"George Gershwin" tag
Tiler Peck and the company in The Times Are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – American Rhapsody, The Four Temperaments, The Times Are Racing – Washington

★★★✰✰   To watch works created by the 29-year old Justin Peck, resident choreographer of New York City Ballet, is to experience what it feels like to be young.

Clare Halse and the company of 42nd Street.© Brinkhoff & Moegenburg. (Click image for larger version)

42nd Street / An American in Paris – London

42nd Street ★★★★★ / An American in Paris ★★★★✰ – Jann Parry reviews “42nd Street” and takes another look at “An American in Paris”, this time with Ashley Day partnering Leanne Cope…

Maria Vega Dance Company in A Dancer's Journey.© David Cancelado. (Click image for larger version)

Maria Vega Dance Company – A Dancer’s Journey – London

★★★★✰   Vega has assembled an impressive team for the first leg of her new dance company’s journey. However, she is the talisman throughout.

Federico Bonelli and Natalia Osipova in Strapless.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Wheeldon bill: Strapless, After the Rain, Within the Golden Hour – London

★★★✰✰ Wheeldon’s talents are on display, as well as the Royal Ballet’s dancers. A pity, then, that Strapless has been exposed without previews to sort out its weaknesses.

Sara Mearns and Adrian Danchig-Waring in Glass Pieces.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Masters at Work and All Balanchine I bills – New York

★★★★✰ (20), ★★★✰✰ (21) The temperature in Glass Pieces was uncharacteristically low. Under the baton of Clotilde Otranto, the orchestra sounded muffled…

Ivan Putrov.© Elliott Franks. (Click image for larger version)

Ivan Putrov – Men in Motion – Lodz Ballet Festival

The most impressive (if not, incredible) thing is that his scratch company exudes the professionalism that one would expect from a tight-knit group that has lived, trained, rehearsed and performed together for seasons.

Leanne Cope and Robert Fairchild in An American in Paris.© Angela Sterling. (Click image for larger version)

An American in Paris – Broadway Ballet

After its premiere in Paris last autumn, Christopher Wheeldon’s An American in Paris is about to open in New York. Marina Harss talks to Wheeldon and the 2 stars of the show – Leanne Cope and Robert Fairchild…

Eifman Ballet in Up & Down.© Evgeny Matveev. (Click image for larger version)

Eifman Ballet – Up & Down – St. Petersburg

IMHO, there is no better story-telling choreographer around today….

Ballet Nice Mediterranee in Pas de Dieux.© Dominique Jaussein. (Click image for larger version)

Ballet Nice Mediterranee – Soir de Fête, Pas de Dieux – Nice

Vu-An writes in the programme that he has chosen the two ballets Soir de Fete and Pas de Dieux to make up an entertaining and enjoyable programme for the festive season. However, he has chosen two very contrasting and rather curious works…

Leanne Cope and Robert Fairchild in rehersals for An American in Paris.© Matt Trent Photography. (Click image for larger version)

Christopher Wheeldon – An American in Paris – Paris

As in his narrative ballets, Wheeldon crams in too many ideas. What he does supremely well is to convey emotions beyond words in his pas de deux and solos.

New Ballet Ensemble at the National Symphony Orchestra: NEW MOVES program.© Scott Suchman. (Click image for larger version)

New Ballet Ensemble – Program 2, National Symphony Orchestra: NEW MOVES: symphony + dance season – Washington

Smythe’s Harlem was a riot of imagination, movement and color. The choreography blended together three seemingly unmixable styles of dance – classical ballet, jookin’ and flamenco…

Justin Peck and Teresa Reichlen in George Balanchine's Concerto Barocco.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Kammermusik No. 2, Who Cares? – New York

There is perhaps no better way to start off a season at New York City Ballet than with a performance of Balanchine’s Concerto Barocco.

Janie Taylor and Anthony Huxley in George Balanchine's Ivesiana.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Who Cares?, Ivesiana, Tarantella, Stars & Stripes – New York

But stuck in the middle of all this brightness was Ivesiana, like a ghost at a birthday party. It is a most unsettling ballet.

NYCB in Jerome Robbins' West Side Story Suite. © Paul Kolnik. (Click image for larger version)

New York City Ballet – All American bill – Washington

Fortunately, Jerome Robbins’ West Side Story Suite, the final dance of the evening, was anything but tedious. One of the greatest entertainers in ballet, Robbins knew how to keep his audiences awake, engaged, and excited.

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