San Francisco Ballet's Program 4 is a double bill coupling a welcome return of Robbins' Dances at a Gathering with a Liam Scarlett's Hummingbird.
Tag - Frances Chung
Program 3 features Hans van Manen's Variations for Two Couples, William Forsythe's The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.
America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson...
The SF Ballet premiere of choreographer-in-residence Yuri Possokhov's pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan...
Audience applause during the evening recognised that Scarlett’s Hummingbird was the starry centrepiece of the three Paris premieres.
The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master...
If extravagant productions are the way to bring in new audiences and fill the till then they are justified for those reasons alone. However, they don’t necessarily leave a rich legacy for future generations.
Choreographer Christopher Wheeldon is currently at the San Francisco Ballet preparing for the American premiere of his Cinderella. He has a rehearsal in forty-five minutes so we quickly set off to discuss his latest full-length ballet and many other things...
San Francisco Ballet – Criss-Cross, Francesca da Rimini, Symphony in Three Movements – San Francisco
Program 7 made me think a lot about this tricky issue of programming because this bill is a weird sandwich made with a delectable gourmet filling between slices of bland Wonder bread.
The highlight of the program is Lorena Feijóo's return to the stage in more than one ballet during the evening. After being out on maternity leave for a year ...is dancing better than ever.
Perhaps the best pas de deux of the evening, judging by the audience reaction, is one from Christopher Wheeldon’s After the Rain.
Not to be a scrooge-ish Grinch (or is it a grinchy Scrooge?), but I don’t really like all the sentimental and consumeristic trimmings and trappings that surround the holidays.
The mixed bill proved once again that San Francisco Ballet is a dedicated promoter of new work...
San Francisco’s second programme was better balanced than the first, with contrasting works created for the company within the past two years.
Kochetkova and Domitro, together and separately, dance extraordinarily well. They don’t have the elusive chemistry that she has with Boada, but they still are very much in tune with each other, both musically and artistically, and make a very satisfying partnership.
The sixty-five-year-old The Four Temperaments is now a senior citizen, but not even close to retiring...
Calling this ballet a guide (Guide To Strange Places) is not really precise because it’s more like a portal that lets you in and then leaves you on your own to figure out where you are. Whether you have absolutely no sense of direction or can find your way anywhere blindfolded could determine how you explore this terrain