"Diamonds" tag
Christopher Williams Il Giardino d’Amore.© Ian Douglas. (Click image for larger version)

Memorable Performances of 2017 – New York

Six Performances That Stayed with Me in 2017 – Marina Harss with her personal selection of New York dance memories this last year.

Suzanne Farrell Ballet, with Heather Ogden and Thomas Garrett, center, and the corps de ballet, in Chaconne, choreography by George Balanchine © The George Balanchine Trust. (phew!)Image © Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet – Forever Balanchine: Farewell Performances – Washington

★★★★★   As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works…

Beatriz Stix-Brunell and Valeri Hristov in Emeralds.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

★★★★✰   The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.

Sarah Lamb and Steven McRae in Rubies.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Jewels – Emeralds, Rubies, Diamonds

Gallery by Dave Morgan…

Ivan Vassiliev and Kristina Kretova in Sceherazade.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala – In the steps of the Ballets Russes – London

★★★★✰   The long gala (three and a half hours with one interval) was well organised, with no speeches and no protracted curtain calls.

Sarah Van Patten and Luke Ingham in Balanchine's Stravinsky Violin Concerto.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Stravinsky Violin Concerto, Prodigal Son, Diamonds – San Francisco

★★★✰✰   The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.

Teresa Reichlen and Russell Janzen in Diamonds.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – New York

★★★✰✰   What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off…

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Marianela Nunez and Thiago Soares in Diamonds.© ROH/Tristram Kenton, 2011. (Click image for larger version)

Royal Ballet, Royal Opera House – A Gala Celebration: Life Reimagined – London

Both Royal Ballet premieres, one by Kim Brandstrup, the other by Liam Scarlett, were surely keepers, bound to be seen again.

Misa Kuranaga and Jeffrey Cirio in Rubies, © The George Balanchine Trust.© Rosalie O'Connor. (Click image for larger version

Boston Ballet – Jewels: Emeralds, Rubies, Diamonds – Boston

To close its 50th anniversary season Boston Ballet mounted a splendid production of Balanchine’s 1967 masterpiece Jewels.

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

Maria Kowroski in George Balanchine's Diamonds from Jewels.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – Washington

In many ways, Jewels is Balanchine’s choreographic résumé – a retrospective and a vivid showcase of his aesthetics and creative genius…

Sara Mearns and Adrian Danchig-Waring in Liam Scarlett's Acheron.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron (Scarlett premiere), Vespro, Spectral Evidence – New York

Acheron, Liam Scarlett’s new piece, revealed a choreographer of prodigious imagination and compositional craft, adept at building an atmosphere and suffusing it with traces of meaning.

Roberta Marquez in Emeralds, part of Jewels.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

The Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

Fascinating to see the Royal Ballet’s production of Balanchine’s Jewels not long after the Bolshoi’s account at the Royal Opera House in summer. Unlike the Russians, the Royal Ballet dancers understand the different period conventions of the three ‘acts’…

Zenaida Yanowsky in Rubies, part of Jewels.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Jewels

Gallery by Dave Morgan…

Olga Smirnova in Diamonds, from Jewels.© Marc Haegeman.

Bolshoi Ballet – Jewels: Emeralds, Rubies, Diamonds – London

The Bolshoi’s glorious rising star, Olga Smirnova, was imperious…

Evgenia Obraztsova & Vladislav Lantratov in Emeralds, from Jewels.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Bolshoi Ballet in Emeralds, from Jewels

20 pictures by Foteini Christofilopoulou

Edward Villella.© Gio Alma, courtesy Edward Villella. (Click image for larger version)

Edward Villella – Founding Artistic Director of Miami City Ballet

After twenty-six years in Miami, Edward Villella is back in New York, just across the East River from his old stomping grounds in Bayside Queens. He was an unlikely danseur, a scrappy kid…

Russian Ballet Icons – Nijinsky Gala – London

Though this year it was Nijinsky’s turn to be reclaimed as a Russian icon, the contents of the gala had little to do with him. Very probably the choice of items – mainly pas de deux – depended on which dancers were available to perform whatever was in their repertoire.

Sara Mearns in Serenade.© Paul Kolnik. (Click image for larger version)

Sara Mearns – New York City Ballet – Principal

Sara Mearns has been New York City Ballet’s reigning Swan Queen since her breakout performance in 2006, when she was only nineteen years old and a member the corps de ballet. It was a performance of surprising intensity, edged with danger.

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