"Flames of Paris" tag
The 2018 ENB Emerging Dancer finalists: Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles.© Karolina Kuras. (Click image for larger version)

English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…

The Finale of Dance Proms 2016.© Elliott Franks. (Click image for larger version)

Dance Proms 2016 – Royal Albert Hall, London

★★★★✰   …the event is less about showing off the talents of dancers and their teachers than celebrating their hard work and dedication.

Igor Tsvirko and Ekaterina Krysanova in Flames of Paris.© Dave Morgan. (Click image for larger version)

Bolshoi Ballet – The Flames of Paris – London

★★★★✰   The great pleasure of Alexei Ratmansky’s version of Vasily Vainonen’s 1932 ballet is the cornucopia of steps to which both choreographers had access: danse d’école, folk and character dances, as well as expressive acting.

Anna Nikulina in Flames of Paris.© Dave Morgan. (Click image for larger version)

Gallery – Bolshoi Ballet in The Flames of Paris

Gallery by Dave Morgan…

Anna Kuligina and Ivan Vasiliev in La Fille mal gardée.© Nikolai Krusser. (Click image for larger version)

Mikhailovsky Ballet – La Fille mal gardee (Vasiliev / Kuligina) – St. Petersburg

Kuligina was the perfect foil for Vasiliev’s Colin (Colas) and the pair played off one another. There could be no better role for Vasiliev…

Cover of the Dance Open 2015 Gala programme.© Dance Open. (Click image for larger version)

International Ballet Festival 2015 Dance Open and Tsiskaridze at the Vaganova Academy – St Petersburg

Margaret Willis has just been in St. Petersburg, catching up with the Dance Open Festival and also visiting the Vaganova Academy where she had some words with director Nikolai Tsiskaridze…

Olga Semyonova (Teresa) and Maxim Podosyonov (Cornet) in Le Halte de Cavalerie.© Sveta Tarlova. (Click image for larger version)

Mikhailovsky Ballet – Le Halte de Cavalerie, Class Concert, Prelude – New York

The idea behind the triptych is to show three aspects of the company’s style: the classicism and character dance of Petipa; the technical pizzazz of mid-twentieth-century Soviet dance, the eccentricities and atmospherics of contemporary movement…

Ivan Vasiliev in Flames of Paris.© Costas. (Click image for larger version)

Mikhailovsky Ballet – Flames of Paris – New York

But, for the ballet to work it has to be danced with conviction and joy, and this is what the Mikhailovsky pulls off marvelously well.

Natalia Osipova and Leonid Sarafanov in Giselle.© Paul Kolnik. (Click image for larger version)

Mikhailovsky Ballet – Giselle – New York

Osipova’s vitality is astonishing: the minute she stepped onstage, it’s as if the whole world became a few shades brighter…

Washington Ballet – Tour-de-Force: Balanchine! bill – Washington

The gala formula really worked. An eclectic selection of dances – six duets and three short ballets – offered something for almost every taste…

Oksana Bondareva, Ivan Vasiliev together with Angelina Vorontsova and the company in The Flames of Paris.© Stas Levshin, courtesy the Mikhailovsky Ballet. (Click image for larger version)

Mikhailovsky Ballet – The Flames of Paris – St. Petersburg

There is a lack of egotism to Messerer’s work that is immensely appealing, too: unlike Nureyev or Grigorovitch, he never appears to be coercing the music or the steps into fitting his idiosyncratic vision.

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Balletic Musings, a Continuing Conversation

Do you perceive a difference between the musicality of American dancers and that of Russian dancers? AR: There is a huge difference in the musicality. I often found Russian dancers unmusical… But they have other qualities…

Svetlana Zakharova and Alexander Volchkov in Swan Lake.© Dave Morgan. (Click image for larger version)

Bolshoi Ballet – Swan Lake – London

Grigorovich’s production is not concerned with dramatic plausibility or characterisation, which may account for Zakharova’s Odette remaining a remote vision and her Odile a cool doppelganger rather than a temptress.

Maria Alexandrova in The Flames of Paris.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – Flames of Paris – Moscow

The Bolshoi Ballet are touring ‘The Flames of Paris’ to London this summer – but Natasha Rogai recently caught up with it in Moscow for us. So what shape is the company in?

Polina Semionova and Marcelo Gomes in Alexei Ratmansky's Symphony #9.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – New Ratmansky, Symphony #9 – New York

Tonight’s premiere of Ratmansky’s newest work for American Ballet Theatre, Symphony #9, was cause for celebration. In fact, it left me feeling almost lightheaded, and terribly eager to see it again, as soon as possible.

DanceTabs © 2018 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.