"Gabrielle Lamb" tag
Aidan DeYoung and Kelsey McFalls in Gabrielle Lamb's Lacunae.© David DeSilva. (Click image for larger version)

Amy Seiwert’s Imagery – SKETCH 8: Origin Stories – San Francisco

★★★✰✰   Whether walking through space, cycling through a gestural sequence or dancing a technically demanding phrase the dancers were a real joy to watch. The choreography on the other hand, was more of a mixed bag.

Sean Suozzi and Lauren King in Orange.© Erin Baiano. (Click image for larger version)

BalletCollective – The Answer, Orange, The Last Time This Ended, Translation – New York

★★★✰✰   What’s different about Schumacher’s dances isn’t so much the end result as the process. He always commissions new music and builds the ballet up from the bottom, with the help of an external source of inspiration.

Daniel White in Suite Saint-Saens.© Lucas Chilczuk. (Click image for larger version)

Joffrey Ballet Concert Group – An Evening of Dance – New York

★★★✰✰   The Joffrey Ballet Concert Group, a pre-professional troupe of young dancers under the direction of David Robertson, performed a mixed but very split bill on Thursday night, roughly dividing the six-work program into two moods: spring/summer and dark and stormy.

Ballet Memphis in Gabrielle Lamb's I Am A Woman: Moult.© Ari Denison. (Click image for larger version)

Ballet Memphis – Confluence, I Am a Woman: Moult, The Darting Eyes, Politics – New York

Without a doubt, the most eccentric piece on the program is Gabrielle Lamb’s I Am a Woman: Moult, originally commissioned as part of an evening of works by women choreographers. (A noble cause.) …

Within (Labyrinth Within)Jens Weber, Pontus Lidberg, Gabrielle Lamb and Wendy Whelan (seated, in film).© Christopher Duggan. (Click image for larger version)

Morphoses/Pontus Lidberg – Within (Labyrinth Within) – New York

Within (Labyrinth Within) is no masterpiece, but it presents exciting possibilities for contemporary ballet while avoiding the hyperextended steps and sexual clichés that muddy so much of the field.

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