His is an insider’s account, complete with waspish comments and cameos of the famous people he encountered…
Nearly 2 years into his directorship at RNZB, Michelle Potter talks to Francesco Ventriglia about his life before joining the company and broad hopes for the company.
★★★✰✰ Murphy is a sensual Odette, something made all the more effective by Stearns’ tenderness.
★★★★✰ On opening night, Svetlana Lunkina in the title role gave one of those unique performances in which the ballerina completely disappears into her heroine, putting her entire living self into the role.
★★★✰✰ The production nevertheless intrigues the eye and is fueled by the exceptional dancing of the company’s talented and dedicated dancers.
★★★★✰ Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.
★★★✰✰ Sophie Martin’s Odette/Odille, despite the costume, steals the show with layers of dramatic nuance on top of the pushed lines of Dawson’s steps.
★★★★✰ Wheeldon has succeeded in turning an often intractable play into an emotionally moving ballet.
★★★★✰ Lamb’s mad scene is all the more effective by starting as though she’s a broken porcelain doll, uncomprehending. She retreats into her herself in disbelief at Albrecht’s treachery.
Natalia Osipova and Matthew Golding cast. Gallery by Dave Morgan…
“I’ve never won a prize before…” on the day Laura Morera won an Outstanding award at the National Dance Awards, Margaret Willis had a long chat with the excited, and much loved, Royal Ballet principal…
Yet again the Trocks had a fabulous critical reception during their Autumn UK tour and mentioned in nearly every review was Chase Johnsey, or in Trocks speak their petite ballerina Yakatarina Verbosovich. So what makes Chase/Yakatarina tick? Time for an interview…
This Nutcracker production has the best conclusion of any…
Tchaikovsky’s Nutcracker… has been described as a “symphony of childhood”; it is that, and more.
Dance on film is a tricky thing. On the one hand it provides a unique opportunity to see dance up close and to see foreign repertoires and artists; on the other, it lacks the intangible live chemistry that can electrify an opera house.
Cannes Dance Festival – Ballet du Capitole de Toulouse: The Beast and Beauty, Lyon Opera Ballet: Kylian bill – Cannes
For the festival Brigitte Lefèvre chose an eclectic mixture of popular and audacious programmes from twelve different companies – mainly regional French companies… some smaller independent groups and international companies from Korea, Argentina and Spain.
José Manuel Carreño on being a great Cuban dancer, now director of Silicon Valley Ballet, and the strong relations developing between the USA and Cuba and what that means for ballet.