"Federico Bonelli" tag
Calvin Richardson and Matthew Ball in Obsidian Tear. © Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear, Marguerite and Armand, Elite Syncopations – London

★★★★✰   The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet’s resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers’ work…

Francesca Hayward, Christopher Saunders and Elizabeth McGorian in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

★★★★✰   It’s a myth that Kenneth MacMillan’s Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals…

Christopher Saunders, Francesca Hayward and Alexander Campbell in Manon.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Manon

Gallery by Foteini Christofilopoulou…

Calvin Richardson and Joseph Sissons in Wayne McGregor's Yugen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London

★★★✰✰   Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.

David Donnelly, Charlotte Tonkinson, David Yudes, Isabella Gasparini, Kevin Emerton and Camille Bracher in Christopher Wheeldon's Corybantic Games.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Bernstein Centenary triple bill incl new McGregor & Wheeldon

The Bernstein Centenary bill includes new works by Christopher Wheeldon (Corybantic Games) and Wayne McGregor (Yugen). Liam Scarlett’s The Age of Anxiety completes the bill. Gallery by Dave Morgan…

Maria Alexandrova and Vladislav Lantratov in Nureyev.© Marc Haegeman. (Click image for larger version)

Russian Ballet Icons Gala 2018 – London

★★★✰✰   This year’s Russian Ballet gala was ostensibly in honour of the 200th anniversary of Marius Petipa’s birth. Any choreography attributed to him was mostly a long way ‘after Petipa’, but it’s always fun to see excellent Russian dancers deliver pas de deux from Don Quixote, Swan Lake and Le Corsaire.

Marianela Nunez in Giselle.© Helen Maybanks, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Giselle – London

★★★★★   Peter Wright’s 1985 production for the Royal Ballet has had many interpreters, all subtly or extravagantly different. Nunez is amongst the finest, a perfectionist who seems realistically earthy as a country girl who loves dancing and ethereal as her defiant spirit.

Benjamin Ella and Isabella Gasparini in Crystal Pite’s Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Memorable Performances of 2017 – London

Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…

Marianela Nunez and Vadim Muntagirov in Sylvia.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Sylvia – London

★★★★✰   Sylvia makes a welcome return to the repertoire, reacquainting dancers and audiences with Ashton’s sensibility and complex choreography. It’s a joy but not a masterpiece, as he well knew…

Lauren Cuthbertson in Alice's Adventures in Wonderland.© Johan Persson, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Alice’s Adventures in Wonderland – London

★★★✰✰   Wheeldon and his scenarist, Nicholas Wright, have made theatrical sense of a nonsensical children’s classic. This Alice, though, is a modern pantomime, not a classic ballet.

Edward Watson in The Winter’s Tale.© Darren Thomas. (Click image for larger version)

Royal Ballet – The Winter’s Tale – Brisbane

Royal Ballet The Winter’s Tale ★★★★✰ Brisbane, Queensland Performing Arts Centre Gallery of pictures (Apr 2014, London) by Dave Morgan 5 July 2017 www.roh.org.uk www.qpac.com.au From his choreography for the dance movie, Centre…

Alessandra Ferri and Federico Bonelli in the Tuesday section of Woolf Works.© Darren Thomas. (Click image for larger version)

Royal Ballet – Woolf Works – Brisbane

★★★★✰   For the Royal Ballet, there could not have been a better start to their Australian tour than Ferri’s performance as Clarissa Dalloway in the first act of Wayne McGregor’s Woolf Works.

Alessandra Ferri and Federico Bonelli in Marguerite and Armand.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London

★★★★✰   In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.

Zenaida Yanowsky in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London

★★★★✰   Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.

The Royal Ballet in Crystal Pite's Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Flight Pattern (premiere), After the Rain, The Human Seasons – London

Flight Pattern: ★★★★★, After the Rain: ★★★✰✰, Human Seasons: ★★✰✰✰.   Like Gorecki, Crystal Pite has created a memorable and moving work full of meaning…

Lauren Cuthbertson in The Nutcracker.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

★★★★★   The Royal Ballet’s Nutcracker has undergone various changes since its gala premiere in 1984, not least in the central roles of Clara and Drosselmeyer…

Matthew Ball and Marianela Nunez in Wayne McGregor's Multiverse.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wayne McGregor bill: Chroma, Multiverse, Carbon Life – London

★★★✰✰   Multiverse: McGregor and his dramaturg may know what they want to convey about life and the universe(s) but despite the dancers’ efforts, the result is baffling.

Natalia Osipova in Anastasia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Anastasia – London

★★★✰✰   The last act redeems the evening. We learn more about the characters in the final 40 minutes than in the two preceding acts.

Thomas Whitehead in Liam Scarlett's Frankenstein.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★★✰✰   Liam Scarlett treats Mary Shelley’s 1818 gothic horror novel, Frankenstein, as essentially a domestic drama.

Steven McRae (The Creature) in Liam Scarlett's Frankenstein.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Frankenstein

Gallery by Dave Morgan…

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