"Edwaard Liang" tag
T.M. Rives and Alexander Ekman.© T.M. Rives & courtesy San Francisco Dance Film Festival. (Click image for larger version)

Interview – Alexander Ekman & T.M. Rives on dance and film

“I think you’ve just got to dare to go there. It’s hard, it’s scary, but creation is always kind of scary in one way or the other. So I think you’ve just gotta have guts and go for it anyway.” Alexander Ekman.

Annabelle Lopez Ochoa rehearsing Guernica.© Erik Tomasson. (Click image for larger version)

Interview – Annabelle Lopez Ochoa on creating Guernica for SF Ballet’s Unbound Festival

“I don’t know if we can make the world a better place, but we can definitely have the audience think about it.”

Maria Kochetkova in Pita's Björk Ballet.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Unbound Festival Program D: works by Edwaard Liang, Dwight Rhoden, Arthur Pita – San Francisco

★★★★★   A hundred monkeys might eventually type out Hamlet, but only a herd of unicorns on Ecstasy could come anywhere near Arthur Pita’s Björk Ballet.

Carlos Acosta in Tocororo Suite.© Foteini Christofilopoulou. (Click image for larger version)

Carlos Acosta – Cubania – London

Like the returning swallow, Acosta has again brought his own promise of summer sunshine to London with his unique brand of Caribbean culture.

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

Septime Webre.© Dean Alexander, courtesy The Washington Ballet. (Click image for larger version)

Septime Webre – Artistic Director, Washington Ballet

We catch up with Septime Webre, choreographer and artistic director of Washington Ballet. So what makes him get up in the morning? Oksana Khadarina finds out…

Carlos Acosta and Pieter Symonds in Miguel Altunaga's Derrumbe.© Foteini Christofilopoulou. (Click image for larger version)

Carlos Acosta – Cubania – London

It’s not a perfect show by any means, but come the end you still love Acosta, his spirit and his smile. He remains a potent name, doing potent things for ballet, like filling the ROH…

San Francisco Ballet in Liam Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Caprice, Hummingbird, Symphonic Dances – Paris

Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.

Sarah Van Patten and Anthony Spaulding in Hans van Manen's Variations for Two Couples.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 2014 Opening Night Gala – San Francisco

The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master…

Yuan Yuan Tan and Damian Smith in Edwaard Liang's Finding Light.© Dave Morgan. (Click image for larger version)

Liang / Maliphant / Wheeldon – An evening Featuring Fang-Yi Sheu and Yuan Yuan Tan – London

No sets – just glorious lighting designs playing essential roles in the performances.

Yuan Yuan Tan and Damian Smith in Christopher Wheeldon's After the Rain.© Dave Morgan. (Click image for larger version)

Gallery – Liang / Maliphant / Wheeldon – Featuring Fang-Yi Sheu and Yuan Yuan Tan

Gallery by Dave Morgan…

San Francisco Ballet in Morris' Beaux.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – From Foreign Lands, Beaux, Classical Symphony and Symphonic Dances – New York

In its second mixed bill here in New York, San Francisco Ballet once again impressed with its vitality and the depth of its bench, as well as with its pleasantly unified look.

Dance Theatre of Harlem in Return.© Rachel Neville. (Click image for larger version)

Ballet Across America – North Carolina, Ballet Austin & DT of Harlem – Washington

As the soundtrack cried “Baby, Baby, Baby,” the impressively talented DToH dancers whipped the audience into a frenzy.

Sarasota Ballet's Jamie Carter and Christine Peixoto in Les Patineurs.© Linda Spillers. (Click image for larger version)

Ballet Across America – Sarasota, Washington and Pennsylvania Ballet – Washington

I am happy to report that the biggest discovery of the second program was The Sarasota Ballet, a company founded in 1991 and currently directed by former Royal Ballet dancer Iain Webb…

Lorena Feijoo and Vitor Luiz in Caniparoli's Ibsen's House.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Raymonda Act III, Ibsen’s House, Symphonic Dances – San Francisco

The highlight of the program is Lorena Feijóo’s return to the stage in more than one ballet during the evening. After being out on maternity leave for a year …is dancing better than ever.

© Joffrey Ballet

The Joffrey Ballet – Age of Innocence, After the Rain, The Green Table – San Francisco

Closing the program is Kurt Jooss’s anti-war ballet from 1932,The Green Table, one of the greatest pieces of choreography ever created and still relevant after more than 80 years.

HK Ballet in Castrati.© Conrad Dy-Liacco. (Click image for larger version)

Hong Kong Ballet – An International Celebration of Ballet – Hong Kong

Hong Kong Ballet presented a diverse and well-balanced mixed programme in early November, consisting of two premieres and a revival of a major work.

San Francisco Ballet in Balanchine's Divertimento No. 15.© Dave Morgan and courtesy of San Francisco Ballet. (Click image for larger version)

San Francisco Ballet – Programme A: Balanchine, Liang, Wheeldon – London

I loved the way the SFB dancers were so confident with the choreography (of Divertimento No 15), at ease after an understandably tense start.

Elana Altman – San Francisco Ballet – Soloist

Muriel [Maffre] was an inspiration for me because she got so many great roles even though she was tall. After she retired I started to get some of her old parts.

San Francisco Ballet – Primer and London Season Preview

Aimée Tsao, watching San Francisco Ballet for over 35 years now, with a general primer on the company and some thoughts on the repertoire they are bring to London in September 2012…

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