"Frederick Ashton" tag
Miriam Miller and Anthony Huxley in Midsummer Night’s Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Midsummer Night’s Dream – New York

★★★★✰   But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.

Misty Copeland and Herman Cornejo in La Fille mal gardée.© MIRA. (Click image for larger version)

American Ballet Theatre – La Fille Mal Gardée – New York

★★★★★   La Fille Mal Gardée is a ballet that glows from within, lighthearted, tender and bursting with happy ideas.

American Ballet Theatre in Ratmansky's Serenade after Plato’s Symposium.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

★★★★✰   It isn’t often that a gala program proves satisfying, but this one was the exception.

BRB in Jessica Lang's Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Shakespeare midscale tour: Wink, Three pas de deux, The Moor’s Pavane – Durham

★★★✰✰   “… Wink is a 4 star piece. We need to see more of Jessica Lang’s work…”

Maria Kochetkova in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia (Kochetkova, Cornejo) – New York

More from ABT’s run of Ashton’s “Sylvia” – the time Marina Harss reviews Maria Kochetkova and Herman Cornejo…

American Ballet Theatre in Ashton's Sylvia.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Sylvia – New York

★★★★✰   Part of the secret to Sylvia is of course Léo Delibes’s score; like the story, it has its silly moments, but when it soars, it is utterly seductive…

Thomas Whitehead in Liam Scarlett's Frankenstein.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Frankenstein – London

★★★✰✰   Liam Scarlett treats Mary Shelley’s 1818 gothic horror novel, Frankenstein, as essentially a domestic drama.

Northern Ballet in Swan Lake.© Emma Kauldhar. (Click image for larger version)

Northern Ballet – Swan Lake – Milton Keynes

★★★✰✰   Although David Nixon authored this ballet long before Lord Grantham was a twinkle in Julian Fellowes’ eye, it certainly provides an inkling of Swan Lake meets Downton Abbey.

Gary Avis and Friends Flyer - 2016

The Royal Ballet’s Gary Avis & Friends – Dance for Suffolk

Led by Gary Avis and a Royal Ballet all-star cast, the company will perform an especially created programme of Royal Ballet classics, hosted by BBC Strictly Come Dancing’s Anton du Beke.

New York Theatre Ballet in Cinderella.© Morah Geist. (Click image for larger version)

New York Theatre Ballet – Cinderella – New York

★★✰✰✰   Despite New York Theatre Ballet gearing its tightly edited, hour-long, rendition of Cinderella towards children, NYTB had tough, abundantly vocal, critics on Sunday afternoon, all of whom were under three feet tall.

Birmingham Royal Ballet in The Dream.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Ashton bill: The Dream, A Month in the Country – Birmingham

★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.

Federico Bonelli and Natalia Osipova in Strapless.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wheeldon bill: Strapless, After the Rain, Within the Golden Hour – London

★★★✰✰ Wheeldon’s talents are on display, as well as the Royal Ballet’s dancers. A pity, then, that Strapless has been exposed without previews to sort out its weaknesses.

Laura Morera in Song of the Earth (with Edward Watson in full version).© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Interview – Laura Morera – Principal, The Royal Ballet

“I’ve never won a prize before…” on the day Laura Morera won an Outstanding award at the National Dance Awards, Margaret Willis had a long chat with the excited, and much loved, Royal Ballet principal…

Sophie Laplane, Eve Mutso and Christopher Harrison in Cinderella.© Andy Ross, Scottish Ballet. (Click image for larger version)

Scottish Ballet – Cinderella – Inverness

★★★★✰ DanceTabs reviewed the Scottish Ballet premiere of Cinderella and now we catch up with the last show of the season – which also happened to be Eve Mutso’s last performance with the company.

Unspecified work in Gemma Bond's Harvest bill.© Kathryn Wirsing. (Click image for larger version)

Gemma Bond – Harvest: Being, Manner, Depuis le Jour, Then and Again – New York

★★★✰✰ ” Bond’s strength, for now, lies in a kind of old-fashioned insistence on beauty and her ability to coax sensitive, generous performances out of her dancers.”

Francesca Hayward and James Hay in Rhapsody.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Rhapsody, The Two Pigeons – London

★★★★★ “What a joy to have Rhapsody back in its original setting…”

Steven McRae with Benjamin Ella and Yasmine Naghdi in Rhapsody.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Rhapsody (2 Casts: Osipova, McRae & Hayward, Hay)

Gallery by Dave Morgan…

Sylvie Guillem. © Gilles Tapie. (Click image for larger version)

2015 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Bethany Kingsley-Garner and Christopher Harrison in Cinderella.© Andy Ross, Scottish Ballet. (Click image for larger version)

Scottish Ballet – Cinderella – Edinburgh

Scottish Ballet are touring Christopher Hampson’s “Cinderella” this Christmas – Graham Watts was at the European premiere in Edinburgh for DanceTabs…

Svetlana Zakharova and Edvin Revazov in Lady of the Camellias.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – The Lady of the Camellias – live cinema screening

Dance on film is a tricky thing. On the one hand it provides a unique opportunity to see dance up close and to see foreign repertoires and artists; on the other, it lacks the intangible live chemistry that can electrify an opera house.

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