"Glen Tetley" tag
Cesar Morales.© Andres Cabezas. (Click image for larger version)

Cesar Morales – Principal Dancer, Birmingham Royal Ballet

So how did a good Chilean boy end up dancing ballet in Europe…

Mara Galeazzi.© and courtesy the Royal Opera House.

Interview – Mara Galeazzi on Woolf Works, her wider career and dancing on…

She found that she came back to perform with the company she left five years ago with a different approach. ‘I know more about why I love to perform…’

Iain Mackay (Prospero) in David Bintley's The Tempest.© Dave Morgan. (Click image for larger version)

Birmingham Royal Ballet – The Tempest – London

★★★✰✰   Bintley has treated Shakespeare’s drama as a masque, full of spectacle, music and dancing, with elusive characters that are more allegorical than realistic. It doesn’t work as a narrative ballet because the sub-plots are too complicated…

Karen Kain.© Aleksandar Antonijevic, courtesy NBoCanada. (Click image for larger version)

Interview: Karen Kain – Artistic Director, National Ballet of Canada

The much admired Karen Kain has been directing the National Ballet of Canada for 10 years now – Oksana Khadarina catches up with her as the company prepare to visit Washington with Christopher Wheeldon’s “Winter’s Tale”…

Tura Gomez Coll as Ariel in The Tempest.© K. Mystkowski. (Click image for larger version)

Baltic Dance Theatre – The Tempest – Gdansk

Weiss is taking Baltic Dance Theatre on a journey that needs to be seen outside as well as inside Poland.

Juliet Burnett.© Daniel Boud, courtesy Australian Ballet.

The Australian Ballet farewells Senior Artist Juliet Burnett

Onwards and Upwards we say to the great Juliet Burnett – who writes wonderful blogs for DanceTabs. Media Release from The Australian Ballet The Australian Ballet farewells Senior Artist Juliet Burnett After 12…

Youn Sik Kim, Hyejin Shin and Young-Cheol Lee in Glen Tetley's The Rite of Spring.© Sunkyung Reina Jang. (Click image for larger version)

Gallery – Korean National Ballet in The Seventh Symphony and The Rite of Spring

See the full gallery at… Sunkyung Reina Jang: Korean National Ballet in The Seventh Symphony and The Rite of Spring More details: www.kballet.org    

Sara Mearns and Adrian Danchig-Waring in Liam Scarlett's Acheron.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Acheron (Scarlett premiere), Vespro, Spectral Evidence – New York

Acheron, Liam Scarlett’s new piece, revealed a choreographer of prodigious imagination and compositional craft, adept at building an atmosphere and suffusing it with traces of meaning.

The Dance Odysseys poster image.© Graham Wylie. (Click image for larger version)

Dance Odysseys at the 2013 Edinburgh Festival – 4 days of total dance immersion with Scottish Ballet and others…

Dance Odysseys at the 2013 Edinburgh Festival with reviews on 20 dance works by Scottish Ballet, Scottish Dance Theatre, Gelabert Azzopardi Companyia de Dansa, James Cousins and Rosie Kay. Also thoughts on 4 rare films and links to much video material and many other reviews. It’s big!

Virginia Johnson.© Rachel Neville. (Click image for larger version)

Virginia Johnson – Artistic Director, Dance Theatre of Harlem

Wherever Virginia Johnson goes, she seems to travel on a cloud, with a kind of regal composure few possess in our day. She appears imperturbable…

Luke Ahmet in Glen Tetley’s Pierrot Lunaire for Scottish Ballet’s Dance Odysseys.© Andrew Ross. (Click image for larger version)

Scottish Ballet – Pierrot Lunaire (part of Dance Odysseys) – Edinburgh

In my book nobody has ever truly rivalled Christopher Bruce in the role, either for pathos or style, but Luke Ahmet came close.

Noureev & Friends Gala poster.© Noureev & Friends. (Click image for larger version)

Noureev & Friends Gala – Paris

Graham Watts was at the Palais Des Congres for us to celebrate the 75th anniversary of Rudolf Nureyev’s birth…

PRESS RELEASE: New Artistic Director of The Royal Ballet School announced

We are pleased to announce the appointment of Christopher Powney to the new post of Artistic Director Designate. Christopher will take up his position in April 2014.

Scottish Ballet at 2013 Edinburgh Festival – work from 14 choreographers

Press Release 12 March 2013 SCOTTISH BALLET presents DANCE ODYSSEYS Edinburgh International Festival Festival Theatre Edinburgh Friday 16 – Monday 19 August 2013 Scottish Ballet invites Edinburgh International Festival audiences to experience dance…

Alina Cojocaru and Jason Reilly in Onegin.© Bill Cooper, by kind permission of the Royal Opera House. (Click image for larger version)

The Royal Ballet – Onegin – London

Cojocaru is as great a dance-actress in the final scene as any I’ve been privileged to see – and that includes Lynn Seymour, Natalia Makarova and Ekaterina Maximova.

Lana Jones, Rudy Hawkes, Adam Bull and Amber Scott in Gemini.© Jeff Busby. (Click image for larger version)

Australian Ballet – Icons bill: The Display, Gemini, Beyond Twelve – Melbourne

At the time of its premiere in 1964 The Display shocked its audiences. Highly sexualized, violent and thoroughly modern, the ballet divided audiences and critics. But, seen in the context of Helpman’s life, the choices within the work begin to make sense.

Desmond Kelly at the launch of Ballet Hoo!.Courtesy of Birmingham Royal Ballet ©. (Click image for larger version)

Desmond Kelly – Artistic Director Elmhurst and Governor of the Royal Ballet Companies

My nickname in BRB used to be Bastard – and something happened with Ballet Hoo! – I don’t know whether it’s my age, or the kids we worked with, but it made me realise that you can get the best out of dancers and students by coming in on a certain level and talking to them on a certain level – not always shouting. I do shout still, I do get very angry…

Sergei Polunin in Narcisse. © Dave Morgan.

Ivan Putrov – Men in Motion – London

After all the fuss about Sergei Polunin abruptly leaving the Royal Ballet, guess who stole the Men in Motion show? Daniel Proietto, in the AfterLight solo Russell Maliphant made for him in 2010. Admittedly, you could read the 15-minute solo as a warning of the fate awaiting a troubled dancer deprived of the support of a company of colleagues

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