"Frederick Ashton" tag
Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT

Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…

Royal Ballet School in Jiri Kylian's Sechs Tanze.© Johan Persson. (Click image for larger version)

Royal Ballet School – Annual Main Stage Performance 2015 – London

I thought this year’s Royal Ballet School (RBS) performance on the main Royal Opera House stage was pretty damn’ good.

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

Maiko Tutsumi, Victoria Ananyan, Matthew Golding and Maria Chigai in Christopher Wheeldon's Cinderella.© Dave Morgan. (Click image for larger version

Dutch National Ballet – Cinderella – London

Wheeldon has two problems to contend with in Cinderella: Prokofiev’s prescriptive score and Ashton’s definitive choreography from 1948…

Marianela Nuñez and James Whiteside in Cinderella.© MIRA. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

Two 2 casts reeviewed – led out by Stella Abrera and a guesting Marianela Nunez. But the star of Cinderella is the ballet itself – Ashton’s tribute to Petipa, to silliness, and to the power of childlike wonder…

Tristan Dyer in Liam Scarlett’s The Age of Anxiety.© ROH, 2014. Photographed by Bill Cooper. (Click image for larger version)

The Royal Ballet – Infra, Divertissements, The Age of Anxiety, The Dream, Song of the Earth – New York

These are dancers worth following in a wide repertory of works; it’s a shame to see them go while feeling we’ve barely gotten to know them better.

Marianela Nuñez and Nehemiah Kish in Song of the Earth.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – The Dream, Song of the Earth – New York

After an absence of eleven years, the Royal Ballet has finally returned to New York; they’re currently presenting two programs at the Koch Theatre,..

New York Theatre Ballet in Ashton's Capriol Suite.© Yi-Chun Wu. (Click image for larger version)

New York Theatre Ballet – Capriol Suite, Two Timing, Cat’s Cradle, Such Longing, Dark Elegies – New York

The program presented at St. Mark’s this past week reflects all of these positive developments; even more, it seemed infused with a new sense of assurance and identity.

Ruth Brill's Matryoshka at its Symphony Hall premiere.© BRB.

Birmingham Royal Ballet – Quatrain, Matryoshka, Beauty and the Beast pdd, Swan Lake pdq, Facade – High Wycombe

Ruth Brill’s Matryoshka showed a lot of sense and maturity I thought – she clearly thinks about entertaining the audience.

Teresa Reichlen in A Midsummer Night's Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – A Midsummer Night’s Dream – New York

George Balanchine’s Midsummer Night’s Dream is really two ballets, layered one upon the other.

Federico Bonelli and Sarah Lamb in Jerome Robbins' Afternoon of a Faun.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Afternoon of a Faun, In the Night, Song of the Earth – London

The final triple bill of the Royal Ballet’s season reverts to its founder’s faith in classical ballet as an expressive language.

Birmingham Royal Ballet in Les Rendezvous.© Bill Cooper. (Click image for larger version)

Birmingham Royal Ballet – Les Rendezvous, Kin., Elite Syncopations – Nottingham

Les Rendezvous is 21 minutes of classical movement perfection, but Alexander Whitley comes surprisingly close to besting it with his 20-minute more modern take on ballet – Kin.

American Ballet Theatre in Giselle.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Giselle (Abrera debut) – New York

The American Ballet Theatre season continues with Giselle where Marina Harss saw Stella Abrera’s company debut. The response to the performance was understandably enthusiastic.

Bianca Fota and Dawid Trzensimiech in Ashton's Marguerite and Armand.© Cristian Lazarescu. (Click image for larger version)

Bucharest National Ballet – Classical Symphony, Petite Mort, Marguerite and Armand, Tango, Radio and Juliet – Bucharest

Johan Kobborg took over as Director of Bucharest National Ballet just over a year ago. Time for Graham Watts to go and see how they are looking – in two very different bills…

Natalia Osipova and Edward Watson in the Becomings section of Woolf Works.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

Woolf Works is a chimera, an illusory creation made up of disparate elements…

Sterling Hyltin and Joaquin de Luz in La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sylphide, Bournonville Divertissements – New York

At first glance, it’s hard to think of two choreographers more unalike than August Bournonville and Balanchine…

Anna Kuligina and Ivan Vasiliev in La Fille mal gardée.© Nikolai Krusser. (Click image for larger version)

Mikhailovsky Ballet – La Fille mal gardee (Vasiliev / Kuligina) – St. Petersburg

Kuligina was the perfect foil for Vasiliev’s Colin (Colas) and the pair played off one another. There could be no better role for Vasiliev…

Cover of the Dance Open 2015 Gala programme.© Dance Open. (Click image for larger version)

International Ballet Festival 2015 Dance Open and Tsiskaridze at the Vaganova Academy – St Petersburg

Margaret Willis has just been in St. Petersburg, catching up with the Dance Open Festival and also visiting the Vaganova Academy where she had some words with director Nikolai Tsiskaridze…

San Francisco Ballet in Tomasson's Romeo & Juliet.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Romeo & Juliet – San Francisco

Choreographed by artistic director Helgi Tomasson in 1994, the ballet is popular with audiences here and makes a satisfying coda to his thirtieth-anniversary season…

Ako Kondo, Cristiano Martino, Robyn Hendricks and Amber Scott in Symphonic Variations.© Daniel Boud. (Click image for larger version)

Australian Ballet – Ashton bill: The Dream, Monotones II, Symphonic Variations – Sydney

After the long famine, Ashton’s ballets made a welcome return this week with the company’s triple bill under the umbrella title, The Dream.

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