★★✰✰✰ Episode Two of Dancing Nation contains works by Humanhood (Júlia Robert and Rudi Cole), Botis Seva for Far From the Norm, Will Tuckett for Birmingham Royal Ballet, Oona Doherty, Boy Blue and Akram Khan with Natalia Osipova (for which ★★★★★).
Tag - Dickson Mbi
Gallery by Foteini Christofilopoulou...
Gallery by Foteini Christofilopoulou...
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 19th National Dance Awards…
★★★★✰ Directed by Kenrick ‘H20’ Sandy and Michael ‘Mikey J’ Asante, the return to the Barbican of Blak Whyte Gray, is again a triumph.
Works by Ching-Ying Chien, Maya Jilan Dong, Dickson Mbi, Joy Alpuerto Ritter. Gallery by Foteini Christofilopoulou...
James Finnemore: TERRA Alleyne Dance: A Night’s Game ★★★✰✰ London, The Place 24 April 2018 www.jamesfinnemore.co.uk www.alleynedance.com For some reason, the intended (or, at least, promoted) order of this double bill was reversed and that was a pity. Alleyne Dance’s offering appeared to have the more complicated technical set-up, with a range of floor-based lighting alongside the front row of...
★★★★✰ Duet, the new work for Maliphant and Fouras closes the programme. This has a surprisingly eclectic soundtrack. After bursts of static as if from a radio, a vintage recording of Una furtive lacrima tenderly sung by Caruso...
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards...
★★★★★ The hour-long evening is a magical experience, a testament to the decades-long collaboration between Maliphant and Hulls...
Gallery by Foteini Christofilopoulou...
Gallery by Foteini Christofilopoulou...
Lynette Halewood with her personal selection of London dance memories this last year…
It’s a short programme but packed with memorable images, and brilliantly executed.
Still / Current is a marvellously evocative title for Maliphant’s work, capturing the mercurially elusive quality of his choreography and his own dancing. And the good news is that Maliphant is back on stage...
The Rodin Project suffers from the same structural problems as Maliphant’s expanded Afterlight. He’s poured his and his dancers’ creative energies into a superb solo or duet. Then...