"George Balanchine" tag
Boston Ballet in Balanchine's Symphony in Three Movements.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Program B: Symphony in Three Movements, L’Apres-Midi d’un Faune, Plan to B, Bella Figura – New York

…the dancers seem able to handle whatever comes their way. It’s a quality that will serve them well in their travels.

Roman Zhurbin and Craig Salstein in Cinderella.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

To fully enjoy Ashton, one has to be willing to acquiesce to one’s own softer impulses, a sense of wonder and perhaps a little nostalgia, and to surrender the loveliness of small things.

Misa Kuranaga and Jeffrey Cirio in Rubies, © The George Balanchine Trust.© Rosalie O'Connor. (Click image for larger version

Boston Ballet – Jewels: Emeralds, Rubies, Diamonds – Boston

To close its 50th anniversary season Boston Ballet mounted a splendid production of Balanchine’s 1967 masterpiece Jewels.

Andrew Veyette, Sterling Hyltin and Company in Justin Peck's Everywhere We Go.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala and Justin Peck premiere, Everywhere We Go – New York

Justin Peck has gone from unknown corps-member to choreographer-of-the-moment in a blink of an eye. (He created his first piece for the company in 2012; this is his sixth.)

Danielle Brown and Ricardo Rhodes in Frederick Ashton's Birthday Offering.© Frank Atura. (Click image for larger version)

Sarasota Ballet – Sir Frederick Ashton Festival, Programmes 1-4 – Sarasota

Both as a tribute to Ashton and as a coming-out party, it’s hard to imagine how the festival could have gone better. The ballets are in good hands.

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Washington Ballet – Tour-de-Force: Balanchine! bill – Washington

The gala formula really worked. An eclectic selection of dances – six duets and three short ballets – offered something for almost every taste…

Davon Doane and Ashley Murphy in Dancing on the Front Porch of Heaven.© Rachel Neville. (Click image for larger version)

Dance Theatre of Harlem – 45th Anniversary Season at Lincoln Center – New York

The task Johnson faces is complicated, full of potential pit-falls. In these early seasons she is working to define the company’s character, while helping the dancers to hone their classical training and shine as individuals.

Ashley Laracey in the studio (with Troy Schumacher).© Ani Collier, provided by Troy Schumacher. (Click image for larger version)

Two Young NYCB Choreographers on the Move: Justin Peck and Troy Schumacher

Two young NYCB choreographers have been out talking and showing what they do: Justin Peck at the Guggenheim and Troy Schumacher at the 92nd Street Y. Marina Harss on why they are so worth tracking…

Maude Sabourin (Her Majesty of the Night) with Asier Edeso and Bruno Roque (Archangels of Darkness) in LAC.© Dave Morgan. (Click image for larger version)

Les Ballets de Monte Carlo – LAC (after Swan Lake) – London

All up it’s an entertaining and chic-looking take on Swan Lake, and one where you don’t have to know the original to enjoy it. But I’m glad I have seen a pukka Swan Lake or three…

Maria Kowroski in George Balanchine's Diamonds from Jewels.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – Washington

In many ways, Jewels is Balanchine’s choreographic résumé – a retrospective and a vivid showcase of his aesthetics and creative genius…

Alice Renavand in Fall River Legend.© Anne Deniau. (Click image for larger version)

Paris Opera Ballet – Fall River Legend, Miss Julie – Paris

…an unusual choice of bill. Unusual firstly as the work of two women choreographers, and secondly in that it gives audiences a rare chance to see ballets from the extremely interesting and creative period of the 1940’s and 1950’s, now sadly neglected.

Ethan Stiefel in the studio.© Bill Cooper. (Click image for larger version)

Ethan Stiefel is standing down as Royal New Zealand Ballet Artistic Director after just 3 years

A shame – not long for either him or the company to know one another. Three years is not the normal tenure for being artistic director of a company – 5 would be…

Janie Taylor and Sebastien Marcovici in Balanchine's La Valse.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron, Afternoon of a Faun, Walpurgisnacht Ballet, La Valse – New York

George Balanchine’s favorite composers may have been Stravinsky and Tchaikovsky, but it’s no secret that he also had an affinity for France and its music…

Sarah Van Patten and Anthony Spaulding in Hans van Manen's Variations for Two Couples.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – 2014 Opening Night Gala – San Francisco

The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master…

Justin Peck and Teresa Reichlen in George Balanchine's Concerto Barocco.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Kammermusik No. 2, Who Cares? – New York

There is perhaps no better way to start off a season at New York City Ballet than with a performance of Balanchine’s Concerto Barocco.

Ivan Putrov.© Dave Morgan. (Click image for larger version)

Ivan Putrov – Dancer, Choreographer and Director of Men in Motion

“I want audiences to leave inspired, not scratching themselves in boredom.”

John Craxton, 1997.Photograph by Matthew Thomas, © estate of John Craxton.

John Craxton Exhibition – Cambridge

John Craxton, the celebrated designer of Frederick Ashton’s Daphnis and Chloe, is the subject of an exhibition at the Fitzwilliam Museum in Cambridge…

Roberta Marquez in Emeralds, part of Jewels.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

The Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

Fascinating to see the Royal Ballet’s production of Balanchine’s Jewels not long after the Bolshoi’s account at the Royal Opera House in summer. Unlike the Russians, the Royal Ballet dancers understand the different period conventions of the three ‘acts’…

The Snowflakes in George Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

The Nutcracker – from New York City Ballet, American Ballet Theatre and Gelsey Kirkland Ballet – New York

So far this season I’ve seen three “traditional” Nutcrackers: Ratmansky’s version for American Ballet Theatre, Gelsey Kirkland’s, and the familiar and much-loved 1954 staging by George Balanchine for New York City Ballet. All three have their charms…

Zenaida Yanowsky in Rubies, part of Jewels.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Jewels

Gallery by Dave Morgan…

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