"Giselle" tag
Laura Morera in Song of the Earth (with Edward Watson in full version).© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Interview – Laura Morera – Principal, The Royal Ballet

“I’ve never won a prize before…” on the day Laura Morera won an Outstanding award at the National Dance Awards, Margaret Willis had a long chat with the excited, and much loved, Royal Ballet principal…

Yakatarina Verbosovich and Chase Johnsey.© Zoran Jelenic. (Click image for larger version)

Chase Johnsey, Dancer, Les Ballets Trockadero de Monte Carlo

Yet again the Trocks had a fabulous critical reception during their Autumn UK tour and mentioned in nearly every review was Chase Johnsey, or in Trocks speak their petite ballerina Yakatarina Verbosovich. So what makes Chase/Yakatarina tick? Time for an interview…

Lawrence Rines.© Vikki Sloviter Portrait Photography. (Click image for larger version)

Lawrence Rines – Boston Ballet, Corps de Ballet

“I feel as though now that I’m older, working smart is the best thing as a dancer and artist. It’s not about NOT trying as hard as when I was younger, but really thinking about things.”

Romany Pajdak, Grace Blundell, Chisato Katsura, Iana Salenko, Steven McRae and Gina Storm-Jensen in The Nutcracker.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

This Nutcracker production has the best conclusion of any…

Lauren King and New York City Ballet in The Nutcracker.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Nutcracker – New York

Tchaikovsky’s Nutcracker… has been described as a “symphony of childhood”; it is that, and more.

Svetlana Zakharova and Edvin Revazov in Lady of the Camellias.© Damir Yusupov. (Click image for larger version)

Bolshoi Ballet – The Lady of the Camellias – live cinema screening

Dance on film is a tricky thing. On the one hand it provides a unique opportunity to see dance up close and to see foreign repertoires and artists; on the other, it lacks the intangible live chemistry that can electrify an opera house.

Julie Loria andTakafumi Watanabe in The Beast and Beauty.© David Herrero. (Click image for larger version)

Cannes Dance Festival – Ballet du Capitole de Toulouse: The Beast and Beauty, Lyon Opera Ballet: Kylian bill – Cannes

For the festival Brigitte Lefèvre chose an eclectic mixture of popular and audacious programmes from twelve different companies – mainly regional French companies… some smaller independent groups and international companies from Korea, Argentina and Spain.

José Manuel Carreño.© Chris Hardy. (Click image for larger version)

José Manuel Carreño – Artistic director of Silicon Valley Ballet

José Manuel Carreño on being a great Cuban dancer, now director of Silicon Valley Ballet, and the strong relations developing between the USA and Cuba and what that means for ballet.

David Drew in his later years - here as the Duke of Courland in Giselle.© John Ross, courtesy the Royal Opera House. (Click image for larger version)

Obituary: David Drew, Royal Ballet Principal, with the company 56 years

David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Kathleen Breen Combes.© Liza Voll. (Click image for larger version)

Kathleen Breen Combes – Principal, Boston Ballet

I was told my body type wasn’t really ideal, and during high school I had ballet teachers who said that maybe I should consider pursuing college because my body wasn’t suitable for classical ballet…

Dores André.© Chris Hardy. (Click image for larger version)

Dores André – Principal, San Francisco Ballet

If it was up to me, I would pay more [salary] to the corps than to the principals. Half the ballet depends on them, and it is very hard to be in a good mood and trying your hardest every day when you are not getting the attention and the development that we get as principals and soloists.

Paloma Herrera in a studio photograph for Sleeping Beauty.© Juan Mathé. (Click image for larger version)

Paloma Herrera – former American Ballet Theatre Principal, dancer and teacher

Next year I want to dedicate more time to teaching, and finally bring out my clothing line, under the brand Paloma Herrera…

Natalia Osipova and Ivan Vasiliev in Facada.© Souheil Michael Khoury. (Click image for larger version)

Natalia Osipova and Ivan Vasiliev – Solo for Two: Zeitgeist, Mozart & Salieri, Facada – New York

Dancers should be allowed to have fun, especially when they’ve worked as hard as Ivan Vasiliev and Natalia Osipova…

Zenaida Yanowsky.© Rob Moore, ROH. (Click image for larger version)

Interview – Zenaida Yanowsky – Principal, The Royal Ballet

The Royal Ballet’s Zenaida Yanowsky talks about her long career and also about the joys of working with Carlos Acosta – part of which is appearing with him in ‘Cubania’ this summer…

National Ballet of China in the Red Detachment of Women.© National Ballet of China. (Click image for larger version)

National Ballet of China – Peony Pavilion, Red Detachment of Women – New York

The National Ballet of China dancers are beautifully trained, surprisingly tall, willowy – even the men – and delicately featured.

Marianela Nuñez and James Whiteside in Cinderella.© MIRA. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

Two 2 casts reeviewed – led out by Stella Abrera and a guesting Marianela Nunez. But the star of Cinderella is the ballet itself – Ashton’s tribute to Petipa, to silliness, and to the power of childlike wonder…

Misty Copeland and Alexandre Hammoudi in Romeo and Juliet.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Copeland/Hammoudi) – New York

The million-dollar question for any dancer on the cusp is this: can they carry an evening-length story ballet? The answer, on the evidence of Copeland’s début in Romeo and Juliet, is yes.

Doug Fullington, in the studio with Marian Smith, working on Giselle at Pacific Northwest Ballet.© Angela Sterling. (Click image for larger version)

Doug Fullington – on Stepanov Notation

Some of the great 19 century Russian ballet classics were recorded in Stepanov notation – Doug Fullington is one of the few people in the world who can understand Stepanov’s hieroglyphics and what they represent for those looking to do justice to the past…

Tamara Rojo.© Johan Persson. (Click image for larger version)

Tamara Rojo – Director and Principal Dancer, English National Ballet – in her own words

It was only when I worked with Mats Ek that I understood who I was as a dancer.

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