"George Balanchine" tag
Violeta Angelova and Kirk Henning in the Scene d’amour from Romeo and Juliet, choreography by Maurice Bejart.© Rosalie O'Connor. (Click image for larger version)

Suzanne Farrell Ballet – Walpurgisnacht Ballet, Midsummer Night’s Dream, Romeo and Juliet, Emeralds – Washington

Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s death. It offered an appealing mix of four ballets

James Whiteside in Marcelo Gomes’ AfterEffect.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – AfterEffect, (Company B, The Green Table) – New York

…mostly the ballet (AfterEffect) is an enthusiastic love letter from Gomes to his company, and was received as such by the enthusiastic audience at the Koch…

Marianela Nunez and Carlos Acosta in his Carmen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Carmen, Viscera, Afternoon of a Faun, Tchaikovsky pas de deux – London

Acosta’s Carmen is far from a disaster, propelled by committed performances and Tim Hatley’s dramatic designs…

Ballet Memphis in Gabrielle Lamb's I Am A Woman: Moult.© Ari Denison. (Click image for larger version)

Ballet Memphis – Confluence, I Am a Woman: Moult, The Darting Eyes, Politics – New York

Without a doubt, the most eccentric piece on the program is Gabrielle Lamb’s I Am a Woman: Moult, originally commissioned as part of an evening of works by women choreographers. (A noble cause.) …

Vadim Muntagirov and Sarah Lamb in Afternoon of a Faun.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Carmen, Viscera, Afternoon of a Faun and Tchaikovsky pas de deux

Gallery by Dave Morgan…

ABT in The Green Table.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Le Spectre de la Rose, Valse Fantaisie, The Green Table, Valse Fantaisie, Company B – New York

A highlight of the season is the return of Kurt Jooss’s The Green Table, made in 1932. This meditation on the folly of war in eight scenes has lost none of its punch…

Birmingham Royal Ballet in Balanchine's Theme and Variations.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – Themes & Variations, Enigma Variations, The King Dances – London

The 28-strong cast rose to the challenge of Themes and Variations, with its tricky footwork and complicated formations…

David Drew in his later years - here as the Duke of Courland in Giselle.© John Ross, courtesy the Royal Opera House. (Click image for larger version)

Obituary: David Drew, Royal Ballet Principal, with the company 56 years

David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.

Delia Matthews in Alexander Whitley's Kin.© Dave Morgan. (Click image for larger version)

Gallery – Birmingham Royal Ballet in Theme and Variations, Enigma Variations and Kin.

Gallery by Dave Morgan…

Joaquin De Luz in George Balanchine’s Harlequinade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Harlequinade, N.Y. Export: Opus Jazz – New York

One expects Harlequinade to be a fairly routine and dramatically flat affair. But Tiler Peck and Joaquin De Luz – as Colombine and Harlequin – take it to another level.

Delia Mathews and Brandon Lawrence in Swan Lake.© Andrew Ross. (Click image for larger version)

Birmingham Royal Ballet – Swan Lake (Mathews and Lawrence) – Birmingham

Some partnership work because the dancers are so different and others, as here, work because they share a style and approach – unaffected, nuanced, true and richly musical.

Suzanne Farrell.© Paul Kolnik. (Click image for larger version)

Interview: Suzanne Farrell – Artistic Director

We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the Kennedy Center, which runs 30 Oct – 1 Nov 2015.

Adrian Danchig-Waring and Sara Mearns in Kim Brandstrup's Jeux.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jeux + Polaris, The Blue Distance, Common Ground, New Blood – New York

Jeux, has a distinctly adult atmosphere and a highly cinematic look. Actually, the look might be the most interesting thing about it…

New York City Ballet in George Balanchine’s Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liebeslieder Walzer, Tchaikovsky Suite No. 3 – New York

A great Liebeslieder is like a short story, a complete world in fifty minutes of dancing; this Liebeslieder is still a work in progress.

Deborah Lohse and Mark Gindick in Doug Elkins' Hapless Bizarre.© Jamie Kraus for Jacobs Pillow 2014. (Click image for larger version)

Fall For Dance Festival at City Center – Programs 1 and 2 – New York

For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance…

Sara Mearns in Peter Martins' Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Swan Lake – New York

Martins’ Swan Lake tries to be too many things to too many people.

Guggenheim's Works and Process showing of Harlequinade.© Works & Process at the Guggenheim/Jacklyn Meduga. (Click image for larger version)

Works and Process at the Guggenheim – Petipa, Balanchine and Harlequinade

The most recent Works & Process at the Guggenheim looked at Commedia dell’arte ballets from Petipa (“Les millions d’Arlequin”) and Balanchine: “Harlequinade”…

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Kathleen Breen Combes.© Liza Voll. (Click image for larger version)

Kathleen Breen Combes – Principal, Boston Ballet

I was told my body type wasn’t really ideal, and during high school I had ballet teachers who said that maybe I should consider pursuing college because my body wasn’t suitable for classical ballet…

Paloma Herrera in a studio photograph for Sleeping Beauty.© Juan Mathé. (Click image for larger version)

Paloma Herrera – former American Ballet Theatre Principal, dancer and teacher

Next year I want to dedicate more time to teaching, and finally bring out my clothing line, under the brand Paloma Herrera…

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