"Frederick Ashton" tag
Zenaida Yanowsky and Roberto Bolle at her final Royal Opera House curtain call. (Click image for larger version)

Gallery – Zenaida Yanowsky final curtain call pictures as she retires from the Royal Ballet

On the 7th June 2017 Zenaida Yanowsky gave her final performance as a principal dancer with the Royal Ballet…

Alessandra Ferri and Federico Bonelli in Marguerite and Armand.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London

★★★★✰   In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.

Sarah Steele in Ethan Stiefel's Frontier.© Theo Kossenas Media 4 Artists. (Click image for larger version)

Washington Ballet – Lilac Garden, The Dream, Frontier (premiere) – Washington

★★★✰✰   Ethan Stiefel’s Frontier, his first significant commission, had all the right ingredients… Yet the ballet, with its space travel theme, didn’t leave much of an impression…

Tristan Dyer, Yuhui Choe, Vadim Muntagirov, Marianela Nunez, James Hay and Yasmine Naghdi in Symphonic Variations.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Dream, Symphonic Variations, Marguerite and Armand

An all Frederick Ashton bill. Gallery by Dave Morgan…

Catherine Turocy, director New York Baroque Dance Company.© Courtesy New York Baroque Dance Company. (Click image for larger version)

Interview – Catherine Turocy, artistic director of New York Baroque Dance Company

Meticulous reconstructions of Petipa, Cunningham, Graham, Taylor works are performance staples these days. Much rarer is a reconstruction like “Le Temple de la Gloire” (The Temple of Glory) a 1745 political opera-ballet with music by Jean-Philippe Rameau and a libretto by the philosopher Voltaire….

Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Alexander Kuiimov in La Fille mal gardée.© Russian State Ballet of Siberia. (Click image for larger version)

Russian State Ballet of Siberia – La Fille mal gardée – Basingstoke

★★★✰✰   The Siberian company performs its Fille mal gardée with good heart and neat feet.

Akane Takada and James Hay in The Sleeping Beauty.© Bill Cooper, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Sleeping Beauty – London

★★★★✰   The grand pas de deux was the triumphant highlight of the fairytale festivities. Hay expressed the prince’s pride and pleasure in his variations; Takada was demure and regal in hers…

Tamara Rojo in Annabelle Lopez Ochoa’s Broken Wings.© Dave Morgan. (Click image for larger version)

Memorable Performances of 2016 – London

Lynette Halewood with her personal selection of London dance memories from the past year…

Kerala Kalamandalam in Dussasana Vadhom.© Kevin Yatarola. (Click image for larger version)

Memorable Performances of 2016 – New York

Marina Harss with her personal selection of New York dance memories this last year…

Ashley Shaw in The Red Shoes.© Dave Morgan. (Click image for larger version)

New Adventures – Matthew Bourne’s The Red Shoes – London

★★★✰✰   If you remember the 1948 film, the plot is easy to follow. If you don’t, and can’t pick up the references to ballets, a printed scenario would be helpful, as would job-descriptions of the characters…

Viviana Durante.© David Scheinmann, courtesy Viviana Durante. (Click image for larger version)

Interview – Viviana Durante: Ballerina, mother, teacher and coach of MacMillan’s Anastasia

One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante’s leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she’s back at the Royal Opera House, this time to coach MacMillan’s Anastasia, which is where Jann Parry caught up with her…

Daniil Simkin and Blaine Hoven in Alexei Ratmansky's Serenade after Plato’s Symposium.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York

★★★★✰   A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.

Gary Harris.© Royal Opera House. (Click image for larger version)

Interview – Gary Harris on life and setting Kenneth MacMillan’s Anastasia for the Royal Ballet

Gary Harris has had one of the most varied ballet careers you can get… dancer, teacher, ballet master, artistic director, designer and notator. Now he’s working with the Royal Ballet to bring back Kenneth MacMillan’s Anastasia – Jann Parry went for a chat.

Iain Mackay (Prospero) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest – London

★★★✰✰   Bintley has treated Shakespeare’s drama as a masque, full of spectacle, music and dancing, with elusive characters that are more allegorical than realistic. It doesn’t work as a narrative ballet because the sub-plots are too complicated…

Julie Kent and Washington Ballet.© Theo Kossenas Media 4 Artists. (Click image for larger version)

The Washington Ballet – 40th Anniversary Celebration – Washington

★★★✰✰   “Hi! I am Julie Kent, artistic director of the Washington Ballet.” Looking ravishing in her long strapless slivery-white gown, her hair immaculately styled, the new director of the Washington Ballet introduced herself to the audience of the fully-packed Eisenhower Theater…

Tyrone Singleton (Caliban) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest (premiere) – Birmingham

★★★✰✰   In a nutshell Bintley’s Tempest is a visual triumph but feels slight choreographically and you’d be well advised to mug up on the story before seeing it.

Carlos Acosta and Marianela Nuñez in Apollo.© Johan Persson. (Click image for larger version)

Carlos Acosta – The Classical Farewell – London

★★★★✰   “Thank you, Carlos,” boomed one audience member as Acosta ended his performance by changing out of his dance gear, sitting meditatively on stage…

Osbert Lancaster's front screen for Frederick Ashton's La Fille mal gardée.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – La Fille mal gardée – London

★★★★✰   Early arrivals for the opening night of the Royal Ballet’s autumn season could watch Peregrine the pony being escorted to the stage door in readiness for his role in La Fille mal gardée…

DanceTabs © 2017 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.