"Frederick Ashton Foundation" tag
Benjamin Ella and Isabella Gasparini in Crystal Pite’s Flight Pattern.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Memorable Performances of 2017 – London

Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…

Le Rossignol masterclass: Anna Rose O’Sullivan and William Bracewell with Anthony Dowell.© Rachel Thomas. (Click image for larger version)

Feature – Frederick Ashton’s choreography for Le Rossignol – a masterclass with Sir Anthony Dowell

The Metropolitan Opera in New York staged “Le Rossignol” in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth… the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit…

Natalia Osipova in rehearsals at the ROH for A Month in the Country.© ROH, 2014. Photographed by Tristram Kenton. (Click image for larger version)

Frederick Ashton Remembered – Ashton Foundation Masterclasses & In Step with Fred film screenings

As The Royal Ballet prepares to celebrate Frederick Ashton with an all Ashton quad bill, two other events have also been celebrating the work of the Royal Ballet’s founder choreographer…

Alina Cojocaru and Johan Kobborg in La Fille mal Gardee. © John Ross.

Royal Ballet – La fille mal gardee – London

Every review of La Fille mal Gardée should start with an acknowledgement that, however excellent the performance may have been, the greatest credit belongs to Frederick Ashton, who more than 50 years ago put this happy masterpiece together in a few weeks of cheerful collaboration with his dancers.

Frederick Ashton Foundation and Christopher Nourse

Not Trusting to Fate – The Frederick Ashton Foundation’s avowed purpose is to perpetuate the choreographer’s legacy. But to do so, it needs the co-operation of those to whom Ashton willed his ballets…

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