"Gary Avis" tag
Lauren Cuthbertson in Alice's Adventures in Wonderland.© Johan Persson, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Alice’s Adventures in Wonderland – London

★★★✰✰   Wheeldon and his scenarist, Nicholas Wright, have made theatrical sense of a nonsensical children’s classic. This Alice, though, is a modern pantomime, not a classic ballet.

Alessandra Ferri and Federico Bonelli in Marguerite and Armand.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – 3 casts in The Dream, Symphonic Variations, Marguerite and Armand – London

★★★★✰   In Marguerite and Armand the 3 casts reviewed are Zenaida Yanowsky and Roberto Bolle, Alessandra Ferri and Federico Bonelli, Natalia Osipova and Valdimir Shklyarov.

Natalia Osipova and Edward Watson in Mayerling.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling – London

★★★★★   Edward Watson and Steven McRae casts both reviewed. “…the Royal Ballet is doing MacMillan proud, coming up to the 25th anniversary of his death…”

Lauren Cuthbertson in The Nutcracker.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

★★★★★   The Royal Ballet’s Nutcracker has undergone various changes since its gala premiere in 1984, not least in the central roles of Clara and Drosselmeyer…

Osbert Lancaster's front screen for Frederick Ashton's La Fille mal gardée.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – La Fille mal gardée – London

★★★★✰   Early arrivals for the opening night of the Royal Ballet’s autumn season could watch Peregrine the pony being escorted to the stage door in readiness for his role in La Fille mal gardée…

Ekaterina Krysanova and Vladislav Lantratov in Taming of the Shrew.© Dave Morgan. (Click image for larger version)

Bolshoi Ballet – The Taming of the Shrew – London

★★★✰✰   Maillot’s ballet… belongs to Krysanova and Lantratov, who succeed in conveying that Kate and Petruchio are wildly, equally in love, however crassly they treat each other…

Gary Avis and Francesca Hayward in The Invitation.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear (premiere), The Invitation, Within the Golden Hour – London

★★★★✰   The range of roles shows the Royal Ballet dancers, up-and-coming soloist, established principals and character artists, at their very best.

Calvin Richardson and Edward Watson in Obsidian Tear.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Obsidian Tear and The Invitation

Gallery by Dave Morgan…

Gary Avis and Friends Flyer - 2016

The Royal Ballet’s Gary Avis & Friends – Dance for Suffolk

Led by Gary Avis and a Royal Ballet all-star cast, the company will perform an especially created programme of Royal Ballet classics, hosted by BBC Strictly Come Dancing’s Anton du Beke.

Sylvie Guillem. © Gilles Tapie. (Click image for larger version)

2015 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Romany Pajdak, Grace Blundell, Chisato Katsura, Iana Salenko, Steven McRae and Gina Storm-Jensen in The Nutcracker.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

This Nutcracker production has the best conclusion of any…

Sarah Lamb and Steven McRae in Romeo and Juliet.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Romeo and Juliet – London (Lamb / McRae)

…a production that continues to set the standard against which later versions are measured.

Leo Dixon and Georgina Connolly in Valentino Zucchetti's Orbital Motion.© Foteini Christofilopoulou. (Click image for larger version)

New English Ballet Theatre and Guests – Dancing for Nepal – London

The overall standard of dancing of both NEBT and guests was very good – if the choreography was rather more mixed.

Marianela Nunez and Carlos Acosta in Don Quixote.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – Don Quixote – Washington

At 42, Acosta is still a powerful presence. A much-loved artist around the world, he is undoubtedly one of the greatest male dancers of his generation.

Natalia Osipova and Edward Watson in the Becomings section of Woolf Works.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – London

Woolf Works is a chimera, an illusory creation made up of disparate elements…

Melissa Hamilton and Gary Avis in Alastair Marriott's Lieder pas de deux.© Dave Morgan. (Click image for larger version)

Gallery – Ann Maguire Gala – pieces by Alastair Marriott and Wayne McGregor

Gallery by Dave Morgan…

Marianela Núñez in Swan Lake.© ROH, Alice Pennefather.

Royal Ballet – Swan Lake – London

It is somewhat extraordinary that Anthony Dowell’s staging of Swan Lake is almost thirty years old, given the amount of reservations and mixed feelings it still elicits.

Rupert Pennefather and Emma Maguire in A Month in the Country.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Ashton quad bill – London

Jann Parry reviews Scènes de ballet, Five Brahms Waltzes, Symphonic Variations and A Month in the Country…

Christpher Saunders, Ricardo Cervera and Marianela Nunez in Manon.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

The advantage of a big company accustomed to performing narrative ballets (something we can take for granted with the Royal Ballet) is that it is able to portray a whole society on stage.

Kevin O'Hare (Director The Royal Ballet) receives the QEII Award from Darcey Bussell (President Royal Academy of Dance) and Luke Rittner (CEO of the Royal Academy of Dance).© Elliott Franks, Royal Academy of Dance . (Click image for larger version)

Royal Ballet receives the Royal Academy of Dance’s highest award during fundraising gala

The Royal Academy of Dance (RAD) marked the 60th anniversary of its highest honour – the Queen Elizabeth II Coronation Award (QEII Award) – by giving it to The Royal Ballet. A good time for DanceTabs to catch up with director Kevin O’Hare and some of his dancers at the awards reception…

DanceTabs © 2017 All Rights Reserved

© All here is copyright DanceTabs and the author concerned. Do not steal our words or pictures please. Thank you.