled by power and politics’.

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Arancha Baselga and Brandon Lawrence in The Nutcracker.© Annabel Moeller. (Click image for larger version)

Birmingham Royal Ballet – The Nutcracker – London

★★★✰✰   Peter Wright’s glorious ballet might not shine quite so magically in its Bintley/Albert Hall version but the dancers certainly do…

Tzu-Chao Chou in ‘Still Life’ at the Penguin Café.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Arcadia, Le Baiser de la fée, ‘Still Life’ at the Penguin Café – London

★★✰✰✰   Bintley’s ‘Still Life’ at the Penguin Café saves a dispiriting evening by providing nimble demi-character dancing with a timely message, first delivered nearly 20 years ago.

Birmingham Royal Ballet – Aladdin – London

★★★✰✰   Aladdin never fully finds its feet, but there’s a lot to like about the show, from the cheery group numbers to the striking visuals.

George Williamson.© Arnaud Stephenson. (Click image for larger version)

5 Questions to George Williamson – freelance choreographer and recipient of the first BRB Ballet Now commission

Ballet Now is an initiative between Birmingham Royal Ballet and Sadler’s Wells to develop the (classical) choreographers, composers and designers of the future. It’s a 5-year programme with 2 commissions each year, made possible by the Oak Foundation, matched BRB funding and driven by a Creative Consortium.

Anastasia Soboleva and Victor Lebedev in Cinderella.© Stas Levshin. (Click image for larger version)

Mikhailovsky Ballet – Cinderella – St. Petersburg

★★★★★   It seems appropriate that I’ve travelled to Russia to find a Cinderella interpreter of movement and spectacle to match up to the genius of Prokofiev’s music.

Akane Takada in The Vertiginous Thrill of Exactitude.© Robbie Jack. (Click image for larger version)

Royal Ballet – Opening the New bill – Hull

★★★★✰   The Royal Ballet’s away-day to Hull, this year’s UK Capital of Culture, was dramatic in its scale: 17 pieces presented over three hours…

Brandon Lawrence in Arcadia poster image.© Richard Battye, BRB. (Click image for larger version)

Birmingham Royal Ballet – Arcadia (premiere), Wink – Cheltenham

★★★✰✰   The South tour is particularly interesting this year because it features a new piece by Ruth Brill, a first artist within the company, and this is her first major commission.

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

Yijing Zhang, Céline Gittens, Matthias Dingman and Tyrone Singleton in Jessica Lang’s Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Wink, The Moor’s Pavane, The Shakespeare Suite – London

★★★★✰   Wink, best seen from above, is a valuable addition to BRB’s repertoire. So is José Limon’s The Moor’s Pavane, created in 1949.

Iain Mackay (Prospero) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest – London

★★★✰✰   Bintley has treated Shakespeare’s drama as a masque, full of spectacle, music and dancing, with elusive characters that are more allegorical than realistic. It doesn’t work as a narrative ballet because the sub-plots are too complicated…

Harry Alexander and Benjamin Warbis in the Satie Studs, Ogive 4, section of to a simple, rock ‘n’ roll… song.© Hugo Glendinning. (Click image for larger version)

Michael Clark Company – to a simple, rock ‘n’ roll… song – London

★★★★✰   Whenever I see Michael Clark’s company I usually come away energised and uplifted. Nobody fuses ballet to a youthful modern world like Clark does or reminds you that it’s a tough technique that’s been around a long time.

Tyrone Singleton (Caliban) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest (premiere) – Birmingham

★★★✰✰   In a nutshell Bintley’s Tempest is a visual triumph but feels slight choreographically and you’d be well advised to mug up on the story before seeing it.

Joseph Caley (Ferdinand) and Jenna Roberts (Miranda) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in The Tempest

Gallery by Dave Morgan…

David Bintley in the studio rehearsing The Tempest.© Andy Ross. (Click image for larger version)

David Bintley, choreographer and director of Birmingham Royal Ballet, on his latest work – The Tempest

David Bintley, director of Birmingham Royal Ballet, is a prolific choreographer and just about to unveil his latest full evening work – The Tempest. Graham Watts went to talk to him about a work, that after 30 years of consideration, has found its time and proper custom score…

Book cover - Peter Wright: Wrights and Wrongs – my life in dance.© Oberon Books. (Click image for larger version)

Book – Peter Wright: Wrights and Wrongs – my life in dance

His is an insider’s account, complete with waspish comments and cameos of the famous people he encountered…

Arianna Maldini and pianist Jonathan Higgins in Mistake Waltz.© Johan Persson. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2016 – London

★★★★✰   The Royal Ballet School in particular includes something very special in their show – the closing Grand Defile, which always brings a lump to the throat and a feeling of pride.

Thomas Whitehead in Liam Scarlett's Frankenstein.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★★✰✰   Liam Scarlett treats Mary Shelley’s 1818 gothic horror novel, Frankenstein, as essentially a domestic drama.

Birmingham Royal Ballet in The Dream.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Ashton bill: The Dream, A Month in the Country – Birmingham

★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.

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