★★★★✰ Program 3 features all-British choreographers: Peter Wright, Peter Darrell, Christopher Wheeldon, Matthew Bourne and Kenneth MacMillan. The exception is a solo by American Dominic Walsh, created for his own contemporary dance company. ...Some of the selections are probably unfamiliar to American audiences, as well as to British ballet fans of a younger vintage.
Tag - Dvorak
★★★✰✰ Once again, Osipova gave it her all – and Osipova’s all is quite something to behold.
★★★✰✰ The emphasis here was on new. This was a night to check in on the creative efforts of two emerging voices on the ballet scene - Gemma Bond and James Whiteside.
★★★✰✰ The vitality and drive of the troupe was palpable Wednesday night, as was a sense of collective energy to move forward – however rocky that movement might be.
★★★✰✰ The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.
★★★✰✰ No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.
★★★★✰ Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month...
★★★★✰ After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.
For the festival Brigitte Lefèvre chose an eclectic mixture of popular and audacious programmes from twelve different companies – mainly regional French companies... some smaller independent groups and international companies from Korea, Argentina and Spain.
The evening ended with Alexander Ekman’s Cacti, one of the most wildly original, hilarious dances I’ve ever seen. If the Keystone Cops had taken up ballet, this is what they’d have looked like.
The highlight of the program is Lorena Feijóo's return to the stage in more than one ballet during the evening. After being out on maternity leave for a year ...is dancing better than ever.
Tonight’s premiere of Ratmansky's newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.
Bob Lockyer must be truly proud of his birthday gift: not a dud amongst the commissions he has brought about, sending three young choreographers on their way to a promising future.